Reflection Paper No. 2 is one of four videos in which Wang attempts to accurately illustrate the writings of influential Chinese Eileen Chang, who published her works during the Japanese occupation of China. Image and text reflect on the everyday experiences of women in society, family, marriage, love, and death. As a voiceover unsuccessfully labors to match and explain each scene, the relationship between the text and the images becomes uncertain. Wang explains: “Reality is often inappropriate.”
Wang Taocheng is a Shanghai artist who lives and works in Amsterdam. She creates layered narrative artworks in painting, drawing, video, film, and installation. She studied Chinese traditional art in China and continued her education at the Stadelschule in Frankfurt (2012) and De Ateliers (2014) in Amsterdam.
Itch explores the relationship between technology and daily human experience with a motorized arm that extends from within the gallery’s wall, moving up and down while holding a projector that shows a desperately scratching pair of hands....
Ben Shaffer’s Ben Deroy (2007) is part performance, part self-portrait, and part spiritual vision...
Houck’s Peg and John was made as part of a series of photographic works that capture objects from the artist’s childhood...
Untitled (Women) (2011) presents a startlingly succinct history of violently romanticized femininity...
Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...
Sign #1 , Sign #2 , Sign #3 were included in “Found Object Assembly”, Copeland’s 2009 solo show at Jack Hanley Gallery, San Francisco...
Though the title might suggest an Adonis, Jeffry Mitchell’s The Swimmer (2012) is a squat, jolly man with a protuberant belly...
In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique...
The Last Post was inspired by Sikander’s ongoing interest in the colonial history of the sub-continent and the British opium trade with China...
Choke documents the artist filming a wrestler “choking out” his teammate until he is unconscious...
John Houck’s brown- , sienna- and golden-toned composition, Untitled #185, 65, 535 combinations of a 2×2 grid, 16 colors , features densely packed lines of color moving diagonally across the creased page...
Continuing Oursler’s broader exploration of the moving image, Absentia is one of three micro-scale installations that incorporate small objects and tiny video projections within a miniature active proscenium...
In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio...