Radical Hospitality

2015 - Sculpture (Sculpture)

Andrea Bowers

location: Los Angeles, California
year born: 1965
gender: female
nationality: American
home town: Wilmington, Ohio

Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely. Meant to hang from the ceiling, Bowers’ neon is further weighed down by long wind chimes made of aluminum pipes and wooden wind catchers that drip unsteadily from their anchors. Poetic but frantic in its juxtapositions, Bowers’ work captures a certain paradoxical energy that echoes the current political climate—it is hopeful but hindered, cacophonous but well intentioned, uncertain but ominous.


Socially engaged and politically outspoken, Los Angeles-based artist Andrea Bowers builds her work around issues of social justice and advocacy. Her artistic practice often uses political protests and movements as sources of inspiration and content, as she draws isolated figures holding picket signs with delicate attention, or replicates the archive of a cause in the space of the gallery. Labor movements, women’s rights rallies, anti-war protests, and immigration demonstrations, past and present, are among the myriad moments of political action that Bowers draws upon in her works.


Colors:



Related works of genres: » california institute of the arts alumni  
» see more

True Red Ruin (Elmina Castle)
© » KADIST

Danielle Dean

2017

In True Red Ruin (Elmina Castle) , Danielle Dean uses archival documents to re-imagine colonial history from the 1400s, while also referencing her own personal history...

Hexfluorosilicic
© » KADIST

Danielle Dean

2015

Hexafluorosilicic acid is a type of sodium fluoride waste product that can be found in a large amount of widely available products such as cleaning fluids, toothpaste, rat poison, and drinking water...

No Lye
© » KADIST

Danielle Dean

2012

No Lye by Danielle Dean documents a group of five women, including Dean herself, confined to a small, cramped bathroom, communicating only by using slogans culled from beauty advertisements (“beauty is skin deep”, “naturalise, it’s in our nature to be strong and balanced”) and quotes from political speeches (“we must protect our borders”, “we are fighting for our way of life and our ability to fight for freedom”)...

The Bedroom
© » KADIST

Barbara Bloom

1997

In the 1980’s, while browsing Parisian fleamarkets, Barbara Bloom stumbled into an anonymous watercolor (dating to around 1960) in one of Paris’ fleamarkets, probably a study made by an interior designer for a bedroom...

Related works featuring themes of: » Bright/Vivid, » Collective History, » Feminism, » Contemporary Participation, » Cultural Commentary, » American  
» see more

Freeway Series
© » KADIST

Catherine Opie

1994

Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...

Raven (gun)
© » KADIST

Catherine Opie

1987

In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain...

Why fear the future?
© » KADIST

Carlos Amorales

2005

Produced on the occasion of an exhibition at ARTIUM of Alava, Basque Centre-Museum of Contemporary Art, this deck of cards is a selection of images from Carlos Amorales’s Liquid Archive...

Other related works, blended automatically  
» see more

Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists
© » KADIST

Andrea Bowers

2010

The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...

Freeway Series
© » KADIST

Catherine Opie

1994

Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...

Raven (gun)
© » KADIST

Catherine Opie

1987

In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain...

South Africa Righteous Space
© » KADIST

Hank Willis Thomas

2014

South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....

Related works sharing similar palette  
» see more

The Feminist School of Painting: History Painting with Megan Prelinger
© » KADIST

History Painting with Megan Prelinger October 13, 1–3pm History Painting historically depicted scenes from the Bible, and Greek and Roman history and mythology, but was later used as a form of documentation...

May 19, 2021
© » KADIST

Matt Kane

2019

Matt Kane initiated the project Right Place & Right Time – Bitcoin Volatility Art in 2019...

Announcing the 2023 Creative Time Open Call Artists
© » CREATIVETIME

Announcing the 2023 Creative Time Open Call Artists - Creative Time Announcing the 2023 Creative Time Open Call Artists July 28th, 2022 Tweet Email Creative Time announces Kite and Alisha Wormsley as the artists selected from the 2022 Open Call invitation...

Related works from the » 2010's created around » Los Angeles, California  
» see more

Silencer #16 & #17
© » KADIST

Will Rogan

2010

MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...

Serengeti Green
© » KADIST

Phillip Maisel

2015

While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves...

Eraser
© » KADIST

Will Rogan

2014

Will Rogan’s video Eraser (2014) shows a hearse parked in a clearing amidst leaf barren trees...

There are veins in these lands, I
© » KADIST

Rodney McMillian

2013

In his evocative Landscape Paintings, McMillian uses second-hand bedsheets, sourced from thrift shops, as his starting point...

Other works by: » Andrea Bowers  
» see more

Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists
© » KADIST

Andrea Bowers

2010

The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...

Related artist(s) to: Andrea Bowers » Charles Gaines, » Sam Durant, » Sharon Hayes, » Allan Sekula, » Anna Barriball, » Dan Perjovschi, » Harrell Fletcher, » Jens Hoffmann, » Jim Shaw, » Johanna Calle  
» see more

Suburbia 1, Espinca bifida #3, Laconista7
© » KADIST

Johanna Calle

2003

Calle’s drawings all inhabit received forms but alter them to call attention to specific qualities...

The American War
© » KADIST

Harrell Fletcher

2005

The American War , which takes its title from the Vietnamese term for what Americans call the Vietnam War, has toured the United States extensively with the goal of presenting a Vietnamese perspective of that history...

Shadows V, Set of 3
© » KADIST

Charles Gaines

1980

To make his series Shadows (1980), Gaines subjected 20 potted plants to a uniform procedure...

Related works found in the same semantic group  
» see more

4 Tips for Collecting Art to Transform Your Collection - via Exhale Lifestyle
© » LARRY'S LIST

Art collecting is no simple feat, but the end result is more than worth it...

Microfilm
© » KADIST

Julien Crépieux

2012

Julien Crépieux is interested in the medium of video and its confrontation with cinema...