Qui vivra verra, Qui mourra saura
2019 - Installation (Installation)
Dimensions variable
Minia Biabiany
Qui vivra verra, Qui mourra saura is an installation by Minia Biabiany composed of the plan of a house made out of strips of salt, and a “garden” made of ceramic pieces, hanging from the ceiling and on the floor, and non woven fabric. She uses blue and red filters to alter the hues of light coming from the outside. The work focuses on the disappearance of traditional knowledge associated with the “jardin de case” outside Guadeloupean houses. This type of garden is closely linked to the enslaved people of Guadeloupe, a manifestation of a coexistence between people and other species, and between the living and the dead. The garden surrounding the case is made out of successive “shells” of ornamental, medicinal or therapeutic plants that protect and heal its inhabitants, or embellish this private place sitting in plain view. The extendable basic unit of the case itself is a two-room structure, each room measuring approximately 9 × 18 feet, covered by a gable or hipped roof made of metal sheets. The larger sides have two doors, and the shorter sides one door. The house may be extended by connecting extra rooms to the French windows, which then become part of the inside of the building. The case thus forms a labyrinthine space evolving along with the needs of the family. Its structure denotes a concern for protection, visible through the carefully tidied surroundings and the presence of protective plants preventing acts of witchcraft from spirits or objects placed around the house. The colors of the exterior walls also refer to the diplomatic relations between the inhabitants and the spirits (benevolent or evil). Blue signifies maximal protection while red repels attacks and vibrates with power. Finally, according to its dominant color and the shape of its leaves, the same plant will have a different name depending on its location. Planted in front of the house, “Qui vivra verra” (“They who live shall see”) contributes to the inhabitants’ longevity; in the backyard, “Qui mourra saura” (“They who die shall know”) supports the passing of knowledge between generations. The organization of the jardin de case is a preeminent site for negotiation and mediation with the invisible world. While its shell structure remains visible today, its meaning has almost completely vanished.
Minia Biabiany’s practice is concerned with the past and ongoing effects of colonialism, exploring the poetics of resistance embedded in everyday life practices, and translating this research into the exhibition space through careful consideration of the cultural and spiritual implications of the material she uses, and the techniques she employs. She is interested in the specificities of the Caribbean and the complex cultural interactions that circulate in and around it. More recently, her work also approaches healing and sexuality and their potential for liberation in a feminist sense. In 2016, she initiated the pedagogical and artistic project Semillero Caribe [Caribbean Seedbed]: an experimental seminar based on exercises with the body and drawing engaging with concepts of Caribbean thinkers.
Colors:
Related works sharing similar palette
© » ARTS EQUATOR
Migrant Ecologies Project: A Grain of Wheat Inside a Salt Water Crocodile | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Grain of Wheat July 8, 2019 For the benefit of the possible intelligences that may find these treasures after humans have long gone, we have translated one of the photographs of our wheat gleaning ceremony in Singapore into binary code...
© » KADIST
Sarah Lai Cheuk Wah
2015Back images is a series of six photographs by Sarah Lei Cheuk Wah that explore the semiotics of power and their intersection with representations of masculinity...
© » TATE EXHIBITIONS
Bill Viola | Royal Albert Memorial Museum & Art Gallery Discover the work of internationally renowned video artist Bill Viola at Exeter’s Royal Albert Memorial Museum & Art Gallery (RAMM) ARTIST ROOMS Bill Viola presents three works from the ‘Passions’, a series of video works created between 2000 and 2002 that explore human emotions...
© » KADIST
Ana Roldán
2012Ana Roldán’s Primeval forms series looks up close at the fecund shapes of plants often found in the artist’s native Mexico...
© » SLASH PARIS
Anne Deguelle — L’Arctique fantôme — L'ahah Moret — Exhibition — Slash Paris Login Newsletter Twitter Facebook Anne Deguelle — L’Arctique fantôme — L'ahah Moret — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Anne Deguelle — L’Arctique fantôme Exhibition Photography Upcoming Anne Deguelle, Glacier, 2014, 40 × 53 cm © Adagp, Paris, 2023 Anne Deguelle L’Arctique fantôme In about 2 months: January 27 → February 17, 2024 vernissage le 27.01.24, 17h → 21h exposition du 27.01 → 17.02.2024 L’ahah #Moret 24-26, rue Moret, 75011 Paris L’ahah est heureuse de présenter cet hiver en L’ahah #Moret une série singulière de photographies dans l’œuvre de l’artiste Anne Deguelle ...
