A Portrait: Covering and Cleaning is an installation of six black-and-white video projections. Each video depicts a portrait with features changing continuously and quickly into different persons, animals and symbols. Driven by the evolving contents of the screen itself, this piece showcases the form and material of Qiu Anxiong’s working method, which relies on precisely planned storyboard sketches drawn in pen on A4 paper. After the narrative is fully formed, Qiu transfers each image by painting it onto a small canvas with acrylic, which can be quickly wiped away to prepare for the subsequent image or element to be painted on top. Such process distills an aesthetics of over-painting that drives narrative development through changing logical relationships between material and form rather than plot elements.
Qiu Anxiong creates paintings, sculpture, installation and animation. He is best known for his moving animations implementing the style of traditional Chinese ink painting. His merging of traditional painting into moving images has distinguished his practice at the forefront of contemporary experimental ink painting. He uses this interplay between the past and the present as a strategy to examine the relationship between man and nature, especially how today’s mass urbanization has compromised our values for tradition and the environment.
RE-ANIMATED by Jakob Kudsk Steensen revolves around the haunting sound of the Kauai’O’o, a bird that became extinct in the year of Steensen’s birth...
8 Questions with Alan Oei | Arts Equator Thinking and Talking about Arts and Culture in Southeast Asia Articles Alfonse Chiu November 21, 2018 By Alfonse Chiu (1600 words, five-minute read) As part of ArtsEquator’s interview series profiling artistic directors across the region, we spoke with Alan Oei, AD of The Substation and co-founder and executive director of OH! Open House , on his hopes, his challenges, and how he balances different needs and roles between the two companies...
The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...
U Maung Maung’s blast from the past (via The Myanmar Times) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 20, 2018 To some people, these maybe nothing more than trash, some useless pieces of equipment from a forgotten past, but to others these are rare gems that brought back some bittersweet memories from not so long ago, when strife of all kinds – from World War I, World War II, up to the cold war era — dominated the world...
Activists Call for Ceasefire in Gaza in Art Basel Miami Beach Protest – ARTnews.com Skip to main content By Alexandra Martinez Plus Icon Alexandra Martinez View All December 9, 2023 11:15am Protestors from the South Florida Coalition for Palestine demonstrate for a ceasefire in the Israel-Hamas conflict at Art Basel Miami Beach at the Miami Beach Convention Center...
Michigan Central Station is part of a larger photographic series, Detroit Photos , which includes images of houses, theaters, stadiums, offices, and other municipal structures...
The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...
Study of History IV by Subas Tamang is an etching and aquatint print based on photographs taken by German photographer Volkmar Wentzel in 1949...
Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...
Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors...