Ojih Odutola uses a distinctive visual style to capture members of her family, rendering them one pen stroke at a time, until their skin resembles ribbons woven into the contours of a face, neck, or hand. The simplicity of Ojih Odutola’s compositions enables a consideration of skin, blackness, surface, and detail, all hovering out of time and space.
Though born in Nigeria, artist Toyin Ojih Odutola was raised largely in the United States, living in Alabama, California, and now New York. Known for her intricate drawings of human heads and figures, Ojih Odutola’s artistic practice is concerned with the representation of race, and the concept of blackness as visual marker and social construct. Her drawings are made through intricately and fastidiously layering black lines—building up a density that Ojih Odutola describes as “black on black on black.” Using pens and markers as her primary media, Ojih Odutola builds textures through sinewy black lines, shot through at times with metallic color. The ripples and rolls of the figures’ surfaces recall the anatomical structure of musculature, and also provide an unreal look to her often stoic figures.
Open Casket IX is an installation by Indira Allegra that combines traditional materials of memorial—tombstones, mausoleums, and caskets—with contemporary expressions of grief...
In Captain X , Star Trek’s Captain Kirk, played by William Shatner, is limply draped over a large boulder in what looks like a hostile alien environment...
South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....
Barbara Kasten’s Studio Construct 51 depicts an abstract still life: a greyscale photograph of clear translucent panes assembled into geometric forms, the hard lines of their edges converging and bisecting at various points...
As she traces the same shape again and again, Ojih Odutola’s lines become darker and deeper, sometimes pushed to the point where their blackness becomes luminous...
Chambre à brouillard — Juliette Agnel, Clément Bagot, Nicolas Darrot, Youcef Korichi, Alyssa Verbizh, Anne-Charlotte Yver — L’ahah Griset — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Chambre à brouillard — Juliette Agnel, Clément Bagot, Nicolas Darrot, Youcef Korichi, Alyssa Verbizh, Anne-Charlotte Yver — L’ahah Griset — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Chambre à brouillard — Juliette Agnel, Clément Bagot, Nicolas Darrot, Youcef Korichi, Alyssa Verbizh, Anne-Charlotte Yver Exposition Dessin, edition, film, installations.....
Young men are often found together in uniform, already influenced by ideology and bodily and style stereotypes...
Wonderland is a music video for the Turkish hip-hop group Tahribad-I Isyan (Rebellion of Destruction)...
As she traces the same shape again and again, Ojih Odutola’s lines become darker and deeper, sometimes pushed to the point where their blackness becomes luminous...
The stained glass windows of Chloé Quenum’s Les Allégories evoke the sacred and describe the movement of a rooster in the form of patterns extracted from a wax fabric found in Benin...