Radical Hospitality

2015 - Sculpture (Sculpture)

Andrea Bowers

location: Los Angeles, California
year born: 1965
gender: female
nationality: American
home town: Wilmington, Ohio

Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely. Meant to hang from the ceiling, Bowers’ neon is further weighed down by long wind chimes made of aluminum pipes and wooden wind catchers that drip unsteadily from their anchors. Poetic but frantic in its juxtapositions, Bowers’ work captures a certain paradoxical energy that echoes the current political climate—it is hopeful but hindered, cacophonous but well intentioned, uncertain but ominous.


Socially engaged and politically outspoken, Los Angeles-based artist Andrea Bowers builds her work around issues of social justice and advocacy. Her artistic practice often uses political protests and movements as sources of inspiration and content, as she draws isolated figures holding picket signs with delicate attention, or replicates the archive of a cause in the space of the gallery. Labor movements, women’s rights rallies, anti-war protests, and immigration demonstrations, past and present, are among the myriad moments of political action that Bowers draws upon in her works.


Colors:



Related works of genres: » california institute of the arts alumni  
» see more

True Red Ruin (Elmina Castle)
© » KADIST

Danielle Dean

2017

In True Red Ruin (Elmina Castle) , Danielle Dean uses archival documents to re-imagine colonial history from the 1400s, while also referencing her own personal history...

Hexfluorosilicic
© » KADIST

Danielle Dean

2015

Hexafluorosilicic acid is a type of sodium fluoride waste product that can be found in a large amount of widely available products such as cleaning fluids, toothpaste, rat poison, and drinking water...

Untitled (Wheelchair drawing)
© » KADIST

Edgar Arceneaux

2006

Untitled (Wheelchair Drawing) is a ten-foot photo transfer of the image of a wheelchair with burning embers in its seat...

Towhead n’Ganga enclosed in darkness, lorded over by the sexualized folded high priestless form
© » KADIST

Mike Kelley

1996

Towhead n’Ganga, enclosed in darkness, lorded over by the sexualized folded high priestless form reflects many of Kelley’s works, in both its compositional and semantic qualities...

Related works featuring themes of: » Bright/Vivid, » Collective History, » Feminism, » Contemporary Participation, » Cultural Commentary, » American  
» see more

Freeway Series
© » KADIST

Catherine Opie

1994

Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...

Raven (gun)
© » KADIST

Catherine Opie

1987

In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain...

Video: Catherine Opie on photographing leading British artists
© » ROYAL ACADEMY

Catherine Opie

Video: Catherine Opie on photographing leading British artists | Blog | Royal Academy of Arts Catherine Opie in the RA Collection Gallery Video: Catherine Opie on photographing leading British artists Read more Become a Friend Video: Catherine Opie on photographing leading British artists Published 8 September 2023 Catherine Opie discusses her portraits of David Hockney, Anish Kapoor, Gillian Wearing, Isaac Julien and Lynette Yiadom-Boakye, featured in our free display in the Collection Gallery...

Why fear the future?
© » KADIST

Carlos Amorales

2005

Produced on the occasion of an exhibition at ARTIUM of Alava, Basque Centre-Museum of Contemporary Art, this deck of cards is a selection of images from Carlos Amorales’s Liquid Archive...

Other related works, blended automatically  
» see more

Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists
© » KADIST

Andrea Bowers

2010

The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...

Freeway Series
© » KADIST

Catherine Opie

1994

Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...

Raven (gun)
© » KADIST

Catherine Opie

1987

In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain...

!Women Art Revolution
© » KADIST

Lynn Hershman Leeson

2010

Hershman Leeson’s documentary, Women Art Revolution (W...

Related works sharing similar palette  
» see more

The Feminist School of Painting: History Painting with Megan Prelinger
© » KADIST

History Painting with Megan Prelinger October 13, 1–3pm History Painting historically depicted scenes from the Bible, and Greek and Roman history and mythology, but was later used as a form of documentation...

Anonymous Was a Woman Names 2023 Grantees
© » ARTFORUM

Anonymous Was a Woman Names 2023 Grantees – Artforum Read Next: AMY HAU TO LEAD NOGUCHI MUSEUM Subscribe Search Icon Search Icon Search for: Search Icon Search for: Follow Us facebook twitter instagram youtube Alerts & Newsletters Email address to subscribe to newsletter...

Mungo Thomson: Wall, Window or Bar Signs
© » KADIST

Wall, Window or Bar Signs , an exhibition of newly commissioned neon signs by Los Angeles-based artist Mungo Thomson...

Related works from the » 2010's created around » Los Angeles, California  
» see more

Silencer #16 & #17
© » KADIST

Will Rogan

2010

MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...

Serengeti Green
© » KADIST

Phillip Maisel

2015

While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves...

Eraser
© » KADIST

Will Rogan

2014

Will Rogan’s video Eraser (2014) shows a hearse parked in a clearing amidst leaf barren trees...

Chu’u Mayaa
© » KADIST

Clarissa Tossin

2017

Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...

Other works by: » Andrea Bowers  
» see more

Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists
© » KADIST

Andrea Bowers

2010

The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...

Related artist(s) to: Andrea Bowers » Charles Gaines, » Sam Durant, » Sharon Hayes, » Allan Sekula, » Anna Barriball, » Dan Perjovschi, » Harrell Fletcher, » Jens Hoffmann, » Jim Shaw, » Johanna Calle  
» see more

Suburbia 1, Espinca bifida #3, Laconista7
© » KADIST

Johanna Calle

2003

Calle’s drawings all inhabit received forms but alter them to call attention to specific qualities...

Abece “K”
© » KADIST

Johanna Calle

2011

Johanna Calle’s Abece “K” (2011) is part of a series of drawings (compiled into an artist book called Abece ) based on the alphabet...

Shadows V, Set of 3
© » KADIST

Charles Gaines

1980

To make his series Shadows (1980), Gaines subjected 20 potted plants to a uniform procedure...

Related works found in the same semantic group  
» see more

4 Tips for Collecting Art to Transform Your Collection - via Exhale Lifestyle
© » LARRY'S LIST

Art collecting is no simple feat, but the end result is more than worth it...

Hypertransform Sculpture
© » KADIST

Rudolf Polanszky

2005

Polanszky’s sculpture is made from raw, found materials that have the patina of age...