A Portrait: Covering and Cleaning is an installation of six black-and-white video projections. Each video depicts a portrait with features changing continuously and quickly into different persons, animals and symbols. Driven by the evolving contents of the screen itself, this piece showcases the form and material of Qiu Anxiong’s working method, which relies on precisely planned storyboard sketches drawn in pen on A4 paper. After the narrative is fully formed, Qiu transfers each image by painting it onto a small canvas with acrylic, which can be quickly wiped away to prepare for the subsequent image or element to be painted on top. Such process distills an aesthetics of over-painting that drives narrative development through changing logical relationships between material and form rather than plot elements.
Qiu Anxiong creates paintings, sculpture, installation and animation. He is best known for his moving animations implementing the style of traditional Chinese ink painting. His merging of traditional painting into moving images has distinguished his practice at the forefront of contemporary experimental ink painting. He uses this interplay between the past and the present as a strategy to examine the relationship between man and nature, especially how today’s mass urbanization has compromised our values for tradition and the environment.
Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...
Caroline Polachek gets festive with Bimba y Lola | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Fashion Q+A Shot by Petra Collins, the singer is the face of the Spanish label’s latest Christmas campaign Bimba Y Lola 11 December 2023 Text Dazed Digital Bimba y Lola by Petra Collins featuring Caroline Polachek 6 Last year, Bimba y Lola enlisted photographer Petra Collins for its AW22 campaign...
8 Questions with Alan Oei | Arts Equator Thinking and Talking about Arts and Culture in Southeast Asia Articles Alfonse Chiu November 21, 2018 By Alfonse Chiu (1600 words, five-minute read) As part of ArtsEquator’s interview series profiling artistic directors across the region, we spoke with Alan Oei, AD of The Substation and co-founder and executive director of OH! Open House , on his hopes, his challenges, and how he balances different needs and roles between the two companies...
Weekly Southeast Asia Radar: Protests over Marcos-sponsored play; the Spaniard in Singapore films | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar The Star/Azhar Mahfof September 11, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
RE-ANIMATED by Jakob Kudsk Steensen revolves around the haunting sound of the Kauai’O’o, a bird that became extinct in the year of Steensen’s birth...
Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors...
The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...