Shaun O’Dell’s paintings, installations, videos, sculptures, and music explore the overlapping realities of human and natural structures. Whether abstract or figurative, they often read like hieroglyphics, in that they piece together a philosophical portrait of reality. Purple Brush 8 is a painting that details a meeting of geometric forms, and the optical play that results. The halves of two monochromatic sets of concentric squares meet in the center. The joining of two sides of the forms gives birth to a third image: a diamond shape that radiates outward from the canvas. The work is characteristic of O’Dell’s oeuvre in that a simple gesture results in a much more complex proposition, drawing us deeper into a higher order.
Shaun O’Dell’s drawings, videos, music, and occasional sculpture explore the intertwining realities of human and natural orders.
Anonymous by Laura Lima consists of a series of fabric-based forms, over which rope has been arranged in varying textures and patterns...
Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content...
Lesley Lokko Receives Royal Gold Medal 2024 for Architecture | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership News Lesley Lokko Receives Royal Gold Medal 2024 for Architecture One of the world’s highest honours in architecture goes to architect, educator, author and curator Lesley Lokko...
Arthur Tress Sought the Shadow Side of Photography Skip to content Arthur Tress, "Boy with Root Hands, New York, New York" from the series The Dream Collector (1971) (all photos Ksenya Gurshtein/ Hyperallergic ) LOS ANGELES — The earliest recorded evidence of humans’ fascination with dreams dates to antiquity, when Heraclitus wrote, “When men dream, each has his own world...
Why these ephemeral clay artworks by ceramicist Ruth Ju-shih Li will crumble in front of your eyes | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Taiwanese-Australian ceramicist Ruth Ju-shih Li installs an ephemeral clay artwork at the New Taipei City Yingge Ceramics Museum, in Taiwan, in 2019...
In the agricultural areas of Mexico, Indigenous people use the mylar magnetic tape unspooled from VHS cassettes as an alternative to the scarecrow—the reflective tape flutters in the wind and does an excellent job scaring birds away from crops...
Laura Raicovich on a 1954 Article About the State of Western Museums – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All March 19, 2021 1:39pm ©ARTnews Today, critics of museums’ values point to histories of colonialism and structural racism...
Visalia Livestock Market, Visalia, California results from Lockhart’s prolonged investigation of an agricultural center and community...
Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...
Artist Spotlight: Maya Kabat – Art and Cake August 14, 2023 August 14, 2023 Author Artist Spotlight: Maya Kabat Maya Kabat, “Pool Time/Super Spatial Los Angeles” Diptych, Oil on canvas on layered wood panels, 36×36 inches, 2023 What does a day in your art practice look like? Generally, I am in my tiny studio at home in Berkeley oil painting or at my studio in Oakland preparing canvases and doing other kinds of prep work or experimentation with other materials...
On the occasion of publishing A Partial Taxonomy of Linear Ornament — Both Established and Original — Organized by Shape, Symmetry, Dimension, Iteration and Projection— Including Extrude the Extrusion and Ornament as Entheogen , Tauba Auerbach will discuss a range of topics, from topology to gesture, Traditional Chinese Medicine, architecture and (a)symmetry...
White Corner (2006) is a video installation, projected on two protruding perpendicular walls...