8:31 minutes
The video Rubber Man continues exploring issues related to land use, also noticeable in his Untitled series (2011). More specifically, Rubber Man addresses the French colonial legacy of land use for the exploitation of rubber –today exploited by multiple forces such as individuals, governments, multinationals and international banks– and its effects on Cambodia’s indigenous forests and culture today. The video takes place in Ratanakiri, an area in northeastern Cambodia increasingly known in local and international news for land grabs and protests, and where the artist frequently traveled to over two years. In the video, the artist appears as wandering around the crops as if lost, punctually pouring fresh liquid rubber over his body, and wondering if the ancestor spirits and indigenous communities who heavily rely on each other to subsist will continue to live.
Khvay Samnang’s work critically examines the interlocking nature of ritual and politics, the humanitarian and ecological impacts of globalization, colonialism and migration, and the cultural-material histories of exchange that have shaped the Southeast Asia region. Working in performance, film and video, photography, sculpture and installation, his research-based practice draws heavily upon traditional cultural rites, dance choreography, spiritual iconography, and methods of critical remapping. Frequently collaborating with local communities or other artists, Khvay is a founding member of Stiev Selapak, an art collective dedicated to reappraising and commemorating Cambodian history and resuscitating visual practices disrupted by civil war and the Khmer Rouge regime, and has exhibited a diverse body of work that deals explicitly with issues of environmental degradation, extraction of natural resources, and the suppression of the rights of Indigenous communities. Hearsay, intuition, direct exchanges with people, and a belief in dreams and premonition often prompt Khvay Samnang who then follows stories he believes require intervention. Approaching what he considers to be universal themes through the Cambodian context, his works deal with unknown yet important events or current contentious social issues for his surrounding community. In his works spanning photography, video, sculpture and performance, the artist frequently uses simple and playful gestures as visual language to shade new lights onto of historical and cultural events and a means for resisting to the polarizing language of dominant media and legal powers covering the issues.
Originally commissioned for documenta 14, Khvay Samnang’s two-channel video work Preah Kunlong (The way of the spirit) takes land politics, resource extraction and Indigenous Cambodian resistance as its primary concern...
Météo des forêts — La MABA — Exhibition — Slash Paris Login Newsletter Twitter Facebook Météo des forêts — La MABA — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Météo des forêts Exhibition Film, installation, mixed media Upcoming Julien Prévieux et Virginie Yassef, L’Arbre, 2009 — Image : Élie Godard Film Super 8 transféré sur DVD — 7 min 18 — Ed 4 + 2 Courtesy des artistes Météo des forêts In about 1 month: January 18 → April 7, 2024 La MABA présente, du 18 janvier au 7 avril 2024, Météo des forêts : une exposition collective réunissant des travaux d’artistes de diverses générations travaillant différents médiums (dessin, photographie, vidéo, sculpture, installation…)...
Golden Bridge is part of “Golden Journey”, a series of site-specific performances and installations created during Lin’s residency at Kadist San Francisco...
Weekly Southeast Asia Radar: Myanmar street dancers battling ethnic tensions; a decade of Thai theatre | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Via Ozy.com January 2, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Mysterious Magritte Painting Could Fetch $63M at Auction Skip to content René Magritte, “L’ami intime (The Intimate Friend)” (1958), oil on canvas, 28.5/8 x 25.1/2 inches (image courtesy the Gilbert and Lena Kaplan Collection and Christie’s London) In a centenary celebration of the artistic and literary movement spawned by André Breton’s Surrealist Manifesto (1924), Christie’s London will host its Art of the Surreal evening sale on March 7 with a leading highlight that hasn’t been shown since 1998...
Originally commissioned for documenta 14, Khvay Samnang’s two-channel video work Preah Kunlong (The way of the spirit) takes land politics, resource extraction and Indigenous Cambodian resistance as its primary concern...
246247596248914102516… And then there were none narrates a semi fictional account centered around the ambiguous history of the Democracy Monument in Bangkok, and on the aftermath of the 1973 demonstration of 400,000 people who marched against the military junta from Thammasat University to the monument...
In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...
In May 2014, Israeli soldiers shot and killed two teenagers, Nadeem Nawara and Mohamad Abu Daher in occupied Palestine (West Bank)...
Columbus of Horticulture stems from Vvzela Kook’s ongoing research into the central and often-ignored role that botany played in the history of European imperialism...
From Green to Orange is a series of silver films immersed in a bath of dye and rust...