Residencias Louveira III
2014 - Painting (Painting)
Juan Araujo
Juan Araujo’s works often begin with photographs he takes of a physical site. By reproducing fragments from urban images, facades and different architectures, he makes visible a tension between the desire to represent and the visual stereotypes. Araujo’s most recent paintings examine Venezuelan and Brazilian modernist architecture and the latter’s complex relationship to certain ideologies and belief systems that deeply marked Latin America’s cultural development in the mid-twentieth century.
Colors:
Related works sharing similar palette
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The top ArtsEquator articles of 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints December 31, 2021 Below is a list of the top 10 ArtsEquator articles in 2021, in random order: The Substation: How many more canaries in the coal mine? by Hoe Su Fern Published on: 20 Feb 2021 “Although the current situation facing The Substation is not new or unique, its impending fate is emblematic of, and raises deep questions about the progressively precarious and capricious conditions of arts practice in Singapore.” Also well-read: The Su bstation: An unstoppable force and an immovable object by Nabilah Said and a timeline of events by Ke Weiliang...
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Gan Chin Lee
2019In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
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Salt and Tears - Photographs by Yulia Skogoreva | Essay by Marigold Warner | LensCulture Feature Salt and Tears For four years, Yulia Skogoreva has been documenting female sumo wrestlers fighting for recognition in a sport from which they are banned, following the story of Nana—a young sumo wrestler who dreams of going pro...
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Here, We Breathe , A4 x KADIST Video Exhibition Elena Damiani, La Decanatura (Calderón & Piñeros), Luiz Roque, Pedro Neves Marques, and Uudam Tran Nguyen Here, We Breathe is the second iteration of the annual A4 x KADIST series of curated programs that aim to create new ways to participate in the discourse of new media art and close the gap between the audience and new media art...
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Nina Azoulay — Comme un rond dans un carré — Frac île-de-france, le Plateau — Exhibition — Slash Paris Login Newsletter Twitter Facebook Nina Azoulay — Comme un rond dans un carré — Frac île-de-france, le Plateau — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Nina Azoulay — Comme un rond dans un carré Exhibition Installation, sculpture Closing Nina Azoulay, Olivia, 2024 © Nina Azoulay Nina Azoulay Comme un rond dans un carré Ends in 7 days: January 11 → February 18, 2024 La Project Room est le nouvel espace prospectif et expérimental du Frac qui prend place dans la dernière salle du Plateau...
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C(l)ocked: "Catamite" by Loo Zihan | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Samantha Tio February 12, 2019 By Ray Langenbach (1213 words, 5-minute read) In this over-the-shoulder ‘clocking’ of Loo Zihan’s solo performance I see the silhouette of my own head looking on from the side...
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Juan Uslé — Viento sur — Lelong & Co Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Juan Uslé — Viento sur — Lelong & Co Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Juan Uslé — Viento sur Exhibition Painting Juan Uslé, Fulgor Celeste, 2023 (Détail) Vinyle, dispersion, acrylique et pigment sur toile — 198 × 112 cm Courtesy de l’artiste et galerie Lelong & Co...
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Vvzela Kook
2019Columbus of Horticulture stems from Vvzela Kook’s ongoing research into the central and often-ignored role that botany played in the history of European imperialism...
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Presentation of dOCUMENTA (13) Notebook series « 100 Notes – 100 Thoughts » « What kind of writing is a note? What kind of discourse can emerge between chance and disparity? What picture of knowledge constructs a note, what does it say about intelligence? Can this relatively undifferentiated matter—notes—introduce new connections, renew difficulty and possibility for art, for theory? Can a note, the embodiment of „a life« —the life behind the hand that wrote it—invent a form of consciousness that is prior and irreducible to the person, to the subject taking those notes? » With Alejandro Jodorowsky, Chus Martinez & Raimundas Malasauskas Chus Martínez is Head of Department, and Member of Core Agent Group of dOCUMENTA(13), as well as Associate Curator at MACBA (Barcelona)...
