As suggested by its title, Pipe Opening (2002) depicts a hole in a wood wall exposed by the removal of a pipe. In contrast to his signature immense tableaux, Pipe Opening is a direct but modest document of a “real” scene that Wall “encountered by chance” in daily life. However factual, the image indicates certain enigmatic significance, allowing multiple interpretations. Wall encourages the viewer to engage with the scenario to imagine the before and the after of the moment. Compared to his earlier work, Wall’s photographs appear to be straight-up snapshots, exhibiting less manipulative details. The fictional details are not conveyed through obvious arrangements but due to the very nature of photographs: What they record is always an incomplete view of the world.
Internationally renowned photoconceptualist Jeff Wall is famous for his large-format lightboxes whose subject matter ranges from figurative portraiture to urban environment to mundane objects to elaborately constructed scenes. Hovering between documentary realism and fictional storytelling, and between photographs and films, Wall’s works are experienced rather than looked at.
A Malaysian under lockdown reviews Singapore Art Week 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints January 27, 2021 By Ellen Lee (2,500 words, 9-minute read) Looking through the 35-page programme booklet for the 9th edition of Singapore Art Week (SAW), I was fully struck by my Malaysian-ness...
Zeinab Saleh | Tate Britain Zeinab Saleh presents an intimate new series of paintings and drawings which trace both fleeting movement and suspended time Zeinab Saleh uses acrylic paint, pastel and soft pastels to create a new series of paintings and drawings for her Art Now display at Tate Britain...
Calderón & Piñeros (La Decanatura) refer to Sólheimasandur as a work that tackles the issue of “the ruin as a tourist destination.” As they say, “at the end, tourists become an essential part of this unusual, beautiful, and—at the same time—banal landscape.” The video features a plane wreck on Sólheimasandur beach in Iceland, where a navy plane belonging to the United States Army crashed in 1973 due to fuel exhaustion...
Private Chinese art museum makes a comeback, 2 years after sponsor’s pull-out left it on life support | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more A preview of the auction for Guangdong Times Museum in January, held to raise funds for its relaunch...
Art Basel reveals 287 leading galleries and expanded city-wide program for its 2024 edition in Basel, Switzerland (News) - ArteFuse Art Basel reveals 287 leading galleries and expanded city-wide program for its 2024 edition in Basel, the first led by the show’s new Director Maike Cruse With 287 premier galleries from 40 countries and territories, Art Basel will once again bring together the international art world at its marquee fair in Basel, Switzerland...
Dreaming of the dream of the dream is a 16mm projection consisting of images of waves that come and go continuously...
Masterpiece in the Water by Lu Pingyuan tells the story of an impatient collector who is killed by an artist...
Le Droit à l’oubli — Musée Transitoire #3 — Musée Transitoire — Exhibition — Slash Paris Login Newsletter Twitter Facebook Le Droit à l’oubli — Musée Transitoire #3 — Musée Transitoire — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Le Droit à l’oubli — Musée Transitoire #3 Exhibition Mixed media Jean-Charles de Quillacq, vue de l’exposition Le Droit à l’oubli, Musée Transitoire #3 © Musée Transitoire Le Droit à l’oubli Musée Transitoire #3 Ends in about 2 months: January 26 → March 30, 2024 Date de clôture provisoire Artistes : Bas Jan Ader, Mégane Brauer, Sarah Bucher, A...
The piece consists of sculpture of 10 elements, among them: a globe, a picture of a gorilla, a chair, scrabble letters, 3 glasses of black ink, a book whose title is illuminated by the beam of a 8mm projector, a pair of boots, etc...
Drinks at 6pm, talk at 7pm What is the mirror effect between landscape and technology, and how do different perspectives and approaches affect our mental images of landscapes? On the occasion of the collaborative exhibition Landscape: the virtual, the actual, the possible? at YBCA, co-curators Betti-Sue Hertz, Ruijun Shen, and Xiaoyu Weng invite some of the artists in the exhibition to reflect on their individual relationships with and conceptions of landscape....
Frequencies of Tradition, Monthly film screenings at The Roxie Dates: Wednesdays, April 20, May 18, June 15, July 13, 2022, 6:45 pm (doors open 6:15 pm*) Location: Little Roxie Theatre, 3117 16th Street, San Francisco, CA 94103 Fiona Tan, Ascent (2016), 80:00 mins Wednesday, April 20, 2022, 6:45 pm (doors open 6:15 pm) Ascent (2016) reflects on Japan’s Mount Fuji and its great significance to the country and its people...