Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely. Meant to hang from the ceiling, Bowers’ neon is further weighed down by long wind chimes made of aluminum pipes and wooden wind catchers that drip unsteadily from their anchors. Poetic but frantic in its juxtapositions, Bowers’ work captures a certain paradoxical energy that echoes the current political climate—it is hopeful but hindered, cacophonous but well intentioned, uncertain but ominous.
Socially engaged and politically outspoken, Los Angeles-based artist Andrea Bowers builds her work around issues of social justice and advocacy. Her artistic practice often uses political protests and movements as sources of inspiration and content, as she draws isolated figures holding picket signs with delicate attention, or replicates the archive of a cause in the space of the gallery. Labor movements, women’s rights rallies, anti-war protests, and immigration demonstrations, past and present, are among the myriad moments of political action that Bowers draws upon in her works.
Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...
In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain...
Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom...
In 1940 Rivera came to San Francisco for what would be his last mural project in the city, Pan-American Unity ...
Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...
In 2012, former Guatemalan President José Efran Ros Montt was charged with genocide and crimes against humanity; Regina José Galindo’s video Tierra is a chilling reimagining of the atrocities recounted during his trial...
Untitled (San Francisco) was made in Idaho in 1984 and was facetiously dedicated to Henry Hopkins, the then director of the San Francisco Museum of Art who added “modern” to its name...
Video: Catherine Opie on photographing leading British artists | Blog | Royal Academy of Arts Catherine Opie in the RA Collection Gallery Video: Catherine Opie on photographing leading British artists Read more Become a Friend Video: Catherine Opie on photographing leading British artists Published 8 September 2023 Catherine Opie discusses her portraits of David Hockney, Anish Kapoor, Gillian Wearing, Isaac Julien and Lynette Yiadom-Boakye, featured in our free display in the Collection Gallery...
Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
Like many of his other sculptural works, the source of I am the Greatest is actually a historical photograph of an identical button pin from the 1960s...
La Sombra (The Shadow) is a video of Regina Jose Galindo performing with a moving Leopard tank...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...
The print Patient Admission, US Naval Hospital Ship Mercy, Vietnam (2010) features an Asian Buddhist monk and an American Navy Solider on board the Mercy ship –one of the two dedicated hospital ships of the United States Navy– sitting upright in their chairs and adopting the same posture...
The Last Post was inspired by Sikander’s ongoing interest in the colonial history of the sub-continent and the British opium trade with China...
The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism...
The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico...
South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...