I Am Cuba— “Soy Cuba” in Spanish; “Ya Kuba” in Russian—is a Soviet/Cuban film produced in 1964 by director Mikhail Kalatozov at Mosfilm. The movie was not well received by the Russian or Cuban public and was almost completely forgotten until its rediscovery thirty years later by American filmmakers. The movie’s acrobatic tracking shots and idiosyncratic mise-en-scène prompted Hollywood directors like Martin Scorsese to campaign to restore the movie in the early 1990s. In 2006, Dulzaides traveled to Cuba to remake a small part of the film which became Scene I Am Cuba , a two-fold narrative in which one story line is based on a real event, and the other is the process of turning evidence into the theatrical.
Felipe Dulzaides studied drama at the Instituto Superior de Arte of Havana and received a MFA in New Genres from the San Francisco Art Institute. A poetic and metaphoric sensibility underlies his practice, which ranges from single-channel videos to video installations and documentaries. Some of his works begin with actions executed for the camera; others use autobiographical experiences to illustrate the emotional stress of cultural displacement or to reveal memory as an unstable process of endless revision. Dulzaides oscillates between his American and Cuban identities, and he views his bicultural background as a bridge. He has received prestigious awards from the Cintas Fellowship, Creative Work Fund, Art Matters, and the Rome Prize among others and his work has been included in biennials, museums, contemporary galleries and art centers around the world.
Working independently, Herndon experimented at the forefront of a now-canonical method—appropriation—by painting additions into found images from magazines such as Life and Sports Illustrated in a way that imbues the resulting works with mythical significance...
Lynn Hershman Leeson’s genre-bending documentary Strange Culture tells the story of how one man’s personal tragedy turns into persecution by a paranoid, conservative, and overzealous government...
Carland’s series of large-format photographs Lesbian Beds (2002) depicts beds that have been recently vacated...
Kelley’s 2015 portrait of the poet Charles Baudelaire is one of a series of poets, rappers, and other thinkers who have influenced the artist’s ideas about beauty, creativity, and expression...
The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico...
The Simpson Verdict is a three-minute animation by Kota Ezawa that portrays the reading of the verdict during the OJ Simpson trial, known as the “most publicized” criminal trial in history...
Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself...
Priapus Agonistes by Mary Reid Kelley and Patrick Kelley is the first work in The Minotaur Trilogy (2013-2015), a trio of videos that reimagine the Greek myth of the Minotaur...
Blindseye Arranger (Max) (2013) features a greyscale arrangement of rudimentary shapes layered atop one another like a dense cluster of wood block prints, the juxtaposition of sharp lines and acute angles creating an abstracted field of rectangular and triangulated forms composed as if in a cubist landscape...
Sweet Jesus is a sound installation by Lutz Bacher that consists of a found recording of James Earl Jones’ iconic voice reciting biblical genealogy from Matthew, Book 1...
The Black Canyon Deep Semantic Image Segments by Trevor Paglen merges traditional American landscape photography (sometimes referred as ‘frontier photography’ for sites located in the American West) with artificial intelligence and other technological advances such as computer vision...
The title Untitled Passport II was first used by Felix Gonzalez-Torres in an unlimited edition of small booklets, each containing sequenced photographs of a soaring bird against an open sky...
Trevor Paglen’s ongoing research focuses on artificial intelligence and machine vision, i.e...
To make Mickey Mouse (2010), Paul McCarthy altered a found photograph—not of the iconic cartoon, but of a man costumed as Mickey...
White Corner (2006) is a video installation, projected on two protruding perpendicular walls...
In the video The Syphilis of Sisyphus (2011), Reid Kelley transported her heroine to the French demimonde...
Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...
Nuevo Dragon City is a reenactment of a historical event from 1927 in which six Chinese were either trapped or voluntarily hid themselves inside a building in northern Mexico...
Half Dome Hough Transform by Trevor Paglen merges traditional American landscape photography (sometimes referred as ‘frontier photography’ for sites located in the American West) with artificial intelligence and other technological advances such as computer vision...
Michelle Handelman’s video work Irma Vep, The Last Breath takes its inspiration from Musidora, a famous French silent film actress, and a character she played called Irma Vep, from the film Les Vampires (1915), directed by Louis Feuillade...