Nazgol Ansarinia dissects, interrogates, and recasts networks, objects, and events to draw out relationships to the contemporary Iranian experience. Her mode of working covers diverse media, including video, 3D printed models, and drawings. Subjects are as varied as automated telephone systems, U.S. national security policies, the memories associated with a family house, and the patterns of Persian Carpets.
In the early 2000s, as urban redevelopment accelerated and intense construction significantly diminished public space in Tehran, state-funded murals began to represent imaginary landscapes on building facades...
Tony Cokes’s long-form, multi-channel work Some Munich Moments 1937–1972 forms a layered montage of historical and contemporary source material exploring different periods of Munich’s history...
In the early 2000s, as urban redevelopment accelerated and intense construction significantly diminished public space in Tehran, state-funded murals began to represent imaginary landscapes on building facades...
Fathers #18 and Fathers #27 is part of a series of photographs and videos made in recent years in Gaza...
Part of a larger series of photographic works, Alessandro Balteo Yazbeck’s Corrupted file from page 14 (V1) from the series La Vega, Plan Caracas No...
“When you position your hand on someone’s shoulder, your shoulders become straight and horizontal...