12 minutes
Prisons is part of a series of videos, entitled Our Body is a Weapon , representing individuals who affirm the body as a place of political and social resistance. In this video, two young women used their bodies as a weapon of war, participating in a hunger strike in Turkish prisons in the year 2000. This hunger strike was violently repressed by the army. Between portraits and archive images, this video is a reflection on the resistance and sacrifice of individuals against the violence of the State. According to Giovanna Zapperi, ‘The tensions taking place between those who occupy the surface of the image and the eye that gazes on them constitute the heart of Clarisse Hahn’s reflection.’ The title of the series repeats that of the video, in which a Turkish-Kurdish communist militant, disabled following a fast to death, says: “our body is a weapon, a loaded rifle that fires for victory.”
Through her films, photographs and video installations, Clarisse Hahn continues a documentary research on communities, behavioral codes and the social role of the body. Is the body perceived in society? How can the body be used or exploited according to geographical regions and political needs? The artist’s series Boyzone is a striking and poignant exploration of raw truth, an uncompromising work that interrogates masculinity and the theme of incarceration.
5 Standout Shows to See at Small Galleries This November | Artsy Skip to Main Content Advertisement Art 5 Standout Shows to See at Small Galleries This November Maxwell Rabb Nov 17, 2023 1:00PM Lesia Vasylchenko Tachyoness , 2022 Catinca Tabacaru Gallery Sold María Fragoso Jara Bébete mi amor , 2023 1969 Gallery Sold In this monthly roundup, we shine the spotlight on five stellar exhibitions taking place at small and rising galleries worldwide...
Podcast 89: Critics Live: Three Sisters at SIFA 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints The Pond Photography June 22, 2021 Critics Corrie Tan (SG), Elisabeth Vincentelli (US), Jose Solís (US) and Sharaad Kuttan (MY) chat about Three Sisters by Singapore’s Nine Years Theatre and SITI Company from New York, presented at Singapore International Festival of the Arts (SIFA)...
Katie Graham at Major Pop Gallery – ARTOMITY 藝源 Katie Graham A Deep Sense Nov 9 – 19, 2023 Major Pop Gallery G/F, 54 Sai Street Sheung Wan, Hong Kong +852 6639 9903 Tuesday – Sunday, 1pm – 7pm @bykatiegraham.com Katie Graham’s paintings made of silk, ink, linen and thread, have a deep sense of layered and tactile artistry...
Online Seminar: Frequencies of Tradition With Anselm Franke, Ho Tzu Nyen, Chia Wei Hsu, Yuk Hui, siren eun young jung, Jane Jin Kaisen, Ayoung Kim, Hyunjin Kim, Hwayeon Nam, Emily Wilcox, and Soo Ryon Yoon The Times Museum and KADIST present three online sessions that consider tradition as a contested space, where one can critically reflect on Asian modernization and the Western canon...
Reeder’s works often start with language—and his Pasta Paintings are no different...
Federico Herrero’s energetic paintings reflect his experiences on the streets of his native San José, Costa Rica, and in the surrounding tropical landscape...
Avec près de 800 000 visiteurs, l’exposition Van Gogh au Musée d’Orsay établit son record de fréquentation Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement « L’Eglise d’Auvers-sur-Oise vue du chevet » et « Paysage sous un ciel tourmenté », peintures de l’artiste néerlandais Vincent Van Gogh présentées au Musée d’Orsay dans le cadre de l’exposition « Van Gogh/Artaud...
The mines at Potosí are both the site and subject of this work, also titled Potosí, by Antonio Vega Macotela...
She’s bringing community back to Hong Kong through designing micro-parks: meet Marisa Yiu | South China Morning Post She’s bringing community back to Hong Kong through designing micro-parks: meet Marisa Yiu Profile Design Trust Futures Studio has dotted micro-parks across Hong Kong with one goal in mind: creating communities...
Compositions such as Tree on Keystone (2011) become hyperreal versions of their real-world equivalents...
Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds...