¿Quién medirá el espacio, quién me dirá el momento?, 1 (columna alfarero)

2015 - Sculpture (Sculpture)

430 cm

Mariana Castillo Deball

location: Amsterdam & Berlin
year born: 1975
gender: female
nationality: Mexican
home town: Mexico City, Mexico

Taking archaeology as her departure point to examine the trajectories of replicated and displaced objects, “Who will measure the space, who will tell me the time?” was produced in Oaxaca for her exhibition of the same title at the Contemporary Museum of Oaxaca (MACO) in 2015. The sculpture, employing the technique of traditional Atzompa pottery originating from Oaxaca, Mexico, is an examination of the way in which archaeological heritage is remembered in the earthenware made by Atzompa potters today. Accompanied by the publication ‘Ixiptla Vol. 3’, the edition examines imposed meaning on replications in the form of the plaster molds, photographs, drawings, scale models and facsimiles made by archaeologists in the effort for conserving lost objects. The artist’s selection of shapes and forms reference her research in the permanent collection held at Rufino Tamayo Museum and is the basis for imagining a series of stories relating to Atzompa history. In that sense, the columns contain fictitious or historical figures, weaving together an intricate network in which they coincide in space and converse in time (snake, pochote and ceiba – a subtropical tree, warriors, mother earth or pottery are just a few examples). “Who will measure the space, who will tell me the time?” is a sculptural exquisite corpse, a form of an infinite column that offers a temporal space for interpretation and reflection.


The practice of Mariana Castillo Deball (b. Mexico City, 1975) is centered on intensive research. In weaving together perceived facts and legends, the artist deconstructs how we understand tradition, liberating content from imposed ideological legacies. Mariana Castillo Deball’s collaborative research—in particular in the domain of science, geology, archaeology and literature—is manifested and synthesized into her multimodal sculptural practice. The archive is a significant aspect of the artist’s practice, whereby the research conducted in the creation of her sculptures is culminated, catalogued and preserved. Deball is not only interested in traces of the past, her multidisciplinary approach allows her to study the different ways in which a historical object can be read today.


Colors:



Karachi Series 1 (Chandra Acarya, 7:50pm, 30 August 2008, Ramadan, Karachi)
© » KADIST

Bani Abidi

2008

The threshold in contemporary Pakistan between the security of private life and the increasingly violent and unpredictable public sphere is represented in Abidi’s 2009 series Karachi ...

Death at a 30 Degree Angle
© » KADIST

Bani Abidi

2012

The perceived effortlessness of power, projecting above experiences of labored subordination is examined in Death at a 30 Degree Angle by Bani Abidi, which funnels this projection of image through the studio of Ram Sutar, renowned in India for his monumental statues of political figures, generally from the post-independence generation...

Interrupted Passage
© » KADIST

Julio Cesar Morales

2008

The video Interrupted Passage presents a performance Morales staged in the former home of Mariano Guadalupe Vallejo, a mid-nineteenth-century Mexican general serving in California...

Borrando la Frontera
© » KADIST

Ana Teresa Fernández

2011

The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico...

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Mimbres pottery kill hole sequence
© » KADIST

Mariana Castillo Deball

Mariana Castillo Deball’s set of kill hole plates are part of a larger body of work problematizing archeological narratives, and drawing attention to the conservation process and its role in recreating an imagined object...

Karachi Series 1 (Chandra Acarya, 7:50pm, 30 August 2008, Ramadan, Karachi)
© » KADIST

Bani Abidi

2008

The threshold in contemporary Pakistan between the security of private life and the increasingly violent and unpredictable public sphere is represented in Abidi’s 2009 series Karachi ...

Death at a 30 Degree Angle
© » KADIST

Bani Abidi

2012

The perceived effortlessness of power, projecting above experiences of labored subordination is examined in Death at a 30 Degree Angle by Bani Abidi, which funnels this projection of image through the studio of Ram Sutar, renowned in India for his monumental statues of political figures, generally from the post-independence generation...

One Minute To Act A Title: Kim Jong Il Favorite Movies
© » KADIST

Mario Garcia Torres

2005

Mario Garcia Torres films a game of Charades among professional actors guessing the former North Korean dictator’s favorite Hollywood films...

