11:00 minutes
Reborn, 2010 is a three-channel video by Desiree Holman that questions ideas of motherhood and the maternal instinct. The video features a group of women as they tenderly cradle lifelike baby dolls atop their rocking chairs. Although at first, the video might appear as a celebration of the maternal bond, the scene soon becomes eerie and unsettling as we see milk spilling out of the mothers’ mouths. Subsequently, the tone changes dramatically as a group of women in their underwear wearing colorful, bedazzled niqabs, perform an upbeat choreography with the dolls strapped around their bodies. The work is based on Holman’s research into the curious subculture of ‘reborners,’ a group of women known for hand-making, collecting and caring for hyper-realistic baby dolls called ‘reborns.’ Grounded in fantasy, the vernacular surrounding these dolls often addresses them as living. Fascinated by this, the dolls we see in Hollman’s video were created by the artist in a process that lasted over a year, which involved rooting each individual hair and painstakingly modeling their skin tones. Reborn is emblematic of Holman’s practice, which, through an anthropologic eye, aims at finding the fissures in established cultural tropes. As per other works by the artist , Reborn disrupts idyllic representations and conventions to bring to the fore the darker, strange and unsettling undertones of human nature.
Combining research, performance, video, digital manipulation, drawing, and installation, Desiree Holman’s multifaceted practice dissects the discourses that structure our shared experience of the social world: from ideas of gender and sexuality to notions of race and motherhood among many others. Originally trained as a sculptor, the Oakland-based artist places emphasis on objects due to their potential as repositories of meaning. With the help of performers, she then puts these objects to use as costumes or props in performances that the artist describes as “identity play-focused work.” Although Holman generally presents the performances as multi-channel videos, her oeuvre also incorporates traditional gallery works such as drawings and paintings, which a related to the videos on display. The source material informing her work is often based in her real-world research, pulling apart and interrogating social constructs she finds in popular culture and subcultures, in order to excavate social myths and illustrate the complexity of human psyche.
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sommaire du n°515 - novembre 2023 - artpress X 23 octobre 2023 Dans AP Print , artpress , artpress mensuel , sommaires sommaire du n°515 – novembre 2023 > COMMANDER LE NUMÉRO Vous êtes abonné(e) ? Retrouvez les offres de notre club pour novembre par ici ! Édito 5 Faire histoire Making History Étienne Hatt INTRODUCING 6 Frederik Exner Laurent Quénéhen Chroniques / Columns 11 Dépression verte Green Depression Paul Ardenne 15 L’image en creux Implicit Image Étienne Hatt 19 Gilles Aillaud, animal peinture Gilles Aillaud, Animal Painting Anne Bertrand Point de vue / Opinion 22 Picasso, où est le problème ? Picasso, What’s the Problem ? Frédérique Joseph-Lowery ACTUALITÉS / SPOTLIGHTS 26 Les 10 ans de la Bourse Révélations 10 Years of the Révélations Emerige Grant Interview de Gaël Charbau par Étienne Hatt 30 Les Douches la Galerie, concentré de photographie Les Douches la Galerie, a Photographic Concentrate Aurélie Cavanna DOSSIERS 34 GRANDE INTERVIEW Dana Schutz, une peinture métaphorique Dana Schutz, A Metaphorical Painting Interview par Eleanor Heartney 42 MATÉRIALITÉS PHOTOGRAPHIQUES PHOTOGRAPHIC MATERIALITIES 44 L’image entre présence et absence Images between Presence and Absence Interview d’Héloïse Conésa par Étienne Hatt 49 Regard transatlantique, d’hier à aujourd’hui A Transatlantic Perspective, Then and Now Marie Auger 54 Gilles Aillaud en héritage The Legacy of Gilles Aillaud Annabelle Gugnon 62 ROTHKO VU D’EUROPE ROTHKO SEEN FROM EUROPE 64 Mark Rothko, Psaume Mark Rothko, Psalm Philippe Sollers 66 Rothko-Hartung, affinités électives Rothko-Hartung, Elective Affinities Interview de Thomas Schlesser par Julie Chaizemartin 71 expositions / reviews Triennale Art & Industrie Bernard Moninot Fashion folklore Baptiste Roux Corps à corps Un-Tuning Together Jonathan Meese Sasha Ferré Armelle de Sainte Marie Un pli du bord du monde 82 agenda 85 livres Yuk Hui, reconstruire une pensée de la technique Pascal Quignard, heures heureuses, où êtes-vous ? Clément Ghys, la contreculture est une bombe à retardement Sarah Chiche, l’œuvre au bleu (de Prusse) Enrique Vila-Matas, la biographie d’un style Stefano D’Arrigo, mythologie de la langue Liliane Giraudon, traversée par l’écriture Jean-Luc Giribone, la sagesse dans une âme et un corps Antoinette Deshoulières, liberté baroque 96 Comptes rendus 98 Le feuilleton de Jacques Henric Albert Ayler À venir, artpress n°516, décembre 2023 Interview Jérôme Zonder Les 50 ans de la galerie Baronian Les formes de la ruine au musée des beaux-arts de Lyon Victor Burgin au Jeu de Paume et au CPIF… Couv...
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