In Permanent Laughter (2011), dozens of portable compasses are scattered under a sheet of acrylic board, which is in turned covered with what appear to be the diffuse remains of an unidentified skeleton. Often combining a sense of physical incongruity and visceral displeasure with touches of humor and cruelty, Taiyo utilizes conceptual approaches as a means of challenging preconceived ideas about social organization. His work frequently interrogates how we organize space and time through discretely measured units, and in parodying that obsessively precise ways that we mark our very existence – through instruments that direct our bodily movements or denote our sense of time – Taiyo invites us to consider our relationship not just to devices but to our very sense of ontological being.
Taiyo Kimura works with sculpture, video, and installation and uses everyday objects, humor, and music to questions the meaning of ordinary life. He studied at the Sokei Academy of Fine Art and Design in Tokyo. Kimura’s solo exhibitions include “Taiyo Kimura: 55 Bethune Street, NYC” ARTCOURT Gallery, Osaka, Japan (2014); “Taiyo Kimura – new works” nca | nichido contemporary art, Tokyo (2012); Propagation, Branch Gallery, Durham, N.C. (2008); Japanda: A Cross-Cultural Curatorial Exchange, Part One, Art Gallery of Southwestern Manitoba, Canada (2007); Taiyo Kimura, Yokohama Portside Gallery, Yokohama, Japan (2005); and Taiyo Kimura: Unpleasant Spaces, Württembergischer Kunstverein, Stuttgart, Germany (2004).
In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with...
Marcelo Cidade’s sculpture Abuso de poder (Abuse of Power, 2010) is a mousetrap elegantly crafted in Carrara marble...
The working processes of artists: Sabrina Poon | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles April 27, 2020 Singaporean filmmaker Sabrina Poon, better known as Spoon, talks about her work and the value of storytelling by breaking down three of her short films – Sylvia , Hello Uncle and Pa ...
End of 2008, Pierre Leguillon presented at KADIST, Paris the first retrospective of the works of Diane Arbus (1923-1971) organized in France since 1980, bringing together all the images commissioned to the New York photographer by the Anglo-American press in the 1960s...
The impressionistic surface of Wild Money (2017) recalls the 1950s paintings of Philip Guston...
In his Conceito abstrato series, however, Rodrigo Torres turns to the abstract, using the shapes, numbers, lines, and subtle colors of international currencies to create non-representational forms with lavish geometries and baroque curving forms....
The Pixelated Revolution is a lecture-performance by artist Rabih Mroué about the use of mobile phones during the Syrian revolution...
Imagine How Many by Margo Wolowiec is a woven polyester depiction of blurred text and floral images found on social media, distorted beyond complete recognition...
Parrot Drawings or Paintings look like children’s drawings and seem quite innocent...