Related 3a
2008 - Drawing & Print (Drawing & Print)
Anthony Goicolea
Goicolea has made drawings based on a family album of relations that he did not know but who in one way or another contributed to his history and to the predicament in which he now finds himself as a Cuban in America. He then mounted the drawings on trees, telegraph poles or buildings and photographed them. Taken in these situations the drawings appear like advertisements for lost people or even posters for wanted criminals that of course conjures up images of loss not only of boat people but those who perished in other disasters, whether natural catastrophes or 9/11. The representation of the drawing in a photograph mirrors the distancing of Goicolea from his ancestors, for the drawing is translated and placed in an anonymous location from which, after photography, it is removed. The photograph is a witness to a past act, as the album is a witness to Goicolea’s own past. Together, the drawing and the photograph set up a interesting dynamic that invokes notions of past and present, the concept of reproducibility, memorialisation, and fact and fiction.
Goicolea, a first generation Cuban-American living in New York, makes work that explores his conflicted identity and the recent history of the Cuban people. While some of his earlier work was playfully narcissistic, the body of work called “Related” explores his roots and personal history. He makes photographs, drawings, videos and installations that explore the relationship between the media as well as social and historical issues.
Colors:
Related works sharing similar palette
© » SLASH PARIS
A Change of Perspective — Ndayé Kouagou — Frac île-de-france, le Plateau — Exposition — Slash Paris Connexion Newsletter Twitter Facebook A Change of Perspective — Ndayé Kouagou — Frac île-de-france, le Plateau — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour A Change of Perspective — Ndayé Kouagou Exposition Film, performance, techniques mixtes, vidéo À venir Ndayé Kouagou, A coin is a coin, 2022 © Ndayé Kouagou A Change of Perspective Ndayé Kouagou Dans 2 mois : 21 septembre 2023 → 18 février 2024 Emblématique des artistes de sa génération, Ndayé Kouagou n’établit pas de hiérarchie entre ses différentes pratiques articulées autour du langage...
© » KADIST
Saturday, January 20, 2023, 1.30 pm (off-site) Performance by Duto Hardono, Variation & Improvisation for ‘In Harmonia Progressio’ (2017) at the Asian Art Museum Presented at and in collaboration with the Asian Art Museum, as part of Speculative Fabulation: New Voices, New Stories at the Asian Art Museum Friday, February 2, 2024, 7–9 pm The Fugue of the Cicada Songs An evening of sound performances organized in collaboration with Cone Shape Top, on the occasion of the launch of de montañas submarinas el fuego hace islas : Reader Volume Two co-published with Sming Sming Books Thursday, February 8, 2024, 5 pm (off-site) Yina Jiménez Suriel in conversation with Natalia Brizuela, Professor of Film & Media and Spanish & Portuguese Presented at and in collaboration with the University of California, Berkeley’s Center for Latin American and Caribbean Studies: 2334 Bowditch St, Berkeley, CA 94720 Wednesday, February 10, 2024, available to view on KADIST.tv from February 19, 2024 (this program takes place off-site and online) de montañas submarinas el fuego hace islas , screening program co-curated by Yina Jiménez Suriel and Arianna Mercado at MCAD Manila – Museum of Contemporary Art and Design, Manila de montañas submarinas el fuego hace islas , reader A bi-lingual reader, co-published with Sming Sming Books, with the support of the Center for Latin American and Caribbean Studies, University of California, Berkeley will be available in February 2024...
© » KADIST
Allan McCollum
1982In the work titled The Glossies (1980), an affinity for photography manifested itself before McCollum actually began to use photography as a medium...
© » KADIST
Matthieu Saladin
2016L’effeuillage des effacements (The Stripping of Erasures) 2016, presents a piles of posters gathered in decreasing chronological order from 2015 to 2400 B...
© » KADIST
Nikita Kadan
2013Ukraine is under tension due to the politics of President lanoukovitch since 2010...
© » KADIST
On the occasion of publishing A Partial Taxonomy of Linear Ornament — Both Established and Original — Organized by Shape, Symmetry, Dimension, Iteration and Projection— Including Extrude the Extrusion and Ornament as Entheogen, Tauba Auerbach discusses a range of topics, from topology to gesture, Traditional Chinese Medicine, architecture and (a)symmetry...
© » KADIST
Carolina Fusilier
2023Miercoles cerca de las 7 de la tarde by Caroline Fusilier portrays two quantum computers that are mobile, with human-esque legs, these are systems at the edge of biology...
© » KADIST
Kelly Sinnapah Mary
2021Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015)...
© » KADIST
Yto Barrada
2007This photograph is part of the series titled “Iris Tingitana project” (2007) focusing on the disappearance of the iris...
© » SLASH PARIS
Chambre à brouillard — Juliette Agnel, Clément Bagot, Nicolas Darrot, Youcef Korichi, Alyssa Verbizh, Anne-Charlotte Yver — L’ahah Griset — Exhibition — Slash Paris Login Newsletter Twitter Facebook Chambre à brouillard — Juliette Agnel, Clément Bagot, Nicolas Darrot, Youcef Korichi, Alyssa Verbizh, Anne-Charlotte Yver — L’ahah Griset — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Chambre à brouillard — Juliette Agnel, Clément Bagot, Nicolas Darrot, Youcef Korichi, Alyssa Verbizh, Anne-Charlotte Yver Exhibition Drawing, publishing, film, installation.....
