140 x 94 cm
Moké’s Sans Titre (1994) depicts the everyday life of the suburbs from a distant and elevated perspective. Looking down on a residential area we see groups of children playing in the street, we see cars and trucks loaded with produce backed up on the road that runs through the center of the tableau. We see two Skol adverting billboards that line the road; Skol being the fifth biggest beer brand by volume in the world that was established in the Democratic Republic of Congo in 1965. An outward flying plane glides closely over the scene. Sans Titre (1994) is, above all, a scene of the various structures and functions of society seemingly peacefully co-existing.
Moké (the acronym of Monsengwo Kejwamfi) was a pivotal figure in establishing the style of ‘Popular Painting’ in Kinshasa following Congo’s independence in 1960. Moké had no formal training and his early works were often executed on found materials, such as discarded cardboard. Soon, his lively and dynamic paintings of Kinshasa garnered the attention of the public and in 1965 he painted a portrait of General Mobutu (president of the DRC, 1965–1997). Moké became a reporter of urbanity through his painting, and installed his workshop at the crossroads of Kasa-vubu and Bolobo, in the heart of the city. His realistic and exuberant painting testifies to his meticulous observation of everyday life in Kinshasa: street scenes, bar scenes, sappers, nocturnal feasts, and neighbourhood disputes. These scenes and stories that are found in his paintings are full of humour, alive and always colourful.
Interview with Wang Chong for "Made In China 2.0" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Mark Pritchard March 23, 2020 The following review is made possible through a Critical Residency programme supported by By Nabilah Said (1,000 words, 6-minute read) Experimental Chinese theatremaker Wang Chong presented a work-in-progress showing of his newest work, Made in China 2.0 , at Asia TOPA in February...
Sélection galerie : Sophie Vigourous chez Jousse Entreprise Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés « 8 of Cups » (2022), de Cecilia Granara...
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Palestinian-American Woman Asked to Remove Veil and Face Jewelry at Art Basel Skip to content Samera Abed at Art Basel Miami Beach, where she wore an all-black outfit in a gesture of mourning for Palestinian lives lost (all photos courtesy Samera Abed) A Palestinian-American woman visiting Art Basel Miami Beach on opening day last Wednesday, December 6, was asked to remove her veil and beaded face accessory...
The film called Temps Mort (Dead Time or Time Out) presents an exchange of short video footage assembled into one final edit...