In Runner there are two elements:a big painting and a rolled Persian rug. The rug refers to Iran’s cultural history. The travelling tribes used to transport rugs through the desert on camels or horses so that they would always have a comfortable place to sleep and dream. The oldest known rug is from the 6 th century before J.-C. The rugs’ iconography is related to the mythical Paradise garden. The rug used in Runner refers to the idea of moving in space to emigration and the artist’s story. The big picture made of natural materials (red sand and lotus flowers) refers to Aboriginal paintings and their relation to cosmic forces. This big abstract surface is a reminder of both the Australian and the Iranian deserts. As in most of his work, Hossein Valamanesh knits a dialogue between two cultures while revealing the universal character of each of them, and situates the individual at the center of this configuration.
Hossein Valamanesh’s work is often made out of natural material or found objects such as Persian rugs, family photo albums or clothes. He is influenced by Persian poetry and Sufism, which brings a metaphysical questioning related to his personal reflections. He starts from his own cultural story as an emigrant; from his encounter with another culture to question the human condition. When he arrived in Australia he discovered Aboriginal art which made him decide to stay and settle in Australia. Since then, he has had direct contact with these Aboriginal communities interested in the relation between nature and the cosmos.
Though the title might suggest an Adonis, Jeffry Mitchell’s The Swimmer (2012) is a squat, jolly man with a protuberant belly...
Poised with tool in hand, Jeffry Mitchell’s The Carpenter (2012) reaches forward, toward his workbench...
Auction of the Week: An Enigmatic Nude by Sanyu Sells for $24 Million - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe Sanyu, Femme nue sur un tapis (Nude on Tapestry) ...
Public Transport In London: Christmas 2023 Christmas Transport In London: What's Running, What's Closed, And What About Those Strikes? By Laura Reynolds Laura Reynolds Christmas Transport In London: What's Running, What's Closed, And What About Those Strikes? Find out all you need to know about transport in London over Christmas and New Year below...
Historic New York ceramic studio fires up second location Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Pottery news Historic New York ceramic studio fires up second location With its Jones Street home operating at full capacity, Greenwich House Pottery is opening a new outpost in Chelsea Hilarie M...
Mika Tajima’s Pranayama sculptures are built from carved wood and chromed Jacuzzi jets and are presented as artefacts...
Matthieu Laurette — Une rétrospective dérivée (1993-2023) — MAC VAL Musée d'art contemporain du Val-de-Marne — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Matthieu Laurette — Une rétrospective dérivée (1993-2023) — MAC VAL Musée d'art contemporain du Val-de-Marne — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Matthieu Laurette — Une rétrospective dérivée (1993-2023) Exposition Techniques mixtes Matthieu Laurette, Self-Portrait, 2014/2023...
In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action...