In Restaurant, Canton, Ohio (2011), a convenience store offers food, liquor, and Coca Cola to an empty street. A series of boarded-up storefronts marred by peeling paint conveys a sense of the pre- or post-apocalyptic—the hush just before or after a disaster. The reds, pinks, and oranges of the buildings give off warmth, but the absence of human activity makes the glow eerie and strange. Once a booming steel town, Canton is now struggling, and many of its buildings have been neglected for decades. While the location of William E. Jones’s photograph is specific, we can’t help extrapolating to imagine any Main Street, USA, that has been left to atrophy in the wake of big industry gone bust.
Los Angeles-based artist and filmmaker William E. Jones appropriates vintage film material that he rearranges into new compositions. Often concerned with the way gay imagery was depicted in 1970s and 1980s, Jones’s early films explore the complex configuration of homosexual identity with a rather nostalgic and romanticized gaze. Though fashioned in the same way, his later pieces look more directly at pornography and the appearance of fetish in popular culture.
Podcast Interview: Performance Photographers | Arts Equator Thinking and Talking about Arts and Culture in Southeast Asia Festival (Podcast) Crispian Chan (by Izdiyad Ahmad), Bernie Ng (by Biru Chua), Kuang Jingkai April 24, 2019 Duration: 45 min In this interview with Crispian Chan , Bernie Ng and Kuang Jingkai , three photographers of theatre and dance, we get to know more about a profession that’s sometimes taken for granted but is an essential aspect of the packaging of a performance...
The working processes of artists: Lim Ai Hooi | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles May 25, 2020 Choral conductor Lim Ai Hooi deconstructs the visible and less visible aspects of her work, from how to read notations on a score to the gestures she uses, and how this can reach the hearts of the audience...
Adjamé, Charbon reflects on both global environmental discourses and domestic impacts of the use and trade of coal...
This untitled ink and pencil drawing by James “Yaya” Hough is made on what the artist calls “institutional paper”, or the state-issued forms that monitor the daily activities of prisoners, of which, each detainee is generally required to fill out in triplicate...
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Cakap-Cakap: Interview with Jo Kukathas for Air Con | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints September 23, 2021 We cakap-cakap (chit-chat) with Jo Kukathas about The Instant Café Theatre Company’s upcoming screening of Air Con , an award-winning 2008 play written by Shanon Shah...