140 x 94 cm
Moké’s Sans Titre (1994) depicts the everyday life of the suburbs from a distant and elevated perspective. Looking down on a residential area we see groups of children playing in the street, we see cars and trucks loaded with produce backed up on the road that runs through the center of the tableau. We see two Skol adverting billboards that line the road; Skol being the fifth biggest beer brand by volume in the world that was established in the Democratic Republic of Congo in 1965. An outward flying plane glides closely over the scene. Sans Titre (1994) is, above all, a scene of the various structures and functions of society seemingly peacefully co-existing.
Moké (the acronym of Monsengwo Kejwamfi) was a pivotal figure in establishing the style of ‘Popular Painting’ in Kinshasa following Congo’s independence in 1960. Moké had no formal training and his early works were often executed on found materials, such as discarded cardboard. Soon, his lively and dynamic paintings of Kinshasa garnered the attention of the public and in 1965 he painted a portrait of General Mobutu (president of the DRC, 1965–1997). Moké became a reporter of urbanity through his painting, and installed his workshop at the crossroads of Kasa-vubu and Bolobo, in the heart of the city. His realistic and exuberant painting testifies to his meticulous observation of everyday life in Kinshasa: street scenes, bar scenes, sappers, nocturnal feasts, and neighbourhood disputes. These scenes and stories that are found in his paintings are full of humour, alive and always colourful.
Interview with Wang Chong for "Made In China 2.0" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Mark Pritchard March 23, 2020 The following review is made possible through a Critical Residency programme supported by By Nabilah Said (1,000 words, 6-minute read) Experimental Chinese theatremaker Wang Chong presented a work-in-progress showing of his newest work, Made in China 2.0 , at Asia TOPA in February...
11 Contemporary Artists Channeling Pierre Bonnard’s Post-Impressionist Vision | Artsy Skip to Main Content Art 11 Contemporary Artists Channeling Pierre Bonnard’s Post-Impressionist Vision Cath Pound Jan 22, 2024 5:56PM Considered one of the greatest colorists of modern art, Pierre Bonnard reveled in the simple joys of daily life...
Master Conversations: Costume Design with Catherine Kodicek and Lyn Gardner | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints June 3, 2021 Costume designer and supervisor Catherine Kodicek shares about her practice and process, and issues around costume awareness and advocacy within the UK theatre context, alongside UK theatre critic Lyn Gardner...
New on ArtsEquator in 2021: Hot List, Teaser Tuesday and Cakap-Cakap | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints December 4, 2020 ArtsEquator is introducing three new series in 2021 – Hot List, Teaser Tuesday and Cakap-Cakap – to help promote shows, events and other arts and culture programmes in Singapore and the rest of Southeast Asia...
We truly believe that art is for everyone: Kiran Nadar | Mint Lounge advertisement | Logout Log in/Register Home News Big Story Opinion Talking Point Food Cook Drink Discover Fashion Trends Shop Beauty How To Lounge Movies & Tv Art & Culture Books Smart Living Environment Innovation Health Wellness Fitness Relationships Raising Parents It's Complicated Pets Brand Stories Bookmarks Photos Videos Big Story Opinion Talking Point Latest Issue About Us Privacy Policy Terms And Conditions new-article 111628248444886 https://lifestyle.livemint.com story https://lifestyle.livemint.com How To Lounge /how-to-lounge/art-culture/we-truly-believe-that-art-is-for-everyone-kiran-nadar-111628248444886.html https://images.livemint.com/img/2021/08/06/68x68/Kiran_Nadar_Revised_1628248685275_1628248709909.jpg Home News Food Fashion How To Lounge Smart Living Health Relationships PHOTOS VIDEOS QUICK READS Home > How To Lounge > Art & Culture > We truly believe that art is for everyone: Kiran Nadar We truly believe that art is for everyone: Kiran Nadar As Kiran Nadar Museum of Art enters its second decade, its founder reflects on the journey so far and plans to open yet another museum in Delhi /how-to-lounge/art-culture/we-truly-believe-that-art-is-for-everyone-kiran-nadar-111628248444886.html 111628248444886 story Kiran Nadar, the founder of KNMA...
Video: meet the artists of the Young Artists' Summer Show 2023 | Blog | Royal Academy of Arts Gallery view of the Young Artists’ Summer Show 2023 at the Royal Academy of Arts, London © Royal Academy of Arts / David Parry Video: meet the artists of the Young Artists’ Summer Show 2023 Read more Become a Friend Video: meet the artists of the Young Artists’ Summer Show 2023 Published 28 July 2023 Hear from some of the artists in this year’s Young Artists’ Summer Show as they tell us the stories behind their works selected for display at the RA...
The film called Temps Mort (Dead Time or Time Out) presents an exchange of short video footage assembled into one final edit...
Palestinian-American Woman Asked to Remove Veil and Face Jewelry at Art Basel Skip to content Samera Abed at Art Basel Miami Beach, where she wore an all-black outfit in a gesture of mourning for Palestinian lives lost (all photos courtesy Samera Abed) A Palestinian-American woman visiting Art Basel Miami Beach on opening day last Wednesday, December 6, was asked to remove her veil and beaded face accessory...
Pesellino review – a lost star of the Florentine Renaissance shines again | Exhibitions | The Guardian Skip to main content Skip to navigation Skip to navigation ‘Almost psychedelic blues, reds and golds’ … The Pistoia Trinity altarpiece, c 1455-60, showing in Pesellino: A Renaissance Master Revealed at the National Gallery...