Radical Hospitality
2015 - Sculpture (Sculpture)
Andrea Bowers
Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely. Meant to hang from the ceiling, Bowers’ neon is further weighed down by long wind chimes made of aluminum pipes and wooden wind catchers that drip unsteadily from their anchors. Poetic but frantic in its juxtapositions, Bowers’ work captures a certain paradoxical energy that echoes the current political climate—it is hopeful but hindered, cacophonous but well intentioned, uncertain but ominous.
Socially engaged and politically outspoken, Los Angeles-based artist Andrea Bowers builds her work around issues of social justice and advocacy. Her artistic practice often uses political protests and movements as sources of inspiration and content, as she draws isolated figures holding picket signs with delicate attention, or replicates the archive of a cause in the space of the gallery. Labor movements, women’s rights rallies, anti-war protests, and immigration demonstrations, past and present, are among the myriad moments of political action that Bowers draws upon in her works.
Colors:
Related works sharing similar palette
© » KADIST
Takeshi Murata
2013Takeshi Murata developed an interest in space inspired by his architect parents...
© » KADIST
Sable Elyse Smith
2020Sable Elyse Smith’s Pivot III resembles playground equipment uselessly reconfigured...
© » ART & OBJECT
10 Must-See Works at the Museum of Modern Art | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » KADIST
Colectivo Los Ingrávidos
2017The word Coyolxauhqui refers to femicide or the killing of women in rural Mexico on the basis of gender...
© » ARTS EQUATOR
"Kelantan: A Living Heritage": Tributing the Traditional | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Thum CC August 16, 2018 By Akanksha Raja (1050 words, four-minute read) George Town Festival is now in its ninth year, and one of the distinctive qualities in every edition is the balance it strikes between presenting international touring works, and Malaysian shows that are rooted in local society and culture...
© » ARTS EQUATOR
Weekly Picks: Malaysia (6 – 12 Aug 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do August 6, 2018 The Fall of the House of Usher , Lot’ng Arts Space, 2–12 Aug Promising a twisted journey into the mind of a mysterious house and the equally enigmatic residents...
© » SLASH PARIS
Nicolas Daubanes — Du béton, de l’acier et de la viande — La Maréchalerie, centre d’art contemporain — Exhibition — Slash Paris Login Newsletter Twitter Facebook Nicolas Daubanes — Du béton, de l’acier et de la viande — La Maréchalerie, centre d’art contemporain — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Nicolas Daubanes — Du béton, de l’acier et de la viande Exhibition Architecture, installation Closing Nicolas Daubanes, La grâce présidentielle, à la galerie Territoires Partagés, Marseille PAC 2022 © JC Lett Nicolas Daubanes Du béton, de l’acier et de la viande Ends in 6 days: September 22 → December 17, 2023 La pratique artistique de Nicolas Daubanes se déploie à travers le dessin, la sculpture, la vidéo et l’installation...
© » KADIST
Setareh Shahbazi
2013Shahbazi’s early drawings in the series “Oh No…” are reminiscent of comic strips or children’s coloring books...
© » KADIST
Mario Garcia Torres
2010In Up All Night, Waiting for the Chelsea Hotel Magic to Spark My Creativity Mario García Torres constructs and documents a hypothetical scene, situating himself within a lineage of artists and creatives that used to congregate at the historic hotel...
© » HYPERALLERGIC
Cityscapes, Landscapes, and Figure Paintings by Mitchell Johnson on View in Menlo Park Skip to content Mitchell Johnson, “Brooklyn Bridge (Martha)” (2023), oil on canvas, 24 x 36 inches Flea Street restaurant in Menlo Park, California, presents an exhibition of paintings by Bay Area artist Mitchell Johnson ...
© » ARTFORUM
Argentinian President Javier Milei Shutters Ministry of Culture – Artforum Read Next: THE WHITNEY’S JANE PANETTA DECAMPS FOR THE MET Subscribe Search Icon Search Icon Search for: Search Icon Search for: Follow Us facebook twitter instagram youtube Alerts & Newsletters Email address to subscribe to newsletter...
© » KADIST
Emmanuel van der Auwera
2019Emmanuel van der Auwera visited Miami at the end of 2017 and was working on a project relating to school shootings...
