I Am Cuba— “Soy Cuba” in Spanish; “Ya Kuba” in Russian—is a Soviet/Cuban film produced in 1964 by director Mikhail Kalatozov at Mosfilm. The movie was not well received by the Russian or Cuban public and was almost completely forgotten until its rediscovery thirty years later by American filmmakers. The movie’s acrobatic tracking shots and idiosyncratic mise-en-scène prompted Hollywood directors like Martin Scorsese to campaign to restore the movie in the early 1990s. In 2006, Dulzaides traveled to Cuba to remake a small part of the film which became Scene I Am Cuba , a two-fold narrative in which one story line is based on a real event, and the other is the process of turning evidence into the theatrical.
Felipe Dulzaides studied drama at the Instituto Superior de Arte of Havana and received a MFA in New Genres from the San Francisco Art Institute. A poetic and metaphoric sensibility underlies his practice, which ranges from single-channel videos to video installations and documentaries. Some of his works begin with actions executed for the camera; others use autobiographical experiences to illustrate the emotional stress of cultural displacement or to reveal memory as an unstable process of endless revision. Dulzaides oscillates between his American and Cuban identities, and he views his bicultural background as a bridge. He has received prestigious awards from the Cintas Fellowship, Creative Work Fund, Art Matters, and the Rome Prize among others and his work has been included in biennials, museums, contemporary galleries and art centers around the world.
Working independently, Herndon experimented at the forefront of a now-canonical method—appropriation—by painting additions into found images from magazines such as Life and Sports Illustrated in a way that imbues the resulting works with mythical significance...
Lynn Hershman Leeson’s genre-bending documentary Strange Culture tells the story of how one man’s personal tragedy turns into persecution by a paranoid, conservative, and overzealous government...
Visalia Livestock Market, Visalia, California results from Lockhart’s prolonged investigation of an agricultural center and community...
The American War , which takes its title from the Vietnamese term for what Americans call the Vietnam War, has toured the United States extensively with the goal of presenting a Vietnamese perspective of that history...
McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works...
Kelley’s 2015 portrait of the poet Charles Baudelaire is one of a series of poets, rappers, and other thinkers who have influenced the artist’s ideas about beauty, creativity, and expression...
Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner...
Lockhart’s film Lunch Break investigates the present state of American labor through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U...
The title Untitled Passport II was first used by Felix Gonzalez-Torres in an unlimited edition of small booklets, each containing sequenced photographs of a soaring bird against an open sky...
Sweet Jesus is a sound installation by Lutz Bacher that consists of a found recording of James Earl Jones’ iconic voice reciting biblical genealogy from Matthew, Book 1...
Michelle Handelman’s video work Irma Vep, The Last Breath takes its inspiration from Musidora, a famous French silent film actress, and a character she played called Irma Vep, from the film Les Vampires (1915), directed by Louis Feuillade...
Trevor Paglen’s ongoing research focuses on artificial intelligence and machine vision, i.e...
In the video The Syphilis of Sisyphus (2011), Reid Kelley transported her heroine to the French demimonde...
The theme of the end of the world, of the last man on earth, recurs in our literary and cinematographic culture and in our imaginary: “we had this dream before, the dream that we’re alone.” In The Secret Life of Things , the narrator presents himself as an enthusiast and expert on films announcing the end of the world and those staging someone waking up to discover that they are the only survivor on earth...
The Black Canyon Deep Semantic Image Segments by Trevor Paglen merges traditional American landscape photography (sometimes referred as ‘frontier photography’ for sites located in the American West) with artificial intelligence and other technological advances such as computer vision...
This is not in Spanish looks at the ways in which the Chinese population in Mexico navigates the daily marginalization they encounter there...
Paint and Unpaint is an animation by Kota Ezawa based on a scene from a popular 1951 film by Hans Namuth featuring Jackson Pollock...
First Born by Rachel Rose is part of a series of works titled Borns which expands on the artist’s longstanding interest in the organic shape of eggs...
The video 9000 PIECES by Euan Macdonald was filmed at a musical instrument factory in Shanghai where 90 percent of the pianos that they manufacture are exported around the world, and only 10 percent are “finished” and can be labeled “Made in the US (or) Europe.” The video captures an intricate network of mechanisms as they interact with each other, their rhythmic movements resulting in an intense choreography and a cacophony of metallic sounds dramatized by Macdonald’s editing...