Retired Pillar represents the death and deterioration of legacy of colonial Shanghai. The silicon Corinthian column lays horizontal upon its pedestal, inflating and deflating in the rhythm of difficult breathing, as if exhausted by its lifelong labor. Shan comments on the deterioration of the influence of French colonialism within Shanghai as well as the adoption of Western forms of architectural decoration as symbols of wealth and power.
Jin Shan is an installation artist who uses humor, satire, and play to comment upon social and political power dynamics within contemporary China. He bases many of his works upon cultural symbols revered as the masterpieces of civilization from the Classical and Renaissance eras in order to deconstruct their ideals and expose the dynamics of power, ethics, and belief they maintain.
In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique...
Haendel’s series Knights (2011) is a set of impeccably drafted, nine-foot-tall pencil drawings depicting full suits of armor...
In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique...
South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....
With a habit of reading eight to ten books at the same time, Chong paints his two-foot tall novel covers through referencing an extensive reading list (accessible on Facebook) he has kept since 2006...
The work Calendars is composed of 1001 images of deserted public areas in Singapore printed on pages of a calendar set from the year of 2020 until 2096...
Designed as an installation timed spent is determined by the viewer, as with classical sculpture, Anthems is a piece that is in place, and in time, and an important genre of video within the collection...
NO POSITIONS AVAILABLE is composed of panels covering the entire wall of the gallery exemplifying one of the tendencies of the artist...
Within the narrative of Sahej Rahal’s The rocks we will find, beings perform absurd acts in derelict corners of the city, emerging into the everyday as if from the cracks of our civilization, transforming them into liminal sites of ritual, and challenging ways in which we experience time and space...