Ropes

2008 - Photography (Photography)

Sarah Conaway

location: Los Angeles, California
year born: 1972
gender: female
nationality: American
home town: York, Pennsylvania

Sarah Conaway works primarily in photography, but her practice is inseparable from the art of sculpture. Working in the studio with a variety of real and makeshift objects, Conaway constructs scenarios for photographs that relate back to various art historical tropes—the still life, the portrait, and so on. She uses preexisting and fabricated sculptural forms as her subject matter, using the simplest possible gestures, forms, and lines in a way that not only conveys form, but expands upon it as well.


Colors:



Other related works, blended automatically

Untitled (Pasta Painting)
© » KADIST

Scott Reeder

2013

Reeder’s works often start with language—and his Pasta Paintings are no different...

Ben Deroy
© » KADIST

Ben Shaffer

2007

Ben Shaffer’s Ben Deroy (2007) is part performance, part self-portrait, and part spiritual vision...

Kerosene Triptych
© » KADIST

Natasha Wheat

2011

Natasha Wheat’s Kerosene Triptych (2011) is composed of three images, one each from the digital files of the Library of Congress, the Smithsonian Institution, and the Field Museum tropical research archive...

100 Boots
© » KADIST

Eleanor Antin

1973

Comprised of fifty-one photographic postcards, Antin’s 100 Boots is an epic visual narrative in which 100 black rubber boots stand in for a fictional “hero” making a “trip” from California to New York City...

Mao, who curves himself along the edge of the paper
© » KADIST

Liu Yin

2010

Liu Yin’s cartoon-like paintings and drawings explore the ambivalences of love, nature, and consumerism...

Ballerina
© » KADIST

Liu Yin

2010

Liu Yin brings the tension of a small but imminent catastrophe into the gallery with a raw egg balanced on the edge of a folding table....

Radical Hospitality
© » KADIST

Andrea Bowers

2015

Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...

Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910)
© » KADIST

Walead Beshty

2010

Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910) is a visually compelling photogram...

Untitled (Sten-Frenke House #04)
© » KADIST

Luisa Lambri

2007

Custom-built for a silent film star in 1934 in Santa Monica, the Sten-Frenke House is an idiosyncratic icon...

Publica
© » KADIST

Liu Yin

2010

Liu Yin’s cartoon-like paintings and drawings explore the ambivalences of love, nature, and consumerism...

Office Work
© » KADIST

Walead Beshty

2018

Office Work by Walead Beshty consists of a partially deconstructed desktop monitor screen, cleanly speared through its center onto a metal pole...

Stowe
© » KADIST

James Welling

2006

Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it...

Faltenwurf (Stairwell)
© » KADIST

Wolfgang Tillmans

2017

Wolfgang Tillmans initiated the ongoing series Faltenwurf in 1989, representing compositions of unused clothing, with special attention paid to the ways in which they drape and fold...

Untitled (Joseph T. Robinson Standing at a Podium in a Room), Damaged series
© » KADIST

Lisa Oppenheim

2003

The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...

Converting
© » KADIST

Zai Kuning

2014

Converting is a piece about the Orang Laut, often called Sea Nomads, that inhabited the Riau archipelago...

Chocolate Bars, Eggs, Milk
© » KADIST

Elad Lassry

2013

In his composition, Chocolate Bars, Eggs, Milk, Lassry’s subjects are mirrored in their surroundings (both figuratively, through the chocolate colored backdrop and the brown frame; and literally, in the milky white, polished surface of the table), as the artist plays with color, shape, and the conventions of representational art both within and outside of the photographic tradition...

Snow White as a balance beam gymnast
© » KADIST

Liu Yin

2010

Liu Yin’s cartoon-like paintings and drawings explore the ambivalences of love, nature, and consumerism...

Itch
© » KADIST

Yang Guangnan

2011

Itch explores the relationship between technology and daily human experience with a motorized arm that extends from within the gallery’s wall, moving up and down while holding a projector that shows a desperately scratching pair of hands....