In her masterpiece 8 Possible Beginnings or The Creation of African-America , Walker unravels just that, the story of struggle, oppression, escape and the complexities of power dynamics in the history following slave trade in America. Her use of contour and silhouette accentuate emotion with rigor, she reduces the narrative to black and white as gruesome acts of sex and violence address trauma, fear and suffering through a majestic play of shadow and light.
Kara E. Walker is a monumental American artist whose work probes the tarnished history of race in America, as well as that of gender, and sexual identity. Walker works in sculpture, collage, mixed media, drawing, graphic imagery and moving image/animation. Her iconic cutout silhouettes sample fragments of folklore as well as recorded history, as she often shows stereotypical depictions of African Americans as portrayed in history books in shockingly graphic yet accurate situations. She elegantly presents a problematic past, seduced by the medium yet wrought by unsettled emotion.
Brent Sikkema, the Manhattan art dealer renowned for representing artists such as Jeffrey Gibson and Kara Walker found dead The post Brent Sikkema – Visionary Art Dealer Of Jeffrey Gibson And Kara Walker Murdered appeared first on Artlyst ....
Memorial for intersections #2 (2013) is a minimalist, black metallic structure that contains the brightly colored translucent circles, triangles, rectangles, and squares that originally were presented in Pica’s performance work A ? B ? C (2013)...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain...
Catherine Opie’s candid photograph Cathy (bed Self-portrait) (1987) shows the artist atop a bed wearing a negligee and a dildo; the latter is attached to a whip that she holds in her teeth...
Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...
Los rastreadores is a two-channel video by Claudia Joskowicz narrating the story of a fictitious drug lord, Ernesto Suarez, whose character is based on the well-known Bolivian drug dealer, Roberto Suárez...
Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...
In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...
The threshold in contemporary Pakistan between the security of private life and the increasingly violent and unpredictable public sphere is represented in Abidi’s 2009 series Karachi ...
John Houck’s multi-layered photographic compositions immortalize nostalgic objects from the artist’s childhood, manipulated in the studio and in post-production into unreal still-life arrangements...
The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits...
Like many of Opie’s works, Mike and Sky presents female masculinity to defy a binary understanding of gender...
Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
The Last Post was inspired by Sikander’s ongoing interest in the colonial history of the sub-continent and the British opium trade with China...