Sans titre n°10 (Temps mort)

2008 - Photography (Photography)

47 x 63 x 5 cm

Mohamed Bourouissa


Temps Mort is the result of one year of mobile phone exchanges of still images and videos between the artist and a person incarcerated in prison. Mohamed Bourouissa directs the scenes to be reconstructed inside the prison from a distance. With sketches and instructions, he indicates in detail the sort of shots he would like to receive. He prints, re-photographs and develops them to scale in order to stay as close as possible to the low definition of the initial images.


Mohamed Bourouissa became known in the 2000s with a series of photographs on young people in the suburbs of Paris. His work later evolved into video, sculpture, and installation, but remained focused on issues related to immigration and the social-economic processes that lead to integration or exclusion. He describes contemporary society implicitly, by outlining its contours. With a critical take on the mass media image, the subjects of his photographs and videos are people left behind at the crossroads of integration and exclusion. Preceded by a long immersion phase, each of Mohamed Bourouissa’s projects builds a new enunciation situation.


Colors:



Related works sharing similar palette

Asking the Repentistas - Peneira & Sonhador - toremix my octopus works
© » KADIST

Shimabuku

2006

For the two-channel work Asking the Repentistas – Peneira & Sonhador – to remix my octopus works Shimabuku asked two Brazilian street singers to compose a ballad about his previous works with octopi (in which he created traditional Japanese ceramic vessels to catch octopi, with a fisherman who took him on his boat to test them out as we can see on one of the channel)...

Auto Control as a Form of Landscape
© » KADIST

Frieda Toranzo Jaeger

2017

This triptych is based on a Tesla whose interior the artist customized on the Tesla website...

Daniel Arnold’s life in photos
© » I-D VICE PHOTO

Daniel Arnold’s life in photos advertisement...

Our love is like the Flowers, the Rain, the Sea and the Hours
© » KADIST

Martin Boyce

2003

In the installation Our Love is like the Flowers, the Rain, the Sea and the Hours, Martin Boyce uses common elements from public gardens – trees, benches, trashbins– in a game which describes at once a social space and an abstract dream space...

Argument
© » KADIST

Firenze Lai

2013

Central Station, Alignment, and Argument are “situation portraits” that present whimsical characters within distorted and troubling worlds...

Vik
© » KADIST

Ayan Farah

2020

The painting is composed of nineteenth century linen collected over five years...

Painting by René Magritte may fetch $64 million at auction marking century of surrealism
© » TRIBLIVE

Painting by René Magritte may fetch $64 million at auction marking century of surrealism | TribLIVE.com Art & Museums Painting by René Magritte may fetch $64 million at auction marking century of surrealism Associated Press Saturday, Feb...

Aldona
© » KADIST

Emilija Škarnulyte

2013

In the video, the artist follows her grandmother, Aldona, during her daily walk through the Grutas Park in Lithuania...

How the Remixed American ‘Cowboy’ Became the Breakout Star of 2023
© » KQED

How the Remixed American ‘Cowboy’ Became the Breakout Star of 2023 | KQED Skip to Nav Skip to Main Skip to Footer NPR How the Remixed American ‘Cowboy’ Became the Breakout Star of 2023 Brittany Luse Dec 13 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link Beyoncé donned a cowboy hat for the limited edition cover of ‘Renaissance.’ (Parkwood Entertainment/ Columbia Records) When it came to some of the most urgent and enduring pop culture of 2023, the cowboy was center stage...

Swiss Collector Uli Sigg on Why Even a Less Free Hong Kong Remains the Best Home for His Peerless Chinese Art Collection - via artnet news
© » LARRY'S LIST

The Swiss collector and former ambassador to China has amassed a trove of Chinese art that will find a permanent home in Hong Kong....

The Calling
© » KADIST

Angelica Mesiti

2013

Angelica Mesiti’s piece, The Calling (2013-14) is a poignant exploration of ancient human traditions evolving and adapting to the modern world...

How the word ‘hostage’ used to mean something quite different to its modern definition, as the Israel-Gaza war rumbles on
© » SOUTH CHINA MORNING POST

Opinion | How the word ‘hostage’ used to mean something quite different to its modern definition, as the Israel-Gaza war rumbles on | South China Morning Post Advertisement Advertisement Hostages who were abducted by Hamas gunmen during the October 7 attack on Israel are handed over by militants to the International Red Cross in an unknown location in the Gaza Strip on November 30, 2023...

Inside Mexico City’s Meteoric Rise to Art World Capital
© » ARTSY

Inside Mexico City’s Meteoric Rise to Art World Capital | Artsy Skip to Main Content Advertisement Art Market Inside Mexico City’s Meteoric Rise to Art World Capital Paul Laster Feb 6, 2024 3:45PM Pablo Dávila, exterior view of Salón ACME, Mexico City, 2019...

Femmage à Monique Lepeuve (1933-2022)
© » LE BEAU VICE

Le Beau Vice: Femmage à Monique Lepeuve (1933-2022)...

If These Stones Could Sing
© » KADIST

Milena Bonilla, Public Movement, Arin Rungjang, Shitamichi Motoyuki, Emilija Škarnulyte, Sriwhana Spong The exhibition If These Stones Could Sing focuses on the body as a site to engage the politics of public monuments...

Chongqing, China: Here We Meet
© » KADIST

Halil Altindere, Carlos Amorales, Alexandre Arrechea, Yael Bartana, Rodrigo Braga, Aslan Gaisumov, Igor Grubic, Jason Hendrik Hansma, Oded Hirsch, Binelde Hyrcan, Angelica Mesiti, Deimantas Narkevicius, Jakrawal Nilthamrong, Jun Nguyen-Hatsushiba, Enrique Ramírez, Chulayarnnon Siriphol, Finger Pointing Worker, Guan Xiao Munchhausen trilemma is a thought experiment used to demonstrate the impossibility of proving any truth...

A River in the Freezer
© » KADIST

Wong Kit Yi

2017

Artist Wong Kit Yi’s A River in the Freezer combines directed and found footage to meditate upon glacial memory, cryogenics, and frozen fiction...

Sinae Lee — Exposition personnelle
© » SLASH PARIS

Sinae Lee — Exposition personnelle — L'ahah Moret — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Sinae Lee — Exposition personnelle — L'ahah Moret — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Sinae Lee — Exposition personnelle Exposition Vidéo À venir Sinae Lee, J’ai besoin de la chance, vue de l’installation vidéo à la biennale de la jeune création, Houilles © Marc Domage Sinae Lee Exposition personnelle Dans 8 mois : 2 → 23 mars 2024 L’ahah #Moret est heureuse d’inviter l’artiste Sinae Lee pour une exposition personnelle du 02 mars au 23 mars 2024...

Plastic Kingdom: art exhibition questions Cambodia’s rampant waste problem (via SEA Globe)
© » ARTS EQUATOR

Plastic Kingdom: art exhibition questions Cambodia’s rampant waste problem (via SEA Globe) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles November 28, 2018 An new art exhibition in Phnom Penh featuring works by Cambodian and foreign artists will raise questions about plastic use and recycling, through woodcarvings, illustrations and even a motorbike...