The depiction of the female figure in the sculptures remains an economic, canny composition of geometric abstractions in a Modernist spirit. Yet rather than provide us with the layers of information found in her wall reliefs, the sculptures exclusively frame space. In place of the tactile surfaces that can be carved into and drawn on, the sculptures’ outlines provide multiple perspectives on to their surroundings, and additionally unto themselves. The lines are simultaneously descriptive and obstructive, creating screens that allow transparency only to reveal another set of images. Stiler portrays the female figure and our relationship to it as anything but; fully realized yet hard to decipher, enigmatic, and unrepeatable.
Ruby Sky Stiler has established a visual language in which historical periods, art movements, and spatial dimensions readily coexist. Her signature wall reliefs transform an inventory of studio castoffs into rhythmic puzzles that draw attention equally to their surfaces and to the discrete shapes contained within, accumulating patterns and textures to create dense portraits or geometric configurations. Each component carries its own history, oftentimes visible in notes scrawled in pencil, or of outline marks only to be rethought; what fills the space in between each cut creates another narrative, another plane.
Diana Al-Hadid’s Monumental, Spiky Bronzes Examine Feminine Strength and Fragility | Artsy Skip to Main Content Advertisement Art Diana Al-Hadid’s Monumental, Spiky Bronzes Examine Feminine Strength and Fragility Rawaa Talass Nov 16, 2023 5:13PM Diana Al-Hadid The Bride in the Large Glass , 2023 Kasmin Price on request Portrait of Diana Al-Hadid by Diego Flores...
Icaro Lira has been developing the project “Museum of the Foreigner” since 2015, in which he recounts the trajectories of populations inside Brazil, from the north to the big cities of the south...
Simpson’s sculptural practice connects architecture, clothing, furniture and the body to explore the functional and sociological roles and the influence of the design and architecture of various cultures and periods in history...
Polanszky’s sculpture is made from raw, found materials that have the patina of age...
In the mid-1990s, Belli started to create soft sculptures that allowed her to reconnect with manual labor and sewing learned from her seamstress mother...