Juan Araujo’s works often begin with photographs he takes of a physical site. By reproducing fragments from urban images, facades and different architectures, he makes visible a tension between the desire to represent and the visual stereotypes. Araujo’s most recent paintings examine Venezuelan and Brazilian modernist architecture and the latter’s complex relationship to certain ideologies and belief systems that deeply marked Latin America’s cultural development in the mid-twentieth century.
The top ArtsEquator articles of 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints December 31, 2021 Below is a list of the top 10 ArtsEquator articles in 2021, in random order: The Substation: How many more canaries in the coal mine? by Hoe Su Fern Published on: 20 Feb 2021 “Although the current situation facing The Substation is not new or unique, its impending fate is emblematic of, and raises deep questions about the progressively precarious and capricious conditions of arts practice in Singapore.” Also well-read: The Su bstation: An unstoppable force and an immovable object by Nabilah Said and a timeline of events by Ke Weiliang...
Presentation of dOCUMENTA (13) Notebook series « 100 Notes – 100 Thoughts » « What kind of writing is a note? What kind of discourse can emerge between chance and disparity? What picture of knowledge constructs a note, what does it say about intelligence? Can this relatively undifferentiated matter—notes—introduce new connections, renew difficulty and possibility for art, for theory? Can a note, the embodiment of „a life« —the life behind the hand that wrote it—invent a form of consciousness that is prior and irreducible to the person, to the subject taking those notes? » With Alejandro Jodorowsky, Chus Martinez & Raimundas Malasauskas Chus Martínez is Head of Department, and Member of Core Agent Group of dOCUMENTA(13), as well as Associate Curator at MACBA (Barcelona)...
Colin Brant’s communion with the inconstant – Two Coats of Paint Colin Brant, Lake Louise / Poppies, oil on canvas, 50 x 60 inches Contributed by Natasha Sweeten / You might consider the title of Colin Brant’s quietly inspiring exhibition “Mountains Like Rivers,” currently on view at Platform Project Space, an invitation to a world flipped on its end: what’s inherently solid becomes liquid, what’s up is now down...
Many of Araujo’s works depict reproductions and Libro Ponti II is a recreation of a book on Italian architect Gio Ponti...
YUMA o la tierra de los amigos (YUMA, or the Land of Friends) by Carolina Caycedo is a large mural containing a series of satellite photographs mounted on acrylic...
Carolina Caycedo’s practice conveys her very personal passion and relationship to water, as a powerful necessity and spiritual reminder...
Lucas’s quadroquadro (círculo) employs familiar materials for the artist: wood, paper, and glass...