During Summer 2011, few months after the nuclear accident, performance artist Kota Takeuchi got a job at the Fukushima Daiichi plant and kept a blog about the labour conditions of clean-up workers. In 2012, he exhibited an ‘anonymous’ video taken from the 24-hour live feed on TEPCO’s website that monitored the clean-up activities. The video, which then went viral in Japan and became known as the “Finger Pointing Worker”, captured someone in a protective suit, entering the frame and pointing his finger at the video surveillance installed by TEPCO on the nuclear plant site. He remained there for nearly 20 minutes, in a public act of defiance and accusation. Almost the same duration than Vito Acconci in his piece “Centers” (1971), a reference assumed by this “Finger Pointing Worker” as he said that his action was a kind of homage to Vito Acconci piece.
“Finger Pointing Worker” is a man who pointed at the public live camera in Fukushima nuclear power station after the disaster in 2011. Kota Takeuchi is the agent of him. Kota Takeuchi has always been interested in the way visual imagery in the public domain can sway the common consciousness. Takeuchi graduated from the Tokyo University of the Arts in 2008, and has since participated in shows at two venues known for high-quality shows by young artists: BANKART studio NYK in Yokohama and 3331 Arts Chiyoda in Tokyo.
La Ruta by Natalia Lassalle-Morillo follows the Panoramic Route, a now weakened infrastructure that meanders through untouched natural landscapes and off-road destinations on the island of Puerto Rico...
Calderón & Piñeros (La Decanatura) refer to Sólheimasandur as a work that tackles the issue of “the ruin as a tourist destination.” As they say, “at the end, tourists become an essential part of this unusual, beautiful, and—at the same time—banal landscape.” The video features a plane wreck on Sólheimasandur beach in Iceland, where a navy plane belonging to the United States Army crashed in 1973 due to fuel exhaustion...
246247596248914102516… And then there were none narrates a semi fictional account centered around the ambiguous history of the Democracy Monument in Bangkok, and on the aftermath of the 1973 demonstration of 400,000 people who marched against the military junta from Thammasat University to the monument...
Houck’s Peg and John was made as part of a series of photographic works that capture objects from the artist’s childhood...
Maude Arsenault – Resurfacing – AMERICAN SUBURB X Skip to content Her work invests the themes of female representation, private space, domesticity and intimacy within the framework of a photographic and material approach which oscillates between abstract compositions, self-portraits, landscapes and images documentaries...
People in the UK Can Be Prescribed Photography to Treat Mental Health Home / Science / Health People Can Be Prescribed “Photography” as a Mental Health Treatment in the UK By Margherita Cole on December 6, 2023 Photo: olhovyi_photographer/ Depositphotos Creative outlets like drawing and painting are great ways of exploring your emotions and relieving stress...
Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner...
In 2009, Laura Henno began research in the archipelago Comoros for her first film Koropa the first episode of a triptych— completed in 2016...
The short two-channel video Pause/Tanmpo takes its cue from a coincidental encounter artist Bili Bidjocka had in Dakar...
How Banksy’s 2015 amusement park parody Dismaland transformed a gallery founder’s view of exhibitions | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more A mermaid sculpture sits in front of a fairy castle at Banksy’s Dismaland amusement park parody in Weston-super-Mare, England, in 2015...
Le Droit à l’oubli — Musée Transitoire #3 — Musée Transitoire — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Le Droit à l’oubli — Musée Transitoire #3 — Musée Transitoire — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Le Droit à l’oubli — Musée Transitoire #3 Exposition Techniques mixtes Jean-Charles de Quillacq, vue de l’exposition Le Droit à l’oubli, Musée Transitoire #3 © Musée Transitoire Le Droit à l’oubli Musée Transitoire #3 Encore environ 2 mois : 26 janvier → 30 mars 2024 Date de clôture provisoire Artistes : Bas Jan Ader, Mégane Brauer, Sarah Bucher, A...
American Express explores the meaning of play | Wallpaper The Miami installation debuting Play by American Express Platinum during Miami Art Week 2023 (Image credit: Courtesy American Express) By Tilly Macalister-Smith published 12 December 2023 In celebration of Design Miami and Art Basel Miami , American Express has commissioned four young artists and designers - Eny Lee Parker, Surin Kim, Serban Ionescu, and Kumkum Fernando - to reinterpret childhood toys into iconic limited edition collectibles...