Juan Araujo’s works often begin with photographs he takes of a physical site. By reproducing fragments from urban images, facades and different architectures, he makes visible a tension between the desire to represent and the visual stereotypes. Araujo’s most recent paintings examine Venezuelan and Brazilian modernist architecture and the latter’s complex relationship to certain ideologies and belief systems that deeply marked Latin America’s cultural development in the mid-twentieth century.
Tughra is a protocol by Sharif Waked that reproduces the sixteenth century calligraphic monogram for tughra ; also known as the signature of Suleiman the Magnificent...
The Art We’re Obsessed with in January 2024 | Artsy Skip to Main Content Advertisement Art The Art We’re Obsessed with in January 2024 Artsy Editorial Jan 24, 2024 4:23PM “The Art We’re Obsessed With” is a new monthly series paying homage to the artworks Artsy staff members can’t stop thinking about, and why...
London’s Tate Modern encouraged visitors to browse through its digitised collection of over 77 thousand artworks, New York’s Metropolitan Museum of Art produced 360° virtual tours of its spaces and, closer home, the National Museum in New Delhi kept up with its patrons through regular informative posts on Instagram....
Carib Carnival illustrates Aubrey Willams’s unique artistic language, combining Pre-Columbian iconography with abstraction...
Weekly Southeast Asia Radar: BACC director fired; Kelantan lifts Mak Yong ban | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Wong Horngyih, courtesy of Pusaka September 25, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Io Burgard — La proie pour l’ombre — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Io Burgard — La proie pour l’ombre — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Io Burgard — La proie pour l’ombre Exposition Techniques mixtes Affiche de l’exposition La proie pour l’ombre Io Burgard La proie pour l’ombre Encore environ 2 mois : 7 février → 30 mars 2024 Artiste : Io Burgard Commissaire de l’exposition : Bettie Nin Prenant prétexte du mythe du Sphinx — ce monstre-gardien symbole des connaissances inaccessibles aux non-initiés — Io Burgard a développé un jeu vidéo dont le récit infiltre l’exposition...
Guardian and Observer photographs of 2023 – own a fine art print | gallery | Art and design | The Guardian Skip to main content Guardian Print Shop Guardian and Observer photographs of 2023 – own a fine art print Fans watch Elton John’s set on the Pyramid stage at Glastonbury festival in Somerset on 25 June...
Nicolás Bacal uses everyday materials to evoke systems in his sculptures and installations...
Weekly Picks: Singapore (15 - 21 September 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do October 15, 2018 Because it’s Fun by The Fool Theatre 愚者剧场 , Drama Centre Black Box, 12 – 21 October The inaugural production for The Fool Theatre, Because it’s Fun shows how bullying is omnipresent in our society and how it affects our mental well-being...
Morehouse donation: A New York businessman donated a $1 million art collection featuring mostly Black and LGBTQ artists | CNN A New York businessman donated a $1 million art collection to Morehouse College By Alaa Elassar , CNN Updated 4:03 AM EST, Sun December 13, 2020 Link Copied! Ad Feedback McArthur Binion, "DNA:Study," 2020 ©McArthur Binion...
We truly believe that art is for everyone: Kiran Nadar | Mint Lounge advertisement | Logout Log in/Register Home News Big Story Opinion Talking Point Food Cook Drink Discover Fashion Trends Shop Beauty How To Lounge Movies & Tv Art & Culture Books Smart Living Environment Innovation Health Wellness Fitness Relationships Raising Parents It's Complicated Pets Brand Stories Bookmarks Photos Videos Big Story Opinion Talking Point Latest Issue About Us Privacy Policy Terms And Conditions new-article 111628248444886 https://lifestyle.livemint.com story https://lifestyle.livemint.com How To Lounge /how-to-lounge/art-culture/we-truly-believe-that-art-is-for-everyone-kiran-nadar-111628248444886.html https://images.livemint.com/img/2021/08/06/68x68/Kiran_Nadar_Revised_1628248685275_1628248709909.jpg Home News Food Fashion How To Lounge Smart Living Health Relationships PHOTOS VIDEOS QUICK READS Home > How To Lounge > Art & Culture > We truly believe that art is for everyone: Kiran Nadar We truly believe that art is for everyone: Kiran Nadar As Kiran Nadar Museum of Art enters its second decade, its founder reflects on the journey so far and plans to open yet another museum in Delhi /how-to-lounge/art-culture/we-truly-believe-that-art-is-for-everyone-kiran-nadar-111628248444886.html 111628248444886 story Kiran Nadar, the founder of KNMA...
Weekly Picks: Singapore (18 - 24 June 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Singapore June 18, 2018 Suzhou Symphony Orchestra 2018 Asia Tour – Singapore by Suzhou Symphony Orchestra 18 June 2018 Maestro Chen Xieyang, along with the Suzhou Symphony Orchestra will present to you its programme featuring Profokiev’s epic tale of love and the powerful realism of Zhu Jian Er’s sonic world for the start for their Asian Tour 2018...
"Pratthana: A Portrait of Possession": Of Politics and Desire Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo: Tananop Kanjanawutisit August 30, 2018 By Amitha Amranand (1225 words, six-minute read) Everyone is always watching and being watched in Pratthana: A Portrait of Possession , the latest play by Japanese director Toshiki Okada...
Dhuwã (term used by indentured people of Natal for ‘smoke’), is a single-channel film by Sancintya Mohini Simpson that traces back to the lived experiences of indentured labourers taken from India to Natal (now KwaZulu-Natal, South Africa) to work on sugar plantations during the late 1800s and early 1900s...