121 x 30 x 30 cm
Corey McCorkle’s 2016 installation Pendulum is developed around the Cavendish family and their role in importing bananas to Europe. Cavendish bananas were named after William Cavendish, the 6th Duke of Devonshire. In 1834, Cavendish received a shipment of bananas from Mauritius, and developed these bananas in the greenhouses of Chatsworth House with his gardener Sir Joseph Paxton, and were later given to missionary John Williams to take to Samoa. In combining the colonial history of the Cavendish banana that has become the most consumed banana in the western world, and the history of the pendulum, a device used to measure human movement through time, length and gravity, McCorkle’s Pendulum evokes the past and the present in an intervention bound to decay.
Described as a ‘spatial interventionist’, Corey McCorkle is a New York-based artist and trained architect, working in photography, architectural interventions, sculpture, installations, and films. He is interested in the utopian ideas of nature and transcendence, developed often as a response to an invitation to intervene in a specific site. In studying and responding to a space, McCorkle’s practice seeks to disrupt, mutate, manipulate or enhance the environment of his interventions. McCorkle has exhibited extensively internationally in solo and group exhibitions and biennials, most notably at La Biénnale de Montréal; Hermès Foundation, Brussels; Centre Pompidou; and the Museum of Modern Art, Antwerp.
Abel Rodríguez’s precise, botanical illustrations are drawn from memory and knowledge acquired by oral traditions...
Vandy Rattana’s Bomb Ponds series was made following a transformative encounter with the craters left over from 2,756,941 tons of bombs dropped by U...
Sara Eliassen’s video work A Blank Slate (2014) employs cinematic effect to investigate the relationships between subjectivity, gaze, and memory...
Chambre à brouillard — Juliette Agnel, Clément Bagot, Nicolas Darrot, Youcef Korichi, Alyssa Verbizh, Anne-Charlotte Yver — L’ahah Griset — Exhibition — Slash Paris Login Newsletter Twitter Facebook Chambre à brouillard — Juliette Agnel, Clément Bagot, Nicolas Darrot, Youcef Korichi, Alyssa Verbizh, Anne-Charlotte Yver — L’ahah Griset — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Chambre à brouillard — Juliette Agnel, Clément Bagot, Nicolas Darrot, Youcef Korichi, Alyssa Verbizh, Anne-Charlotte Yver Exhibition Drawing, publishing, film, installation.....
The 2024 Puppy Bowl: Team Fluff, Team Ruff Go Head-to-Head | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint The Do List The 20th Annual Puppy Bowl Pits Team Fluff Against Team Ruff — and Everyone Wins Mark Kennedy, Associated Press Feb 7 Save Article Save Article Failed to save article Please try again Email Some of the adorable participants in this year's Puppy Bowl...
Chambre à brouillard — Juliette Agnel, Clément Bagot, Nicolas Darrot, Youcef Korichi, Alyssa Verbizh, Anne-Charlotte Yver — L’ahah Griset — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Chambre à brouillard — Juliette Agnel, Clément Bagot, Nicolas Darrot, Youcef Korichi, Alyssa Verbizh, Anne-Charlotte Yver — L’ahah Griset — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Chambre à brouillard — Juliette Agnel, Clément Bagot, Nicolas Darrot, Youcef Korichi, Alyssa Verbizh, Anne-Charlotte Yver Exposition Dessin, edition, film, installations.....
Life off the beaten track: 32 years in a remote, car-free village on Hong Kong’s Lantau Island | South China Morning Post Life off the beaten track: 32 years in a remote, car-free village on Hong Kong’s Lantau Island Books and literature A cartoonist and writer waxes lyrical about his rural village and its colourful local characters, and how little has changed in his 32 years there Larry Feign + FOLLOW Published: 7:15am, 3 Feb, 2024 Why you can trust SCMP Half a lifetime ago, I moved to Wang Tong, on Lantau Island...
Migrant Ecologies Project: A Grain of Wheat Inside a Salt Water Crocodile | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Grain of Wheat July 8, 2019 A biscuit tin formerly containing Mermaid Brand Cream Crackers with wheat designs on the outside was chosen as the box to house the wheat as well as test tubes of salt, needles and Singapore’s very own NEWater – all for the wheat’s ritual protection...
“Peter and the Starcatcher”: An Invitation to Suspend Disbelief Thinking and Talking about Arts and Culture in Southeast Asia Articles October 22, 2018 By Casidhe Ng (1,100 words, six-minute read) The final show of Pangdemonium’s 2018 season, Peter and the Starcatcher is this year’s equivalent of Fun Home or RENT , an exuberant and expensive production intent on ending their year with a bang...
Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it...
Reeder’s works often start with language—and his Pasta Paintings are no different...
This photograph is part of the series titled “Iris Tingitana project” (2007) focusing on the disappearance of the iris...