Shaun O’Dell’s paintings, installations, videos, sculptures, and music explore the overlapping realities of human and natural structures. Whether abstract or figurative, they often read like hieroglyphics, in that they piece together a philosophical portrait of reality. Purple Brush 8 is a painting that details a meeting of geometric forms, and the optical play that results. The halves of two monochromatic sets of concentric squares meet in the center. The joining of two sides of the forms gives birth to a third image: a diamond shape that radiates outward from the canvas. The work is characteristic of O’Dell’s oeuvre in that a simple gesture results in a much more complex proposition, drawing us deeper into a higher order.
Shaun O’Dell’s drawings, videos, music, and occasional sculpture explore the intertwining realities of human and natural orders.
Anonymous by Laura Lima consists of a series of fabric-based forms, over which rope has been arranged in varying textures and patterns...
On the occasion of publishing A Partial Taxonomy of Linear Ornament — Both Established and Original — Organized by Shape, Symmetry, Dimension, Iteration and Projection— Including Extrude the Extrusion and Ornament as Entheogen , Tauba Auerbach will discuss a range of topics, from topology to gesture, Traditional Chinese Medicine, architecture and (a)symmetry...
Weekly Southeast Asia Radar: Protests over Marcos-sponsored play; the Spaniard in Singapore films | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar The Star/Azhar Mahfof September 11, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Why these ephemeral clay artworks by ceramicist Ruth Ju-shih Li will crumble in front of your eyes | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Taiwanese-Australian ceramicist Ruth Ju-shih Li installs an ephemeral clay artwork at the New Taipei City Yingge Ceramics Museum, in Taiwan, in 2019...
In the agricultural areas of Mexico, Indigenous people use the mylar magnetic tape unspooled from VHS cassettes as an alternative to the scarecrow—the reflective tape flutters in the wind and does an excellent job scaring birds away from crops...
Young Min Moon’s recent paintings repetitively portray the rituals bound up in the Korean tradition of Jesa ...
Arthur Tress Sought the Shadow Side of Photography Skip to content Arthur Tress, "Boy with Root Hands, New York, New York" from the series The Dream Collector (1971) (all photos Ksenya Gurshtein/ Hyperallergic ) LOS ANGELES — The earliest recorded evidence of humans’ fascination with dreams dates to antiquity, when Heraclitus wrote, “When men dream, each has his own world...
Migrant Ecologies Project: A Grain of Wheat Inside a Salt Water Crocodile | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Grain of Wheat July 8, 2019 After what seemed like a long walk in silence and darkness into the mountain we came to an almost mythological-looking door with the words ‘Fröhall’ – seed room – written upon it...
Artist Spotlight: Maya Kabat – Art and Cake August 14, 2023 August 14, 2023 Author Artist Spotlight: Maya Kabat Maya Kabat, “Pool Time/Super Spatial Los Angeles” Diptych, Oil on canvas on layered wood panels, 36×36 inches, 2023 What does a day in your art practice look like? Generally, I am in my tiny studio at home in Berkeley oil painting or at my studio in Oakland preparing canvases and doing other kinds of prep work or experimentation with other materials...
Previously, Ortiz produced a series of photographs related to her research on the position of ‘service architecture’, the vital space given to domestic servants in the modernist architectural houses of South American upper class families...