© » ARTS EQUATOR
What More Ballet Might Be: William Forsythe at da:ns series 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Ian Whalen Sangeun Lee and Raphael Coumes-Marquet in "Impressing the Czar" February 18, 2019 By Chan Sze-Wei (687 words, four-minute read) In 1987, William Forsythe created a ballet for the Paris Opera with a young Sylvie Guillem and Laurent Hilaire in the central duet...
© » ARTS EQUATOR
Weekly Southeast Asia Radar: Burmese hip hop, and queer Vietnamese singer Tuimi | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Via Myanmar Times August 28, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
© » ARTS EQUATOR
The brutal examinations of "Constellation of Violence" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Hideto Maezawa October 8, 2019 By Patricia Tobin (561 words, 4-minute read) Constellation of Violence consists of a very simple setup: a giant screen on stage, a historian, two artists and a group of individuals...
© » KADIST
He Xiangyu
2019He Xiangyu’s Terminal 3 presents excerpts from the lives of young African acrobats attending the Hebei Wuqiao Acrobatic Arts School in China...
© » EYE OF PHOTOGRAPHY
© 2023 All rights reserved - The Eye of Photography Olivier Culmann, URSSAF Normandie, site du Havre @ Olivier Culmann Le Havre, Seine-Maritime, Normandie, France 10/05/2023 © Olivier Culmann / Tendance Floue @ Thomas Jorion @ Sidonie Van Den @ Isabelle Scotta @ Carlo Lombardi S From October 21st to January 7th, 2024, for its 14th edition, 25 international photographers, both established and emerging, can be discovered in an open-air exhibition tour throughout the city, on the beach, and indoors at Point de Vue and Les Franciscaines...
© » KADIST
Raymond Pettibon
2006The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
© » LE MONDE
La loi sur le mécénat fête ses 20 ans en attendant un enrichissement Offrir Le Monde Article réservé aux abonnés Au colloque organisé lundi 11 décembre, au Musée Guimet, à Paris, pour les 20 ans de la loi sur le mécénat qu’il avait portée, l’ancien ministre de la culture Jean-Jacques Aillagon devait être le roi de la fête, mais le Covid en a décidé autrement...
© » ARTEFUSE
Pipilotti Rist, Anj Smith and Guillermo Kuitca at Hauser & Wirth, NYC (Video) - ArteFuse PIPILOTTI RIST PRICKLING GOOSEBUMPS & A HUMMING HORIZON 9 NOVEMBER 2023 – 13 JANUARY 2024 NEW YORK, 22ND STREET ANJ SMITH DRIFTING HABITATIONS 9 NOVEMBER 2023 – 13 JANUARY 2024 NEW YORK, 22ND STREET GUILLERMO KUITCA PINTURA SIN MUROS 9 NOVEMBER 2023 – 13 JANUARY 2024 NEW YORK, 22ND STREET...
© » KADIST
Adelita Husni-Bey
2015After the Finish Line is a recent film by Adelita Husni-Bey produced for the exhibition Movement Break at Kadist-SF in 2015...
© » KADIST
Runo Lagomarsino
2020Yo también soy humo (I am also smoke) is a 16mm film that has been digitized to video...
© » KADIST
Ana Vaz
2022Ana Vaz describes her film É Noite na América (It is Night in America) as an eco-terror tale, freely inspired by A cosmopolitics of animals by Brazilian philosopher Juliana Fausto; in which she investigates the political life of non-human beings and questions the modern idea of the exceptionality of the human species...
© » ARTS EQUATOR
Truth or Dare with “Lear is Dead” by Nine Years Theatre Thinking and Talking about Arts and Culture in Southeast Asia Articles November 5, 2018 By Teo Xiao Ting (1,069 words, six-minute read) After a gleaming heap of corpses dissipates into the afterlife and comes back for a closing bow, Lear is Dead ends with the quiver of revelation...
© » EYE OF PHOTOGRAPHY
© 2023 All rights reserved - The Eye of Photography Art Paris 2023 Champ-de-Mars © Marc Domage Art Paris 2023 - Almine Rech Art Paris 2023 - Galerie Dina Vierny Art Paris 2023 - Galerie Zlotowksi Art Paris 2023 - Vue École militaire 1 The 26th edition of Art Paris 2024 will be held from April 4 to 7 at the Grand Palais Éphémère...