In Restaurant, Canton, Ohio (2011), a convenience store offers food, liquor, and Coca Cola to an empty street. A series of boarded-up storefronts marred by peeling paint conveys a sense of the pre- or post-apocalyptic—the hush just before or after a disaster. The reds, pinks, and oranges of the buildings give off warmth, but the absence of human activity makes the glow eerie and strange. Once a booming steel town, Canton is now struggling, and many of its buildings have been neglected for decades. While the location of William E. Jones’s photograph is specific, we can’t help extrapolating to imagine any Main Street, USA, that has been left to atrophy in the wake of big industry gone bust.
Los Angeles-based artist and filmmaker William E. Jones appropriates vintage film material that he rearranges into new compositions. Often concerned with the way gay imagery was depicted in 1970s and 1980s, Jones’s early films explore the complex configuration of homosexual identity with a rather nostalgic and romanticized gaze. Though fashioned in the same way, his later pieces look more directly at pornography and the appearance of fetish in popular culture.
Podcast Interview: Performance Photographers | Arts Equator Thinking and Talking about Arts and Culture in Southeast Asia Festival (Podcast) Crispian Chan (by Izdiyad Ahmad), Bernie Ng (by Biru Chua), Kuang Jingkai April 24, 2019 Duration: 45 min In this interview with Crispian Chan , Bernie Ng and Kuang Jingkai , three photographers of theatre and dance, we get to know more about a profession that’s sometimes taken for granted but is an essential aspect of the packaging of a performance...
The working processes of artists: Lim Ai Hooi | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles May 25, 2020 Choral conductor Lim Ai Hooi deconstructs the visible and less visible aspects of her work, from how to read notations on a score to the gestures she uses, and how this can reach the hearts of the audience...
Expo Chicago reveals more than 170 exhibitors for first edition since acquisition by Frieze Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art market news Expo Chicago reveals more than 170 exhibitors for first edition since acquisition by Frieze The long-running Midwestern fair was acquired by the London-based fair company in summer 2023 Benjamin Sutton 2 February 2024 Share Expo Chicago Photo by Justin Barbin Expo Chicago , one of the most significant US art fairs, is preparing for eleventh edition and first since it was acquired in the summer of 2023 by London-based expo and media company Frieze...
This untitled ink and pencil drawing by James “Yaya” Hough is made on what the artist calls “institutional paper”, or the state-issued forms that monitor the daily activities of prisoners, of which, each detainee is generally required to fill out in triplicate...
Postcards from the Desert Island is a remake of a 50s educational film Holiday from the rules in which four children interact with an omniscient narrator who teleports them to a tropical island where there are no rules...
Shot on 35mm in two simply framed shots, Jazmín López’s Juego Vivo captures children at play, mixing imagination, reality, innocence, and violence...
Why everyone is dancing during the pandemic: The Wandering at SIFA 2020 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints December 3, 2020 ArtsEquator speaks to Andy Chia, Natalie Alexandra, Rizman Putra, Russell Morton and Yeo Siew Hua, the creatives behind The Wandering , a dance film about loss connections and a family in crisis, about what it’s like working on the film together, especially during a pandemic...
Weekly Southeast Asia Radar: Goodbye gamelan maestro; Charlie Chan to get animated | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Stiftung Humboldt Forum im Berliner Schloss/David von Becker November 12, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...