Shaun O’Dell’s paintings, installations, videos, sculptures, and music explore the overlapping realities of human and natural structures. Whether abstract or figurative, they often read like hieroglyphics, in that they piece together a philosophical portrait of reality. Purple Brush 8 is a painting that details a meeting of geometric forms, and the optical play that results. The halves of two monochromatic sets of concentric squares meet in the center. The joining of two sides of the forms gives birth to a third image: a diamond shape that radiates outward from the canvas. The work is characteristic of O’Dell’s oeuvre in that a simple gesture results in a much more complex proposition, drawing us deeper into a higher order.
Shaun O’Dell’s drawings, videos, music, and occasional sculpture explore the intertwining realities of human and natural orders.
The San Francisco–based artist Shaun O’Dell often uses natural settings as subject matter, lending an artistic complexity to the landscapes he depicts...
Anonymous by Laura Lima consists of a series of fabric-based forms, over which rope has been arranged in varying textures and patterns...
The San Francisco–based artist Shaun O’Dell often uses natural settings as subject matter, lending an artistic complexity to the landscapes he depicts...
Eclipse is a series of screenprints from Jordan Kantor’s larger vitrine installation that included reworkings of a single image of a small group viewing an eclipse through shielding cut-outs...
Reborn, 2010 is a three-channel video by Desiree Holman that questions ideas of motherhood and the maternal instinct...
The title Untitled Passport II was first used by Felix Gonzalez-Torres in an unlimited edition of small booklets, each containing sequenced photographs of a soaring bird against an open sky...
Paint and Unpaint is an animation by Kota Ezawa based on a scene from a popular 1951 film by Hans Namuth featuring Jackson Pollock...
“Weight & velocity (cat on router)” is a duo of two humorous photographs of a cat lying on a computer router...
This untitled painting by Tirdad Hasemi presents a space that can be thought of as both a prison cell and a house...
In Hole #1 a zebra scull stands in as a representation of Africa, while the plexiglass box and the hole made through it represent the inaccessibility of that culture to African-Americans....