Perpetual Motion Two

Dhuwã (term used by indentured people of Natal for ‘smoke’), is a single-channel film by Sancintya Mohini Simpson that traces back to the lived experiences of indentured labourers taken from India to Natal (now KwaZulu-Natal, South Africa) to work on sugar plantations during the late 1800s and early 1900s...

Ecotone by Enar de Dios Rodríguez is a video work presented in six chapters, each beginning and ending with a one-sided telephone dialog with an informal, friendly and conversational tone, that leads quickly into complex philosophical subjects...

The Seen and Unseen: A Search For Self | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Claudia Dian February 25, 2020 The following review is made possible through a Critical Residency programme supported by By Carolyn Oei (638 words, 4-minute read) “Embracing life means embracing every element of dualism in it...

Frequencies of Tradition , curated by Hyunjin Kim With Chung Seoyoung, Yoeri Guépin, Ho Tzu Nyen, Chia-Wei Hsu, siren eun young jung, Tomoko Kikuchi, Seulgi Lee, Young Min Moon, Hwayeon Nam, Gala Porras-Kim, Lieko Shiga, Ming Wong And a screening program featuring Fiona Tan, Jane Jin Kaisen, Wang Tuo, siren eun young jung, and Ko Sakai & Ryusuke Hamaguchi Frequencies of Tradition centers on tradition as a space of contestation...

Painter Peter Ferguson returns to Roq La Rue Gallery with "Skip Forward When Held," bringing his sensibility that blends notes of the Dutch Renaissance, Lovecraftian creatures, and more...

Inspired moves: Five years of ILHAM Gallery | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Kat Khalid; ILHAM Gallery February 4, 2020 By ila (2,270 words, 10-minute read) Located in Kuala Lumpur’s Golden Triangle in the heart of the CBD is ILHAM Gallery...

Andre Sakhai claims that Philbrick transferred his Guyton painting to an entity that has become embroiled in the proceedings....

The best exhibitions and openings of 2024: North America - ArteFuse It’s an exciting year for art lovers — from Alicia Keys and Swizz Beatz’s world-class collection of contemporary art to the world’s first exhibition exploring Matisse and the sea — there’s something for everyone Abraham Ángel: Between Wonder and Seduction Dallas Museum of Art Through 28 January 2024 Praised as one of the leading artists of his generation, Abraham Ángel produced just 24 paintings — four of which remain lost — before his tragic death at 19 years old, but those works established him as a legendary figure in the canon of modern Mexican art...

Tughra is a protocol by Sharif Waked that reproduces the sixteenth century calligraphic monogram for tughra ; also known as the signature of Suleiman the Magnificent...

Échantillons de soi — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Échantillons de soi — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Échantillons de soi Exposition Techniques mixtes Échantillons de soi Encore environ un mois : 29 novembre 2023 → 13 janvier 2024 L’échantillon donne l’idée d’un tout et, quand il y en a plusieurs, ils permettent de prendre des décisions...

Go Big or Go Home: “Displaced Persons’ Welcome Dinner” Takes Flight | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of Checkpoint Theatre June 7, 2019 By Helmi Yusof (1,387 words, six-minute read) Why do people choose to go into poor, dangerous, war-torn countries to work as humanitarian workers? Do they have boundless courage, hope and kindness? Do they have a death wish? Do they believe they can make a difference? Are they simply naïve? Do they suffer from a messiah complex? Or First World guilt? Did their countries once colonise other countries? Are they cynical about humanity? How do these women and men, who mostly come from the developed world, deal with privation – if not quite experiencing it directly, then at least witnessing it firsthand? At what point does their idealism get crushed by bureaucracy, the constraints of their organisations, their own limitations? As a participant of the inaugural Asian Arts Media Roundtable organised by ArtsEquator, I got to watch and share my thoughts with over 20 arts critics and members of the public at Critics Live, a post-show dialogue of Checkpoint Theatre’s Displaced Persons’ Welcome Dinner , a play that sheds light on the fallibility of humanitarian aid workers...

Are You Ready to Publish a Photobook? - In conversation with Chris Pichler, Nazraeli Press | LensCulture Interview Are You Ready to Publish a Photobook? Nazraeli Press has published work by Alec Soth, Marilyn Minter, Daido Moriyama, and many others...

BOMB Magazine | Julius-Amédée Laou Necessary (Required) Cookies that the site cannot function properly without...

SOURCE X Audible Lands: Spotlight on Singapore's migrant musicians | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar July 6, 2020 SOURCE X Audible Lands is a film and music programme done in collaboration by The Observatory and filmmaker Eric Lee...

Sahana Ramakrishnan’s work blends cultural influences, spanning a range of visual mythologies, she weaves together a tapestry of pop cultural references that are upended by the artist’s exploration of identity, sexuality and gender perspectives...

Event held offiste at 24th Street BART plaza , San Francisco 12-2pm Kadist joins Creative Time , Hammer Museum , Conflict Kitchen , Nasher Sculpture Center , Dallas Museum of Art , The Art Institute of Chicago , and many others to re-stage Tania Bruguera’s performance, “Tatlin’s Whisper #6? on Monday April 13 at noon...

You’ve seen her artwork, even if you don't know it....

In what could be a major game changer for Indigenous Australian art, Gagosian Gallery in NYC will exhibit work from 10 desert painters and it's happening thanks to Hollywood actor and art collector Steve Martin....

Max Pinckers & Thomas Sauvin – The Future Without You – AMERICAN SUBURB X Skip to content The introduction of computers in the workplace well prefigures the advent of the internet...

We truly believe that art is for everyone: Kiran Nadar | Mint Lounge advertisement | Logout Log in/Register Home News Big Story Opinion Talking Point Food Cook Drink Discover Fashion Trends Shop Beauty How To Lounge Movies & Tv Art & Culture Books Smart Living Environment Innovation Health Wellness Fitness Relationships Raising Parents It's Complicated Pets Brand Stories Bookmarks Photos Videos Big Story Opinion Talking Point Latest Issue About Us Privacy Policy Terms And Conditions new-article 111628248444886 https://lifestyle.livemint.com story https://lifestyle.livemint.com How To Lounge /how-to-lounge/art-culture/we-truly-believe-that-art-is-for-everyone-kiran-nadar-111628248444886.html https://images.livemint.com/img/2021/08/06/68x68/Kiran_Nadar_Revised_1628248685275_1628248709909.jpg Home News Food Fashion How To Lounge Smart Living Health Relationships PHOTOS VIDEOS QUICK READS Home > How To Lounge > Art & Culture > We truly believe that art is for everyone: Kiran Nadar We truly believe that art is for everyone: Kiran Nadar As Kiran Nadar Museum of Art enters its second decade, its founder reflects on the journey so far and plans to open yet another museum in Delhi /how-to-lounge/art-culture/we-truly-believe-that-art-is-for-everyone-kiran-nadar-111628248444886.html 111628248444886 story Kiran Nadar, the founder of KNMA...