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Corner of the eye : Léna Monnier, Josh Ginsburg, Moshekwa Langa and Nora Schultz
© » KADIST

Curators Léna Monnier (KADIST) and Josh Ginsburg (A4 Arts Foundation), and artists Moshekwa Langa and Nora Schultz introduce CORNER OF THE EYE, on view at KADIST Paris from October 22nd to January 22nd...

British Pop Star Robbie Williams Is Selling a Trio of Banksy Works Worth Over $13 Million to Buy ‘New Art From New People’
© » ARTNET

It is the first time that the 'Angels' singer has decided to sell works from his private art collection...

Hannah Antalek at 5-50 Gallery: Where Dreams Come True by Jan Dickey - New York
© » WHITEHOT

Hannah Antalek at 5-50 Gallery: Where Dreams Come True advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Hannah Antalek at 5-50 Gallery: Where Dreams Come True 5-50: Hannah Antalek, Superseed, 2023, Installation View By JAN DICKEY December 3, 2023 From the wreckage of old worlds, there is always a small sprout lying in wait––something perfectly evolved for a world yet to come...

Creative Capital announces the recipients of the 2024 “Wild Futures” art awards.
© » ARTSY

Creative Capital announces the recipients of the 2024 “Wild Futures” art awards...

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Office Voodoo
© » KADIST

Haegue Yang

2010

In addition to Yang’s signature drying rack and light bulbs, Office Voodoo includes various office supplies like CDs, paper clips, headphones, a computer mouse, a stamp, a hole puncher, a mobile phone charger...

Faltenwurf (Stairwell)
© » KADIST

Wolfgang Tillmans

2017

Wolfgang Tillmans initiated the ongoing series Faltenwurf in 1989, representing compositions of unused clothing, with special attention paid to the ways in which they drape and fold...

Masks (Merkel F6.1)
© » KADIST

Simon Fujiwara

2016

Masks is a series of abstract paintings by Simon Fujiwara that together form a giant, fragmented portrait of German Chancellor Angela Merkel’s face...

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Mimbres pottery kill hole sequence
© » KADIST

Mariana Castillo Deball

Mariana Castillo Deball’s set of kill hole plates are part of a larger body of work problematizing archeological narratives, and drawing attention to the conservation process and its role in recreating an imagined object...

Do ut des (I give that you may give back)
© » KADIST

Mariana Castillo Deball

2009

Do ut des (2009) is part of an ongoing series of books that Castillo Deball has altered with perforations, starting from the front page and working inward, forming symmetrical patterns when each spread is opened...

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Foreigners Everywhere (Italian)
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Claire Fontaine

2006

Foreigners Everywhere is a series of neon signs in several different languages...

What a fucking wonderful audience
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Dora Garcia

2008

Dora Garcia’s work is a result of institutional critique and more generally that of language, following the conceptual artists of the 1960s like Weiner and Kosuth and Fraser from the 1980s and 1990s...

The Thinkers
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Adriana Lara

2014

Lara uses things readily at hand to create objects and situations that interrogate the processes of art and the spectrum of roles that art and artists play in society...

Good Life
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Danh Vo

2007

Good life (2007) is an installation displaying letters, documents, photographs and objects from a man named Joseph Carrier, and appropriated by artist Danh Vo...

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Edgardo Aragon
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Edgardo Aragon, interviewed by Rodrigo Ortiz Monasterio in Oaxaca, Mexico...

Edgardo Aragon, Part2
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Interviewed by Rodrigo Ortiz Monasterio, Oaxaca 2013...

La Chambre Marocaine
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Malik Nejmi

2014

La Chambre Marocaine series is a means to reconnect personally to his connection to family history and objectively assess the process of reconnection...

I am not going to sing
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siren eun young jung

2015

Deferral Archive is one of the archival extensions of siren eun young jung’s Yeoseong Gukgeuk Project (2008-), a decade-long ethnographic research project into the diminishing genre of Korean traditional theater known as Yeoseong Gukgeuk ...