In Runner there are two elements:a big painting and a rolled Persian rug. The rug refers to Iran’s cultural history. The travelling tribes used to transport rugs through the desert on camels or horses so that they would always have a comfortable place to sleep and dream. The oldest known rug is from the 6 th century before J.-C. The rugs’ iconography is related to the mythical Paradise garden. The rug used in Runner refers to the idea of moving in space to emigration and the artist’s story. The big picture made of natural materials (red sand and lotus flowers) refers to Aboriginal paintings and their relation to cosmic forces. This big abstract surface is a reminder of both the Australian and the Iranian deserts. As in most of his work, Hossein Valamanesh knits a dialogue between two cultures while revealing the universal character of each of them, and situates the individual at the center of this configuration.
Hossein Valamanesh’s work is often made out of natural material or found objects such as Persian rugs, family photo albums or clothes. He is influenced by Persian poetry and Sufism, which brings a metaphysical questioning related to his personal reflections. He starts from his own cultural story as an emigrant; from his encounter with another culture to question the human condition. When he arrived in Australia he discovered Aboriginal art which made him decide to stay and settle in Australia. Since then, he has had direct contact with these Aboriginal communities interested in the relation between nature and the cosmos.
Though the title might suggest an Adonis, Jeffry Mitchell’s The Swimmer (2012) is a squat, jolly man with a protuberant belly...
Kubra Khademi’s work celebrates the female body and in her detailed drawings and paintings she portrays female bodies floating on white paper...
Jean-Charles de Quillacq — Les poulains deviennent des chevaux — Marcelle Alix Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Jean-Charles de Quillacq — Les poulains deviennent des chevaux — Marcelle Alix Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Jean-Charles de Quillacq — Les poulains deviennent des chevaux Exhibition Mixed media Jean-Charles de Quillacq, Ouverte (Discomfort), 2023 (Détail) Collage et acetone sur poster — 59,7 × 80 cm Courtesy de l’artiste et galerie Marcelle Alix, Paris Jean-Charles de Quillacq Les poulains deviennent des chevaux Ends in 27 days: January 11 → March 9, 2024 “I was a piece of factory for eternity.” Georges Navel, Travaux [Works], Gallimard, 1995, p.108 How can one rediscover desire when its very mechanics are monopolized by capitalism? Where can our desire still intrude in the plethora of poetic, pornographic, intellectual, psychological, promotional, and political offerings? In the field of ruins of the imaginary, increasingly littered with Instagram images of war victims, portraits of friends who left this world too soon, calls for help from NGOs, and—in their wake—, images of ever more exhibitions we couldn’t see, parties that always look better from afar, clothes that would finally suit our morphology, or the latest accessories needed to help us sleep...
Nepali art finds a new home | Nepali Times Nepali art finds a new home – Nepali Times Nepali art finds a new home MoNA is a permanent space for Nepali artists to showcase their work in Nepal itself Shristi Karki January 16, 2021 Museum of Nepali Art (MoNA), a private museum, opened to the public in February 2020...
Public Transport In London: Christmas 2023 Christmas Transport In London: What's Running, What's Closed, And What About Those Strikes? By Laura Reynolds Laura Reynolds Christmas Transport In London: What's Running, What's Closed, And What About Those Strikes? Find out all you need to know about transport in London over Christmas and New Year below...
Citizen X marks the spot for a family treasure none of us can find | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of The Finger Players March 4, 2021 By Corrie Tan (2,050 words, 10-minute read) Over the course of Citizen X , my father nudges me in the arm several times, whispering loudly and theatrically: “ It’s so similar leh!” All throughout the 75 minutes, he wiggles around in his seat, emitting sighs, laughter, tsk-tsks , and the occasional “wow”...
Poised with tool in hand, Jeffry Mitchell’s The Carpenter (2012) reaches forward, toward his workbench...
Almost One by Jeamin Cha dives into an uncomfortable meditation on the relationship between socialization, performativity, truth, and childhood, filtered through the optics of a children’s acting class in South Korea...
Auction of the Week: An Enigmatic Nude by Sanyu Sells for $24 Million - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe Sanyu, Femme nue sur un tapis (Nude on Tapestry) ...
Asociación de Mujeres Tejiendo sueños y Sabores de Paz de Mampuján, Pavel Aguilar, Carlos Amorales; Jonathas de Andrade, Edgardo Aragón, Fredi Casco, Miguel Covarrubias, Sam Durant, León Ferrari, Jocelyn Gardner, Beatriz González, Pierre Huyghe, Cristóbal Lehyt, Jesse Lerner, Teresa Margoles, Guillermo Kuitca, Jesse Lerner, Noé Martinez, Alfredo López Morales, Cildo Meireles, Eustaquio Neves, Nohemí Pérez, Naufus Ramírez Figueroa, Antonio Reynoso, Rometti Costales, Pablo Swezey, Carla Zaccagnini...
Kubra Khademi’s work celebrates the female body and in her detailed drawings and paintings she portrays female bodies floating on white paper...