22 x 23 cm
Pascua Dolorosa (Painful Easter) by Fredi Casco is a series of drawings made on old worksheets documenting land surfaces in Caapucú, a forest exploitation area where one of the most violent episodes of the repression of Stroessner’s dictatorship took place in 1976, and during which peasants accused of belonging to insurgent movements were kidnapped, tortured and many of them killed. In 2009, human bone remains were found in the Caapucú region during ground measurement work. These works reveal the tension between a cold and positivistic approach to landscape as put on record in the legal papers, the poignant use of violence as inscribed into the land, and a ghostly invocation of the power of resistance.
Working with a variety of media such as drawing, painting and photography Fredi Casco frequently incorporates original documents and archives as a medium and support of his work in order to bring to light specific episodes of Paraguayan political history, particularly events that took place during the time of Alfredo Stroessner’s long dictatorship (1954 to 1989). By using found photographs and legal papers, and incorporating visual references to indigenous cultural practices that were frequently obliterated as “collateral damage” of the geographical expansion of the Cold War into Latin American territories, his practice imbues with poetry the sordid historical narratives of his native Paraguay, making the significance of the work atemporal and extensive to other regions in the continent that share a comparable political history.
Untitled (Grate I/II: Shan Mei Playground/ Grand Fortune Mansion) is part of a series drawn from architectural objects that mark the boundary of public and private spaces Wong encountered while strolling in Hong Kong...
Weekly Picks: Malaysia (19–25 Nov 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do November 19, 2018 KLEX 2018: Translucence , at various locations, 22–25 Nov An independent artist-run grassroots international festival of experimental film, video art and music...
Gilded Lilies - Photographs by Tine Poppe | Interview by Sophie Wright | LensCulture Feature Gilded Lilies Norwegian photographer Tine Poppe’s portraits of cut flowers, shot against landscapes ravaged by climate change, propose a new take on the still life—one fit for the uncertain times we are living in...
OIWA - The Ghost of Yotsuya: Primal story of love, or the failures of it | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of Arts House Limited June 5, 2021 An epic set, an epic story, and epic four years of painstaking training is one way to describe The Finger Players’ OIWA – The Ghost of Yotsuya, an aching horror story that retells the classic tale of vengeance revolving around a jilted woman...
Enlarged windows, glass bricks and balustrades allow light to flow through Hong Kong village home after renovation | South China Morning Post Advertisement Advertisement Architecture and design + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more When work was thin during the pandemic, an interior designer tapped her employees to overhaul her family’s three-storey villa with garden in Sai Kung, Hong Kong...
Vishal Jugdeo, VQUEERAM / EPISODES Screening and presentation, followed by a discussion with artist and scholar, Tina Takemoto The experimental documentary video portrait VQUEERAM (2016–ongoing) is part of a collaborative project initiated by Los Angeles-based artist Vishal Jugdeo with Vikram “Vqueeram” Aditya Sahai, a poet, activist, and teacher based in New Delhi, India...
Produced for the Prix Marcel Duchamp and presented at the Centre Pompidou in October 2017, the installation Unconformities is comprised of photographs, archaeological drawings, and narratives, based on the analysis of core samples from different sites in Beirut, Paris and Athens...
Animating Democracy Transitions & Appreciations | Americans for the Arts Jump to navigation Americans for the Arts Arts Action Fund National Arts Marketing Project pARTnership Movement Animating Democracy Facebook Twitter LinkedIn Instagram YouTube Load Picture Home News Room Animating Democracy Transitions & Appreciations Hello Guest | Login Animating Democracy Transitions & Appreciations Monday, December 19, 2022 Having launched the Animating Democracy program in 1999, Co-Directors Barbara Schaffer Bacon and Pam Korza have decided that 2022 completes their tenure providing program leadership for this transformative initiative...
Versailles à la Cité interdite de Pékin, une exposition diplomatique Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés « La Foire de la ville de Nankin » (1761), de Marie Leszczynska, avec la collaboration de différents peintres...