25:25 minutes
Artist Wong Kit Yi’s A River in the Freezer combines directed and found footage to meditate upon glacial memory, cryogenics, and frozen fiction. She synthesizes disparate subjects—ranging from Longyearbyen, Norway (a town where no one is allowed to die), the fair-haired manga character Cygnus Hyoga, 19th-century global trading in ice, and color wavelength theory, among others—within a karaoke-inspired sing-along format.
Wong Kit Yi’s conceptual and performance-based work animates human interactions by measuring, locating, and quantifying the intangible. Her work lies at the intersection of playful speculation and research. In her signature karaoke-lecture-performances and video work, she moves fluidly between the voices of academia, memoir, philosophy, and pop song, aggregating content from her research. She probes questions about the parameters of time, context, and the dysfunctional relationship between science and what is often classified as pseudoscience.
Angelica Mesiti’s piece, The Calling (2013-14) is a poignant exploration of ancient human traditions evolving and adapting to the modern world...
Halil Altindere, Carlos Amorales, Alexandre Arrechea, Yael Bartana, Rodrigo Braga, Aslan Gaisumov, Igor Grubic, Jason Hendrik Hansma, Oded Hirsch, Binelde Hyrcan, Angelica Mesiti, Deimantas Narkevicius, Jakrawal Nilthamrong, Jun Nguyen-Hatsushiba, Enrique Ramírez, Chulayarnnon Siriphol, Finger Pointing Worker, Guan Xiao Munchhausen trilemma is a thought experiment used to demonstrate the impossibility of proving any truth...
Temps Mort is the result of one year of mobile phone exchanges of still images and videos between the artist and a person incarcerated in prison...
Zarouhie Abdalian, Rocky Cajigan, Jesse Chun, Nikita Gale, Shilpa Gupta, Baseera Khan, Tarik Kiswanson, Alexis Smith, and Cecilia Vicuña Be here, or even better, be nowhere brings together artists who employ sculpture, drawing, video, and sound to probe social and historical structures and infrastructures, such as migration, colonialism, carceral systems, and space militarization...
Visalia Livestock Market, Visalia, California results from Lockhart’s prolonged investigation of an agricultural center and community...
Laura Hyunjhee Kim for Neon Was Never Brighter: A Glimpse Into the Future For the first outdoor contemporary art festival in Chinatown, San Francisco, Neon Was Never Brighter: A Glimpse Into the Future , in collaboration with Chinatown Media & Arts Collaborative (CMAC) and curator Candace Huey, KADIST San Francisco co-presents a new performance, Cosmocrane (2022) by Laura Hyunjhee Kim...
This triptych is based on a Tesla whose interior the artist customized on the Tesla website...
In the installation Our Love is like the Flowers, the Rain, the Sea and the Hours, Martin Boyce uses common elements from public gardens – trees, benches, trashbins– in a game which describes at once a social space and an abstract dream space...
Stunning Macro Photos Pay Homage to Frozen Beauty of Winter Home / Photography / Macro Photography Stunning Macro Photos Pay Homage to the Frozen Beauty of Winter By Jessica Stewart on February 9, 2024 Photographer Jan Erik Waider is primarily known for his sweeping landscape photography that focuses on the wintry environments in Iceland and Greenland...
What’s an Amateur, Anyway? : Open Space November 17, 2021 What’s an Amateur, Anyway? by Poetry Collaborations with Creative Growth Eds note: The prose in this post was written by Creative Growth Poet-in-Residence Lorraine Lupo Heather Edgar, Untitled, 18″x24″ acrylic on paper I like to proselytize to any non-poet who will listen...
‘The Crown’ Ends as Pensive Meditation on the Most Private Public Family on Earth | KQED Skip to Nav Skip to Main Skip to Footer The Do List ‘The Crown’ Ends as Pensive Meditation on the Most Private Public Family on Earth Listen Eric Deggans Dec 14 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link A ‘Crown’ recreation of a royal family portrait photo...
Celebrating the monstrous other: "Anak Pontianak" and "Nobody" at LumiNation | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of The Filmic Eye August 5, 2019 By ila (1,100 words, 6-minute read) The year is 2049: two hundred years since the Pontianak first appeared in writing, marked insignificantly in Hikayat Abdullah as residues of superstitious and foolish beliefs of the Chinese and Malays that have persisted with time...
The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...