22 x 23 cm
Pascua Dolorosa (Painful Easter) by Fredi Casco is a series of drawings made on old worksheets documenting land surfaces in Caapucú, a forest exploitation area where one of the most violent episodes of the repression of Stroessner’s dictatorship took place in 1976, and during which peasants accused of belonging to insurgent movements were kidnapped, tortured and many of them killed. In 2009, human bone remains were found in the Caapucú region during ground measurement work. These works reveal the tension between a cold and positivistic approach to landscape as put on record in the legal papers, the poignant use of violence as inscribed into the land, and a ghostly invocation of the power of resistance.
Working with a variety of media such as drawing, painting and photography Fredi Casco frequently incorporates original documents and archives as a medium and support of his work in order to bring to light specific episodes of Paraguayan political history, particularly events that took place during the time of Alfredo Stroessner’s long dictatorship (1954 to 1989). By using found photographs and legal papers, and incorporating visual references to indigenous cultural practices that were frequently obliterated as “collateral damage” of the geographical expansion of the Cold War into Latin American territories, his practice imbues with poetry the sordid historical narratives of his native Paraguay, making the significance of the work atemporal and extensive to other regions in the continent that share a comparable political history.
Untitled (Grate I/II: Shan Mei Playground/ Grand Fortune Mansion) is part of a series drawn from architectural objects that mark the boundary of public and private spaces Wong encountered while strolling in Hong Kong...
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Versailles à la Cité interdite de Pékin, une exposition diplomatique Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés « La Foire de la ville de Nankin » (1761), de Marie Leszczynska, avec la collaboration de différents peintres...
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Steven Seidenberg: The Residue of Life & The Architecture of Silence advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Steven Seidenberg: The Residue of Life & The Architecture of Silence Shinjuku #3, Tokyo Tape...
OIWA - The Ghost of Yotsuya: Primal story of love, or the failures of it | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of Arts House Limited June 5, 2021 An epic set, an epic story, and epic four years of painstaking training is one way to describe The Finger Players’ OIWA – The Ghost of Yotsuya, an aching horror story that retells the classic tale of vengeance revolving around a jilted woman...
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Discover the diary of Sir Joshua Reynolds PRA | Blog | Royal Academy of Arts Sir Joshua Reynolds, PRA, pocket book © Photo: Royal Academy of Arts, London Discover the diary of Sir Joshua Reynolds PRA Read more Become a Friend Discover the diary of Sir Joshua Reynolds PRA Published 14 July 2023 On the 300th anniversary of the birth of our first president Sir Joshua Reynolds, we’ve digitised his diary for the first time...
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