Samuel (Standing), Vaalkoppies (Beaufort West Rubbish Dump)
2006 - Photography (Photography)
105,5 x 128,66 cm
Mikhael Subotzky
At the halfway point along South Africa’s Highway N1, running from Cape Town to Johannesburg, sits the small town of Beaufort West. The 1,200-mile highway joins the northern provinces of the country to the south cuts through. Beaufort West becomes the main strip of the township, whereby the thousands of commuters passing through are thus forced to witness the town’s squalid social and economic condition. “Samuel (Standing), Vaalkoppies (Beaufort West Rubbish Dump)” is a reflection of economic reality of Beaufort West, where Subotzky spends a significant amount of time with the lesser fortunate black residents to understand the conflicted reality of existence in this pass-through town. The photograph quickly sweeps the viewer into the lives of the marginalized; the trash pickers at the local dump while simultaneously referencing the white citizens at a livestock show, the households that set up makeshift taverns, prostitution of the truck drivers, and the prison, housed centrally in the township. What seems to be an endless landscape of rubbish, leading into the sky, Subotzky’s central figure wearing a Mexican wrestling mask, is a confronting challenge for recognition and change of the aftermath of the South African apartheid and economic disaster.
Mikhael Subotzky’s (b. 1981, Cape Town, South Africa) film, video and photographic works examine the construction and internal structures of narratives concerning representation. His photographs and films frame the spontaneity of action and the stillness of portraiture through very precise compositions. Whether natural or artificial, the scenes are bathed in light that falls gracefully onto the grit and grime of interiors and exteriors alike. Subotzky’s work is very often a result of his immersion within communities and individuals traversing the penal system (Die Vier Hoeke – The Four Corners), everyday life in post-apartheid South Africa Umjiegwana (The Outside and Beaufort West) and the contemporary and historical structures of power. In publishing books alongside his exhibitions — Beaufort West (2008), Retinal Shift (2012) and, with Patrick Waterhouse, Ponte City (2014) — Subotzky’s oeuvre provides an invaluable insight into the power systems of South Africa.
Colors:
Related works sharing similar palette
© » DIANE PERNET
Dutch Emerging: Ruben Janssen X GRA Fashion Bachelor 2023 – A Shaded View on Fashion From the back to the middle and around again — Ria’s wedding dress, Alan’s patterns and John’s model: ‘My project is an investigation into evolution, explored through prisms of biology, computation and a poetic personal narrative, shifting between timescales on an evolutionary timeline...
© » KADIST
Maria Taniguchi
2012Untitled (Celestial Motors) is a visual meditation on an icon of modern urban Philippine life—the jeepney...
© » SLASH PARIS
Nina Azoulay — Comme un rond dans un carré — Frac île-de-france, le Plateau — Exhibition — Slash Paris Login Newsletter Twitter Facebook Nina Azoulay — Comme un rond dans un carré — Frac île-de-france, le Plateau — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Nina Azoulay — Comme un rond dans un carré Exhibition Installation, sculpture Closing Nina Azoulay, Olivia, 2024 © Nina Azoulay Nina Azoulay Comme un rond dans un carré Ends in 7 days: January 11 → February 18, 2024 La Project Room est le nouvel espace prospectif et expérimental du Frac qui prend place dans la dernière salle du Plateau...
© » GALERIE MAGAZINE
8 Emerging Artists Who Made a Splash at This Year’s NADA and Untitled Art in Miami - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe Installation view of Henrik Godsk at Vigo Gallery at Untitled Art 2023...
© » ARTSJOURNAL
Activision Blizzard to pay $50 million to settle lawsuit - Los Angeles Times Copyright © 2023, Los Angeles Times | Terms of Service | Privacy Policy | CA Notice of Collection | Do Not Sell or Share My Personal Information Advertisement Company Town Activision Blizzard to pay roughly $50 million in California discrimination case settlement The Activision Blizzard Booth during the 2013 Electronic Entertainment Expo in Los Angeles...
© » KADIST
Newell Harry
2015(Untitled) Nimoa and Me: Kiriwina Notations by Newell Harry brings together a litany of contemporary politics—mobilization around enduring racism, the legacies of Indigenous and independence struggle, and the prospects of global solidarity against neocolonialism and social injustice...
© » KADIST
Sabelo Mlangeni
2019The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...
© » KADIST
Oded Hirsch
2012Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...
© » DAZED DIGITAL
Visit a new exhibition shedding light on man of mystery, Martin Margiela | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Fashion Round-up …plus all the other fashion news you missed this week, from a new Balenciaga video game to Robyn Lynch’s London exhibition, and Entire Studios’ Selfridges pop-up 15 December 2023 Text Dominic Cadogan Margiela: In the Void 12 Martin Margiela is as much of an enigma today as he was while at the helm of the brand – which he stepped away from in 2009...
© » KADIST
Eleanor Antin
1973Comprised of fifty-one photographic postcards, Antin’s 100 Boots is an epic visual narrative in which 100 black rubber boots stand in for a fictional “hero” making a “trip” from California to New York City...
© » KADIST
Mohamed Bourouissa
2017In his photographic series Périphérique (2005–2008), Mohamed Bourouissa used the composition of classical paintings to stage the portrait of friends and young people in the banlieue s (suburbs)...
© » THEARTNEWSPER
In pictures: focus on Caribbean artists Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 feature In pictures: focus on Caribbean artists María Elena Ortiz, curator at the Modern Art Museum of Fort Worth, picks her favourite works at Art Basel in Miami Beach Alexander Morrison 9 December 2023 Share April Bey, COLONIAL SWAG: Not Conceited, CONVINCED! (2023) © Liliana Mora María Elena Ortiz is a trailblazing curator at the Modern Art Museum of Fort Worth (the Modern), but she also has close ties to South Florida...
© » LITHUB
How Ai Weiwei Marries Advocacy and Art at Home and Abroad ‹ Literary Hub Craft and Criticism Fiction and Poetry News and Culture Lit Hub Radio Reading Lists Book Marks CrimeReads About Log In Literary Hub Craft and Criticism Literary Criticism Craft and Advice In Conversation On Translation Fiction and Poetry Short Story From the Novel Poem News and Culture History Science Politics Biography Memoir Food Technology Bookstores and Libraries Film and TV Travel Music Art and Photography The Hub Style Design Sports Freeman’s The Virtual Book Channel Lit Hub Radio Behind the Mic Beyond the Page The Cosmic Library The Critic and Her Publics Emergence Magazine Fiction/Non/Fiction First Draft: A Dialogue on Writing Future Fables The History of Literature I’m a Writer But Just the Right Book Keen On The Literary Life with Mitchell Kaplan New Books Network Read Smart Talk Easy Tor Presents: Voyage Into Genre Windham-Campbell Prizes Podcast Write-minded Reading Lists The Best of the Decade Book Marks Best Reviewed Books BookMarks Daily Giveaway CrimeReads True Crime The Daily Thrill CrimeReads Daily Giveaway Log In How Ai Weiwei Marries Advocacy and Art at Home and Abroad From His Graphic Memoir, "Zodiac" Via Ten Speed Press By Ai Weiwei, Elettra Stamboulis and Gianluca Costantini January 30, 2024 The following is from Zodiac: A Graphic Memoir by Ai Weiwei with Elettra Stamboulis, illustrated by Gianluca Constantini...
© » KADIST
Stéphane Calais
2007L’herbier (petit Trianon) consists of four “realistic” drawings of plants, screenprinted on transparent PVC...
