I Am Cuba— “Soy Cuba” in Spanish; “Ya Kuba” in Russian—is a Soviet/Cuban film produced in 1964 by director Mikhail Kalatozov at Mosfilm. The movie was not well received by the Russian or Cuban public and was almost completely forgotten until its rediscovery thirty years later by American filmmakers. The movie’s acrobatic tracking shots and idiosyncratic mise-en-scène prompted Hollywood directors like Martin Scorsese to campaign to restore the movie in the early 1990s. In 2006, Dulzaides traveled to Cuba to remake a small part of the film which became Scene I Am Cuba , a two-fold narrative in which one story line is based on a real event, and the other is the process of turning evidence into the theatrical.
Felipe Dulzaides studied drama at the Instituto Superior de Arte of Havana and received a MFA in New Genres from the San Francisco Art Institute. A poetic and metaphoric sensibility underlies his practice, which ranges from single-channel videos to video installations and documentaries. Some of his works begin with actions executed for the camera; others use autobiographical experiences to illustrate the emotional stress of cultural displacement or to reveal memory as an unstable process of endless revision. Dulzaides oscillates between his American and Cuban identities, and he views his bicultural background as a bridge. He has received prestigious awards from the Cintas Fellowship, Creative Work Fund, Art Matters, and the Rome Prize among others and his work has been included in biennials, museums, contemporary galleries and art centers around the world.
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© 2023 All rights reserved - The Eye of Photography Jour de pêche - Russie 2019 © Corinne Vachon Ali Khan - Afghanistan 2019 © Corinne Vachon Rosan Gela - Pérou 2022 © Corinne Vachon Shambi Balas - Afghanistan 2019 © Corinne Vachon Jeunes Nénètses - Russie 2018 © Corinne Vachon On the occasion of PhotoSaintGermain and PARIS PHOTO, DartBLAY a gallery in Paris since 2011, presents SI LOIN, SI PROCHE, an exhibition displaying the photographic diary of Corinne Vachon, around the world...
Weekly Picks: Singapore (30 July - 5 August 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Singapore July 30, 2018 How To Be Happy (again) by Ethos Books 5 Aug 2018 As part of Esplanade’s Spoken Word Sunday series, How To Be Happy (again) will start the series off this sunday! It will be an evening of rhyme and rhythm filled with words exploring happiness and the notion of a greater good...
Rocket Society refers to a space project led by a group of Armenian researchers at the beginning of the 1960s...
Coco Fusco "Tomorrow, I will become an Island" KW Institute of Contemporary Art / Berlin | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...
Through the language of dance and choreography, Void by Joshua Serafin narrates the creation of a new God, the birth of a futuristic deity...
Looking away for clarity: “First Fleet” by Nine Years Theatre | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo: Bernie Ng August 9, 2019 By Nabilah Said (1,100 words, 6-minute read) “The best seats are on the sides.” A friend’s advice guided my decision when I went to review First Fleet by Nine Years Theatre...
Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994)...
A Change of Perspective — Ndayé Kouagou — Frac île-de-france, le Plateau — Exposition — Slash Paris Connexion Newsletter Twitter Facebook A Change of Perspective — Ndayé Kouagou — Frac île-de-france, le Plateau — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour A Change of Perspective — Ndayé Kouagou Exposition Film, performance, techniques mixtes, vidéo À venir Ndayé Kouagou, A coin is a coin, 2022 © Ndayé Kouagou A Change of Perspective Ndayé Kouagou Dans 2 mois : 21 septembre 2023 → 18 février 2024 Emblématique des artistes de sa génération, Ndayé Kouagou n’établit pas de hiérarchie entre ses différentes pratiques articulées autour du langage...
On the occasion of publishing A Partial Taxonomy of Linear Ornament — Both Established and Original — Organized by Shape, Symmetry, Dimension, Iteration and Projection— Including Extrude the Extrusion and Ornament as Entheogen, Tauba Auerbach discusses a range of topics, from topology to gesture, Traditional Chinese Medicine, architecture and (a)symmetry...
Pratchaya Phinthong’s work has explored the mineral and karmic economies of Laos, a country that shares language, beliefs, and a long border with his own native region of Isaan (Northeast Thailand)...
Colin Brant’s communion with the inconstant – Two Coats of Paint Colin Brant, Lake Louise / Poppies, oil on canvas, 50 x 60 inches Contributed by Natasha Sweeten / You might consider the title of Colin Brant’s quietly inspiring exhibition “Mountains Like Rivers,” currently on view at Platform Project Space, an invitation to a world flipped on its end: what’s inherently solid becomes liquid, what’s up is now down...
Mouvement 1 — Exposition performative — Système D — Exhibition — Slash Paris Login Newsletter Twitter Facebook Mouvement 1 — Exposition performative — Système D — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Mouvement 1 — Exposition performative Exhibition Performance, sound - music Upcoming Graphisme : clarahoya.ch Mouvement 1 Exposition performative In 2 days: February 14 → 23, 2024 Mouvement 1 est une exposition performative où rien n’est immuable...