Raven (gun)
1987 - Photography (Photography)
Catherine Opie
In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain. She wears an expression of both pleasure and intensity as she points a gun at someone or something outside of the frame. Raven (gun) (1994) is not so much threatening as full of sexuality and potential energy. Opie often photographs her friends, of whom Raven is one, and here she captures Raven in the intimate act of role playing. Instead of keeping such activities behind closed doors, Opie brings sexuality fully into view in an effort to question and widen our definition of normalcy.
Since the 1990s, Catherine Opie has been recognized for her use of documentary photography to address issues of community and queerness, and the ways in which identity is shaped by architecture. Particularly resonant during the Culture Wars of the 1980s and early 1990s—a time in which the religious right tried to impose itself as a political force and cultural censor—Opie’s photographs privilege the representation of specific communities, whether the LGBT, teenagers, surfers, football players, or her group of friends who engage in sexual role playing, tattooing, and piercing.
Colors:
Related works of genres: » lesbian artists, » contemporary artist, » photographer, » 21st-century american photographers, » born1961, » photographers from california
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Rodney Graham
1991Ponderosa Pine IV belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that live in Northern California...
Related works featuring themes of: » Photo-Conceptualism, » Isolation, » Cultural Commentary, » Sexual Identity, » Documentary Photography, » Gender, » Feminism, » Bright/Vivid, » Color Photography, » American
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Walead Beshty
2012Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
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Juliana Huxtable
2017Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom...
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Andrea Bowers
2015Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...
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Rodney Graham
1991Ponderosa Pine IV belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that live in Northern California...
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Catherine Opie
Video: Catherine Opie on photographing leading British artists | Blog | Royal Academy of Arts Catherine Opie in the RA Collection Gallery Video: Catherine Opie on photographing leading British artists Read more Become a Friend Video: Catherine Opie on photographing leading British artists Published 8 September 2023 Catherine Opie discusses her portraits of David Hockney, Anish Kapoor, Gillian Wearing, Isaac Julien and Lynette Yiadom-Boakye, featured in our free display in the Collection Gallery...
© » KADIST
Walead Beshty
2012Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
© » KADIST
Juliana Huxtable
2017Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom...
© » KADIST
Luisa Lambri
2007Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light...
Other works by: » Catherine Opie
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© » ROYAL ACADEMY
Catherine Opie
Video: Catherine Opie on photographing leading British artists | Blog | Royal Academy of Arts Catherine Opie in the RA Collection Gallery Video: Catherine Opie on photographing leading British artists Read more Become a Friend Video: Catherine Opie on photographing leading British artists Published 8 September 2023 Catherine Opie discusses her portraits of David Hockney, Anish Kapoor, Gillian Wearing, Isaac Julien and Lynette Yiadom-Boakye, featured in our free display in the Collection Gallery...
© » KADIST
Catherine Opie
1987Catherine Opie’s candid photograph Cathy (bed Self-portrait) (1987) shows the artist atop a bed wearing a negligee and a dildo; the latter is attached to a whip that she holds in her teeth...
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Catherine Opie
1994Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...
Related artist(s) to: Catherine Opie » Tino Sehgal, » Abraham Cruzvillegas, » Christian Marclay, » Collier Schorr, » Allan Sekula, » Annie Leibovitz, » Ansel Adams, » Enrique Chagoya, » George Kuchar, » Jimmie Durham
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Tino Sehgal
2004Tino Sehgal’s This Exhibition requires an interpreter (in this particular piece, a gallery attendant) to faux faint each and every time a visitor enters into a given space...
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Abraham Cruzvillegas
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George Kuchar
2009Burrito Bay is a video by George Kuchar that follows the format of a diary or travelogue centered on a tropical trip to Acapulco, Mexico...
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Collier Schorr
1999Collier Schorr’s prints upend conventions of portrait photography by challenging what it means to “document” a subject...
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Del Cielo - Photographs by Jo Ann Callis, Masahisa Fukase, James Gallagher, Graciela Iturbide, Rinko Kawauchi and James Gallagher | Exhibition review by Sophie Wright | LensCulture Feature Del Cielo This group exhibition explores the age-old symbol of the bird, gathering together the work of five photographers who each explore this shared winged subject matter in their own distinct visual language...
