Rubber plantation, Kompong Cham Province, Wrapped Future II Series
2018 - Photography (Photography)
104 x 156 cm
Lim Sokchanlina
The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape. The inharmonious landscape is gradually captivated by the exquisite balance between inorganic material and mystical background. The photos were taken in places that in recent years have become targets of large-scale exploitation under a massive globalization of capital and other political interests. Using the fences as a symbol of change, Sokchanlina’s work warns of an uncertain future where local realities with their communities, culture, and nature will slowly fade away. – Text by Sachiko Iwase
Lim Sokchanlina, nicknamed ‘Lina’, works across documentary and conceptual practices with photography, video, installation, and performance; particularly drawn to the use and function of space where urban communities meet rural attitudes. Using different strategies, he calls attention to various social, political, geopolitical, economic, cultural, and environmental changes in Cambodia, and in relation to the globe. Lim Sokchanlina also belongs to a Khmer generation critically aware of the need to inform Cambodian youth of their cultural, social, and political histories. His work raises questions about the role of power and economics in our everyday living and contemporary present and usually involves research to discover, unpack, and record the present’s history and the future’s imagination by learning from the past. Growing up in a society decimated by the affects of the Khmer Rouge and its anti-intellectualization, a violent civil war that killed millions, Lina co-founded Stiev Selapak / Art Rebels, in 2007 (an initiative which gave subsequent birth to exhibition space ‘Sa Sa Art Projects’ and commercial space ‘Sa Sa Bassac’) – a community within Southeast Asia well-known for their activities raising local awareness of civic, environmental and cultural injustice. – Text by Sa Sa Bassac and Zoe Butt
Colors:
Other related works, blended automatically
» see more
© » KADIST
Lim Sokchanlina
2017The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
Related works sharing similar palette
» see more
© » THEARTNEWSPER
Rediscovered paintings by Rembrandt and Canaletto fail to turbocharge London Old Master auctions Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Auctions analysis Rediscovered paintings by Rembrandt and Canaletto fail to turbocharge London Old Master auctions Evening sales at Sotheby's and Christie's drew in £19.4m and £21.3m, respectively Scott Reyburn 8 December 2023 Share Jussi Pylkkänen took the rostrum at Christie's one final time for its Old Master evening sale on 7 December Courtesy of Christie's It says a lot about the current priorities of the international auction houses that both Sotheby’s and Christie’s websites gave top billing to its pre-Christmas luxury sales, rather than the rediscovered paintings by Rembrandt and Canaletto that led this week’s Old Masters sales in London...
© » SLASH PARIS
En d’infinies variations — Centre culturel canadien — Exposition — Slash Paris Connexion Newsletter Twitter Facebook En d’infinies variations — Centre culturel canadien — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour En d’infinies variations Exposition Techniques mixtes Chun Hua Catherine Dong, Skin Deep, 2014-2020 (Détail) Photographie avec composante de réalité augmentée Courtesy de l’artiste En d’infinies variations Encore 4 mois : 7 décembre 2023 → 19 avril 2024 Le monde s’accélère au rythme des révolutions industrielles qui se succèdent et produisent autant de mutations sociétales et esthétiques...
Other works by: » Lim Sokchanlina
» see more
© » KADIST
Lim Sokchanlina
2017The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
© » KADIST
Lim Sokchanlina
2018The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
© » KADIST
Lim Sokchanlina
2018The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
© » KADIST
Lim Sokchanlina
2017The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
Related works found in the same semantic group
» see more
© » KADIST
Diane Simpson
2012Simpson’s sculptural practice connects architecture, clothing, furniture and the body to explore the functional and sociological roles and the influence of the design and architecture of various cultures and periods in history...
© » KADIST
Ryan Gander
2012Epiphany…learnt through hardship is composed of a bronze sculpture depicting the model of the little dancer of Degas, in the pose of a female nude photographed by Edward Weston (Nude, 1936) accompanied by a blue cube...