Dimensions variable
Les princes de la rue by Clarisse Hahn is part of Boyzone , a long term project in which the artist observes how men’s bodies reflect their relationships to public and private spaces. Hahn’s photographs move beyond gazing at the Other; they demonstrate how outcast, among themselves, can reproduce the gaze that is cast on them as a means of expression. As such, this series makes space for Hahn’s subjects to intimately express their strength, fragility, and pain, as well as their history. The two documentary photographs in this series depict juxtaposed night-time street scenes from Boulevard Barbès, a working-class neighborhood of Paris. One photograph illustrates cacophony, while the other depicts harmony. The former photograph features a blurry man observing as sparks fly from a firecracker across the street. In the latter, a group of young men congregate at an outdoor table to share a meal. Mobilizing archival imagery in tandem with her documentary photographs, Hahn evokes invisible genealogies. The archival image paired with this series depicts a black and white photograph of young soldiers with accompanying text designating them as ‘heroes’. The young men in Hahn’s photographs are the descendants of these so-called French ‘heroes’ who were recruited during the colonial era. But in the context of these photographs, Hahn demonstrates that heroes and anti-heroes can be one and the same.
Through her films, photographs and video installations, Clarisse Hahn continues a documentary research on communities, behavioral codes and the social role of the body. Is the body perceived in society? How can the body be used or exploited according to geographical regions and political needs? The artist’s series Boyzone is a striking and poignant exploration of raw truth, an uncompromising work that interrogates masculinity and the theme of incarceration.
Prisons is part of a series of videos, entitled Our Body is a Weapon , representing individuals who affirm the body as a place of political and social resistance...
Météo des forêts — La MABA — Exhibition — Slash Paris Login Newsletter Twitter Facebook Météo des forêts — La MABA — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Météo des forêts Exhibition Film, installation, mixed media Upcoming Julien Prévieux et Virginie Yassef, L’Arbre, 2009 — Image : Élie Godard Film Super 8 transféré sur DVD — 7 min 18 — Ed 4 + 2 Courtesy des artistes Météo des forêts In about 1 month: January 18 → April 7, 2024 La MABA présente, du 18 janvier au 7 avril 2024, Météo des forêts : une exposition collective réunissant des travaux d’artistes de diverses générations travaillant différents médiums (dessin, photographie, vidéo, sculpture, installation…)...
The video Rubber Man continues exploring issues related to land use, also noticeable in his Untitled series (2011)...
Weekly Southeast Asia Radar: Skateboarding in Myanmar; ARTJOG | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Photo: Aung Htay Hlaing/The Myanmar Times August 14, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Prisons is part of a series of videos, entitled Our Body is a Weapon , representing individuals who affirm the body as a place of political and social resistance...
Wallace says of his Heroes in the Street series, “The street is the site, metaphorically as well as in actuality, of all the forces of society and economics imploded upon the individual, who, moving within the dense forest of symbols of the modern city, can achieve the status of the heroic.” The hero in Study for my Heroes in the Street (Stan) is the photoconceptual artist Stan Douglas, who is depicted here (and also included in the Kadist Collection) as an archetypal figure restlessly drifting the streets of the modern world...
After seeing Martha Camarillo’s photographs of horsemen in Strawberry Mansion -an impoverished Philadelphia neighbourhood- Mohamed Bourouissa travelled to see the urban stables run by African American men...
To make Mickey Mouse (2010), Paul McCarthy altered a found photograph—not of the iconic cartoon, but of a man costumed as Mickey...