variable dimensions
The average human has approximately 2 squared meters of skin. Deployed in space, suspended by small gold-plated chains, this skin is a recording tissue, a sensitive surface. The work is a result of a series of experiments with silicone and surfaces on which the artist transfers images. The iridescent and slightly colored appearance, is the result of these image transfers, part of which comes from a cave in the Dordogne and the other from Haitian vegetation, particularly the soursop leaf used to heal cancer.
Gaelle Choisne’s artistic practice is an address to the world’s disorder. Without any pessimism or catastrophism, it mirrors the complexity of contemporary times trough multiple medias and burgeoning installations. Sculptures, images and referential systems are imbricatedhere and merge in opulent environments, inhabited by the gestures of the artist. Between occult fables and objective sciences, from the Caribbean to European literary traditions, she navigates through imaginaries as composite as the techniques which give them shape: casting, firing, printout, suspension, collage, torsion, extraction. The artist’sinterest in the work process is often left apparent in installations-sculptures-images whose fringes are always experimental. As if, lost in apermanent gestation, her work could not obtain a permanent status in regard to its arrangement, form and reproducibility. Thus, itspertinence is to be found in this discontinuous transformation, this systematic reversing of media, techniques and surfaces. This practice of becoming, in which meaning can arise only through perpetual movement, operates through palpation and seems always agitated,marked by an organic energy. One could say that the hand, which always fiddles, displaces and modifies plays a kind of drag, a falselynaïve craftsmanship. (Text by Thomas Conchou)
Music – a propaganda promoting the Khmer Rouge socialist identity (via the Phnom Penh Post) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles January 21, 2019 Shortly after their rise to power in April 1975, the Khmer Rouge sought to change the social identity of the Khmer people...
As in other Mauss’ works that often look unfinished, the drawings in Untitled seem ever at the phase of the sketch, his segments as if they may uproot and reorient themselves at any moment...
Paul Lepetit — Not so Blue — Les Bains-Douches d'Alençon — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Paul Lepetit — Not so Blue — Les Bains-Douches d'Alençon — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Paul Lepetit — Not so Blue Exposition Techniques mixtes Paul Lepetit Courtesy de l’artiste Paul Lepetit Not so Blue Encore 12 jours : 24 novembre → 23 décembre 2023 L’exposition Not so Blue de Paul Lepetit aux Bains-Douches d’Alençon est présentée dans le cadre de « maintenant et demain 2023 » programme de résidence et exposition mis en place par le Conseil Départemental de l’Orne et Les Bains-Douches...
In the video No Not Nothing Never , a group of 23 domestic fans arranged in a mountainous desert landscape, move in perfect synchrony...
Political artist, painter, writer, performer, photographer, David Wojnarowicz, who died of AIDS in 1992 in New York City, was one of the leading figures of the New York Downtown artistic scene of the 80s...
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
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Crafted Elegance: Hendrick’s Gin And Artist Boris De Beijer Unveil Limited Edition Cocktail Glasses - IGNANT Words: IGNANT magazine Photographer: Clemens Poloczek Name Boris De Beijer Images Clemens Poloczek Words IGNANT magazine Hendrick’s Gin has joined forces with artist and glassblower Boris de Beijer for an exclusive partnership as part of this year’s festive campaign...
SMU Series: More Than Just Managers, Enabling the Arts | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo by Ian Schneider on Unsplash October 4, 2018 This article is the third in a series of essays by students from the Singapore Management University Arts and Culture Management programme...
South Africa Pavilion Announces Curator, Artists and Exhibition Title for Venice Biennale 2024 | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership News South Africa Pavilion Announces Curator, Artists and Exhibition Title for Venice Biennale 2024 Managed by the Institute of Creative Repair, the exhibition, titled Quiet Ground, is curated by Portia Malatjie and will feature new work by MADEYOULOOK...
Code switching: How Fotomsuseum Winterthur became digital-first - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW With the physical space closed for renovation, Fotomuseum Winterthur’s digital curator reveals how ASMR livestreams and ‘sludge content’ are keeping online momentum high Marco De Mutiis, digital curator at Fotomuseum Winterthur, wants the photography world to “stop whining”...
Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds...