Pianoiss . . . issmo (Worse Finish)

An Interview with Curator Robert Storr | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

Percent for Art is seemingly concerned with “art enrichment” by state or city arts agencies role in it, managing the artist rosters, maintaining public art collections, commissioning artworks, selecting installation sites, among other things for aesthetic and cultural enhancement in both public and private real estate developments...

What Color is Luke Murphy’s outstanding digital painting that elegantly loops in nonstop motion...

Open Calls and Opportunities: Dec 2021 (Singapore/SEA) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints December 30, 2021 ArtsEquator Lobang is a list of available open calls, job postings and other opportunities open to people from Singapore and Southeast Asia...

How To Become A Successful Artist — Artnome Menu Blog Exploring art through data using the Artnome database...

Dominique Gonzalez-Foerster — Nos années 70 (chambre) — Chantal Crousel Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Dominique Gonzalez-Foerster — Nos années 70 (chambre) — Chantal Crousel Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Dominique Gonzalez-Foerster — Nos années 70 (chambre) Exhibition Mixed media Dominique Gonzalez-Foerster, Nos années 70 (chambre), 1992...

Artistic Freedom Report Vietnam: An ever-changing terrain | ArtsEquator Skip to content The key findings and analysis of artistic freedom in Vietnam from the Southeast Asian Arts Censorship Database Project, 2010-2022...

Artistic Freedom Report Malaysia: Negotiating Sensitivities | ArtsEquator Skip to content The key findings and analysis of artistic freedom in Malaysia from the Southeast Asian Arts Censorship Database Project, 2010 - 2022...

Italian Official Accused of Laundering Stolen Painting Resigns Skip to content Vittorio Sgarbi resigned from his post as Junior Culture Minister in Italy...

Even as not-for-profits struggle, banks are still buying and lending....

Open Calls and Opportunities: October 2022 (Singapore/SEA) | ArtsEquator Skip to content ArtsEquator’s Lobang is a list of available open calls, job postings and other opportunities open to people from Singapore and Southeast Asia...

Open Calls and Opportunities: Jan 2020 (Singapore/SEA) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints January 9, 2020 ArtsEquator Lobang is a list of available open calls, job postings and other opportunities open to people from Singapore and Southeast Asia...

Open Calls and Opportunities: June 2020 (Singapore/SEA) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints June 18, 2020 ArtsEquator Lobang is a list of available open calls, job postings and other opportunities open to people from Singapore and Southeast Asia...

Best designs and designers of 2023: ‘A chunk of glossy sexiness’ | Design | The Guardian Skip to main content Skip to navigation Skip to navigation From left to right; Mary Wollstonecraft by artist Rowan Gillespie, Andu Masebo Part Exchange, Mac Collins domino Composite: Guardian Design/Andu Masebo/Oliver Wainwright/Fennell Photography From 3D-printed headphones to a museum dedicated to crabs, our panel of experts pick the designs and designers of the year Althea McNish: Colour is Mine at the William Morris Gallery, London Althea McNish: Colour is Mine designed by Bushra Mohamad/Msoma Architects and Nana Biama-Ofosu/YAA Projects Photograph: Nicola Tree Chosen by Adam Nathaniel Furman , artist and designer A brilliant celebration of one of the greatest – but not exhibited enough – British textile designers, this show is the kind of celebration of the power of craft and design that we need to see more of...

Open Calls and Opportunities: December 2018 (Singapore) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar December 3, 2018 Senior Marketing Executive / Marketing Executive at Intercultural Theatre Institute Intercultural Theatre Institute (ITI) is looking for a creative and driven Marketing professional to join our small but dynamic team...

Hong Kong balloon artist breaks world record with 42-metre dragon sculpture made of 38,000 balloons to usher in Year of the Dragon | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Balloon artist Wilson Pang with his 42-metre dragon sculpture - created to usher in the Year of the Dragon - and Guinness World Record certificate for the “largest balloon sculpture of a dragon” at TMTPlaza in Tuen Mun, Hong Kong...

Open Calls and Opportunities: September 2022 (Singapore/SEA) | ArtsEquator Skip to content ArtsEquator’s Lobang is a list of available open calls, job postings and other opportunities open to people from Singapore and Southeast Asia...

Dominique Gonzalez-Foerster “Nos années 70 (chambre)” at Galerie Chantal Crousel, Paris — Mousse Magazine and Publishing...

Podcast 50: Anna Chan, Asia Network for Dance (AND+) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints November 22, 2018 Duration: 36 min Chan Sze-Wei finds out more about the Asia Network for Dance (AND+) from one of its co-conveners Anna Chan, who was former head of Performing Arts and Dance for the West Kowloon Cultural District and current Dean of the School of Dance at the Hong Kong Academy for Performing Arts...