25:25 minutes
Artist Wong Kit Yi’s A River in the Freezer combines directed and found footage to meditate upon glacial memory, cryogenics, and frozen fiction. She synthesizes disparate subjects—ranging from Longyearbyen, Norway (a town where no one is allowed to die), the fair-haired manga character Cygnus Hyoga, 19th-century global trading in ice, and color wavelength theory, among others—within a karaoke-inspired sing-along format.
Wong Kit Yi’s conceptual and performance-based work animates human interactions by measuring, locating, and quantifying the intangible. Her work lies at the intersection of playful speculation and research. In her signature karaoke-lecture-performances and video work, she moves fluidly between the voices of academia, memoir, philosophy, and pop song, aggregating content from her research. She probes questions about the parameters of time, context, and the dysfunctional relationship between science and what is often classified as pseudoscience.
Angelica Mesiti’s piece, The Calling (2013-14) is a poignant exploration of ancient human traditions evolving and adapting to the modern world...
Halil Altindere, Carlos Amorales, Alexandre Arrechea, Yael Bartana, Rodrigo Braga, Aslan Gaisumov, Igor Grubic, Jason Hendrik Hansma, Oded Hirsch, Binelde Hyrcan, Angelica Mesiti, Deimantas Narkevicius, Jakrawal Nilthamrong, Jun Nguyen-Hatsushiba, Enrique Ramírez, Chulayarnnon Siriphol, Finger Pointing Worker, Guan Xiao Munchhausen trilemma is a thought experiment used to demonstrate the impossibility of proving any truth...
Laura Hyunjhee Kim for Neon Was Never Brighter: A Glimpse Into the Future For the first outdoor contemporary art festival in Chinatown, San Francisco, Neon Was Never Brighter: A Glimpse Into the Future , in collaboration with Chinatown Media & Arts Collaborative (CMAC) and curator Candace Huey, KADIST San Francisco co-presents a new performance, Cosmocrane (2022) by Laura Hyunjhee Kim...
Caroline Monnet, Mobilize A screening program followed by the artist in with conversation with Adam Piron, Assistant Curator for Film at LACMA Montreal-based artist Caroline Monnet explores Indigenous identity, bicultural living, and complex cultural histories through photography, sculpture, film, video, and installation...
The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...
Zarouhie Abdalian, Rocky Cajigan, Jesse Chun, Nikita Gale, Shilpa Gupta, Baseera Khan, Tarik Kiswanson, Alexis Smith, and Cecilia Vicuña Be here, or even better, be nowhere brings together artists who employ sculpture, drawing, video, and sound to probe social and historical structures and infrastructures, such as migration, colonialism, carceral systems, and space militarization...
For the two-channel work Asking the Repentistas – Peneira & Sonhador – to remix my octopus works Shimabuku asked two Brazilian street singers to compose a ballad about his previous works with octopi (in which he created traditional Japanese ceramic vessels to catch octopi, with a fisherman who took him on his boat to test them out as we can see on one of the channel)...
Frequencies of Tradition at Incheon Art Platform, Curated by Hyunjin Kim With works by Sooryeon Choe, Chung Seoyoung, Yoeri Guépin, Ho Tzu Nyen, Chia Wei Hsu, siren eun young jung, Jane Jin Kaisen, Alexander Keefe + Ashoke Chatterjee & Liz Phillips, Tomoko Kikuchi, Ayoung Kim, Gala Porras-Kim, Seulgi Lee, Young Min Moon, Hwayeon Nam, Part-time Suite, Ko Sakai & Ryusuke Hamaguchi, Lieko Shiga, Simon Soon + Roger Nelson & Stella, Stephanie Spray & Pacho Velez, Erika Tan, Fiona Tan, Evelyn Taocheong Wang, Wang Tuo, Ming Wong, Yo Daham, and Zheng Guogu Frequencies of Tradition departs from an understanding of tradition as a space of contestation, where one can critically reflect on Asian modernization and pluralize our comprehension of the regional modern...
Celebrating the monstrous other: "Anak Pontianak" and "Nobody" at LumiNation | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of The Filmic Eye August 5, 2019 By ila (1,100 words, 6-minute read) The year is 2049: two hundred years since the Pontianak first appeared in writing, marked insignificantly in Hikayat Abdullah as residues of superstitious and foolish beliefs of the Chinese and Malays that have persisted with time...