Pivot III

2020 - Sculpture (Sculpture)

142.24 x 142.24 x 142.24 cm

Sable Elyse Smith


Sable Elyse Smith’s Pivot III resembles playground equipment uselessly reconfigured. The stainless-steel asterisks, assembled from prison visitation-room seating, are painted 2K black and blue: colors evoking the US criminal justice system, its racist enforcement, and the heavy-duty finish of finance capitalism with which the culture industry is enmeshed. The work consists of six long rods, affixed via plate to each of the faces of a central cube, from which they radiate in perfect symmetry. Each rod terminates in a circular disk, riveted in four places. They rest on the thin outer edges of the disks, like toy jacks tossed in the air by a giant and left on the floor where they fell. At the same time, they extend the logic of carceral design. In her 2019 essay on Smith, “Universal Gravitation,” Hannah Black interprets the typically knee-high design of tables and chairs for prison visiting rooms (in an attempt to fight against the exchange of contraband beneath them) as “the state protecting itself against the exchange of intimacy.”’ In its rigid, abstract symmetry, the sculpture registers less as an object than as a diagrama or technical apparatus: like an illustration of molecular geometry or a satellite stuck orbiting the world on a terminal trajectory.


Sable Elyse Smith is an interdisciplinary artist, writer, and educator based in New York and Richmond, Virginia. Using video, sculpture, photography, and text, she points to the carceral, the personal, the political, and the quotidian to reveal largely unseen and potentially imperceptible violence. She has, in particular, explored the trauma and emotional violence affected on incarcerated individuals and their loved ones. Mining her own experiences of visiting her father in prisons for the past 19 years, Smith often visualizes ways in which an impersonal bureaucratic system of incarceration affects the bodies and minds of people bound to it in various ways.


Colors:



Related works sharing similar palette  
» see more

Being and Becoming: Of Femininities in the Malay World Through 50 Images (Seminars)
© » ARTS EQUATOR

Being and Becoming: Of Femininities in the Malay World Through 50 Images (Seminars) | ArtsEquator Skip to content A series of four seminars was presented by researchers behind Being and Becoming: Of Femininities in the Malay World Through 50 Images...

(English) Renmin University Ejects Bunker Art Space for Patriotic Education Base
© » RANDIAN ZH

(English) The Bunker art space announced Thursday that its landlord, Renmin University Of China, has decided to convert the entire courtyard into a ‘patriotic education base’ and was resuming all premises in the adjacent courtyard, particularly those with historical significance, such as the former bunker....

In Pictures: Vintage London Palladium Programmes
© » LONDONIST

Vintage London Palladium Programmes | Londonist In Pictures: Vintage London Palladium Programmes By Robert Opie Robert Opie In Pictures: Vintage London Palladium Programmes Robert Opie, collector and author of numerous works on British nostalgia and ephemera — and founder of London's Museum of Brands — has shared his collection of vintage programmes from the London Palladium with us...

Beau Soleil #7
© » KADIST

Stephen Beal

2010

Beau Soleil #7 ’s title (translated as Beautiful Sun) gives a good sense of its effect...

Related works found in the same semantic group  
» see more

‘They feel they are part of that’: community engagement the aim of art initiative in Hong Kong that brings together a project’s developer and neighbours
© » SOUTH CHINA MORNING POST

‘They feel they are part of that’: community engagement the aim of art initiative in Hong Kong that brings together a project’s developer and neighbours...

Untitled
© » KADIST

Tirdad Hashemi

2022

This untitled painting by Tirdad Hasemi presents a space that can be thought of as both a prison cell and a house...

Moser & Schwinger
© » KADIST

Thursday 4 March 2010 at 7pm at Kadist Art Foundation...

Destinos Posibles (Possible Destinations)
© » KADIST

Luis Garciga

2009

In Destinos Posibles Garciga performs a service in Havana, Cuba by offering strangers in the streets a “ride” to wherever they are going for free, in exchange he demands that the passengers address the question “what do they want from life?” A poignant video within the context of the limitations the Cubans have in terms of choices, desires, fantasies, and longing....