The depiction of the female figure in the sculptures remains an economic, canny composition of geometric abstractions in a Modernist spirit. Yet rather than provide us with the layers of information found in her wall reliefs, the sculptures exclusively frame space. In place of the tactile surfaces that can be carved into and drawn on, the sculptures’ outlines provide multiple perspectives on to their surroundings, and additionally unto themselves. The lines are simultaneously descriptive and obstructive, creating screens that allow transparency only to reveal another set of images. Stiler portrays the female figure and our relationship to it as anything but; fully realized yet hard to decipher, enigmatic, and unrepeatable.
Ruby Sky Stiler has established a visual language in which historical periods, art movements, and spatial dimensions readily coexist. Her signature wall reliefs transform an inventory of studio castoffs into rhythmic puzzles that draw attention equally to their surfaces and to the discrete shapes contained within, accumulating patterns and textures to create dense portraits or geometric configurations. Each component carries its own history, oftentimes visible in notes scrawled in pencil, or of outline marks only to be rethought; what fills the space in between each cut creates another narrative, another plane.
Diana Al-Hadid’s Monumental, Spiky Bronzes Examine Feminine Strength and Fragility | Artsy Skip to Main Content Advertisement Art Diana Al-Hadid’s Monumental, Spiky Bronzes Examine Feminine Strength and Fragility Rawaa Talass Nov 16, 2023 5:13PM Diana Al-Hadid The Bride in the Large Glass , 2023 Kasmin Price on request Portrait of Diana Al-Hadid by Diego Flores...
Icaro Lira has been developing the project “Museum of the Foreigner” since 2015, in which he recounts the trajectories of populations inside Brazil, from the north to the big cities of the south...
Our Grandmothers’ Gardens by Olga Grotova is based on the history of Soviet allotment gardens, which were small plots of land distributed amongst the families of factory workers to compensate for poor food supply in a country that was over-producing weapons...
40 ans du Frac ! — Gunaikeîon — Frac île-de-france, les Réserves — Exhibition — Slash Paris Login Newsletter Twitter Facebook 40 ans du Frac ! — Gunaikeîon — Frac île-de-france, les Réserves — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back 40 ans du Frac ! — Gunaikeîon Exhibition Mixed media Vue de l’exposition 40 ans du Frac ! — Gunaikeîon au Frac île-de-france, les Réserves, Romainville © Frac Île-de-France 40 ans du Frac ! Gunaikeîon Ends in 2 months: October 15, 2023 → February 24, 2024 Pour les 40 ans des Frac, il s’agit à la fois de repenser l’histoire de l’institution, écrite notamment par le biais de sa collection, et de tendre vers des futurs communs et désirables...
Podcast: Singapore Theatre Festival 2018 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints August 2, 2018 Duration: 48 min Matt Lyon and Naeem Kapadia are back on ArtsEquator’s theatre podcast, and with a bang: nearly an hour’s worth of discussion on the Singapore Theatre Festival 2018 which just ended on 22 July...
Nghệ thuật Xin giấy phép Triển lãm ở Việt Nam | ArtsEquator Skip to content Tại một đất nước như Việt Nam, nơi có những yêu cầu không rõ ràng về việc trưng bày, Linh Lê nhấn mạnh rằng chỉ cần một thứ tưởng chừng đơn giản như xin giấy phép triển lãm có thể trở thành một cách kiểm duyệt biểu đạt nghệ thuật...
Weekly Picks: Malaysia (30 July – 5 Aug 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do July 30, 2018 The New Play Project : Book One, at klpac, 1–5 Aug Four staged readings from a project that focuses on storytelling by four KL writers; Ridhwan Saidi, Adiwijaya Iskandar, Juno Hoay-Fern Ooi and Terence Toh...