In her masterpiece 8 Possible Beginnings or The Creation of African-America , Walker unravels just that, the story of struggle, oppression, escape and the complexities of power dynamics in the history following slave trade in America. Her use of contour and silhouette accentuate emotion with rigor, she reduces the narrative to black and white as gruesome acts of sex and violence address trauma, fear and suffering through a majestic play of shadow and light.
Kara E. Walker is a monumental American artist whose work probes the tarnished history of race in America, as well as that of gender, and sexual identity. Walker works in sculpture, collage, mixed media, drawing, graphic imagery and moving image/animation. Her iconic cutout silhouettes sample fragments of folklore as well as recorded history, as she often shows stereotypical depictions of African Americans as portrayed in history books in shockingly graphic yet accurate situations. She elegantly presents a problematic past, seduced by the medium yet wrought by unsettled emotion.
Art Basel reveals 287 leading galleries and expanded city-wide program for its 2024 edition in Basel, Switzerland (News) - ArteFuse Art Basel reveals 287 leading galleries and expanded city-wide program for its 2024 edition in Basel, the first led by the show’s new Director Maike Cruse With 287 premier galleries from 40 countries and territories, Art Basel will once again bring together the international art world at its marquee fair in Basel, Switzerland...
Things Entangling Edited by Che Kyongfa and Elodie Royer Designed by Toshimasa Kimura Published by Museum of Contemporary Art Tokyo (MOT) and KADIST The publication is available in pdf — see links on the right side of this page Things Entangling was published on the occasion of the eponymous collective exhibition presented at MOT, Tokyo from June 9 to September 27, 2020, the culmination of a long-term curatorial collaboration between MOT and KADIST...
Composed of two rectilinear pieces of glass, this work is part of a series of sculptures started in 2006...
Le Droit à l’oubli — Musée Transitoire #3 — Musée Transitoire — Exhibition — Slash Paris Login Newsletter Twitter Facebook Le Droit à l’oubli — Musée Transitoire #3 — Musée Transitoire — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Le Droit à l’oubli — Musée Transitoire #3 Exhibition Mixed media Jean-Charles de Quillacq, vue de l’exposition Le Droit à l’oubli, Musée Transitoire #3 © Musée Transitoire Le Droit à l’oubli Musée Transitoire #3 Ends in about 2 months: January 26 → March 30, 2024 Date de clôture provisoire Artistes : Bas Jan Ader, Mégane Brauer, Sarah Bucher, A...
People in the UK Can Be Prescribed Photography to Treat Mental Health Home / Science / Health People Can Be Prescribed “Photography” as a Mental Health Treatment in the UK By Margherita Cole on December 6, 2023 Photo: olhovyi_photographer/ Depositphotos Creative outlets like drawing and painting are great ways of exploring your emotions and relieving stress...
The piece consists of sculpture of 10 elements, among them: a globe, a picture of a gorilla, a chair, scrabble letters, 3 glasses of black ink, a book whose title is illuminated by the beam of a 8mm projector, a pair of boots, etc...
Kimbell Art Museum acquires important cultural touchstone of Olmec art Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Museums & Heritage news Kimbell Art Museum acquires important cultural touchstone of Olmec art The jade statuette of an Olmec ruler holding a baby were-jaguar will be exhibited as the centrepiece of the Texas museum's ancient American collection Theo Belci 14 December 2023 Share Standing Figure Holding a Were-Jaguar Baby (around 900BC-300BC) Photo: Justin Kerr., courtesy of the Justin Kerr Maya archive, Dumbarton Oaks, Trustees for Harvard University, Washington, DC The Kimbell Art Museum in Fort Worth, Texas, has acquired Standing Figure Holding a Were-Jaguar Baby (around 900BC-300BC), a jade statuette at the centre of Olmec civilisation studies since the mid-20th century...
Like an Attali report, but different June 15 – July 27, 2008 Curator: Cosmin Costinas With: Yael Bartana, Gregg Bordowitz, Heman Chong, Ciprian Muresan, Deimantas Narkevicius, Redza Piyadasa, Pushwagner, Anatoli Osmolovsky, Mona Vatamanu & Florin Tudor The Attali Report (or the Report of the Commission for the Liberation of French Growth), commissioned by President Sarkozy, was published half a year ago, provoking a long series of discussions, mainly confined to the French public arena and mainly focused on the report’s concrete proposals, set to implement a neoliberal model for the French economy and society...
On the first day of the Covid-19 lockdown in New York, Andrew Norman Wilson was evicted from his sublet and decided to board a $30 flight to Los Angeles that evening...
Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...
The photographer capturing the eerie illustrations of Thai legend Hem Vejakorn (via SEA Globe) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 21, 2018 Photographer Pattana Chuenmana has reimagined the illustrations of Hem Vejakorn, a well-known Thai artist and writer, in moving black-and-white still images...
3-Legged is an early video work by John Wood and Paul Harrison in which they appear with their legs tied together (as one would do in a three-legged race)...
The Town consists of footage taken from Auder’s studio of the skyline of New York, tracking planes as they fly across the sky and pass tall buildings...