Nazgol Ansarinia dissects, interrogates, and recasts networks, objects, and events to draw out relationships to the contemporary Iranian experience. Her mode of working covers diverse media, including video, 3D printed models, and drawings. Subjects are as varied as automated telephone systems, U.S. national security policies, the memories associated with a family house, and the patterns of Persian Carpets.
In the early 2000s, as urban redevelopment accelerated and intense construction significantly diminished public space in Tehran, state-funded murals began to represent imaginary landscapes on building facades...
Polanszky’s sculpture is made from raw, found materials that have the patina of age...
In the early 2000s, as urban redevelopment accelerated and intense construction significantly diminished public space in Tehran, state-funded murals began to represent imaginary landscapes on building facades...
Fathers #18 and Fathers #27 is part of a series of photographs and videos made in recent years in Gaza...
“In the 1980s I started using coloured paper backdrops, one of which was yellow...
“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls...