11.81H x 15.75W x 55.12D
Many of Chaves and Gilda’s works use recycled cardboard. For Partituras, they arranged stacks of cardboard into long rectangles on the ground, which are visually analogous to fields of graphite in Chaves’s pencil drawings. While the blocks have a spare presence in space, they exist more full solidity within their borders, and the recycled nature of the cardboard adds some play into the clean minimalist rectangles and cubes.
The collaborative works of Raimond Chaves and Mantilla Gilda often derive from a direct engagement with the world. The two travel, make drawings from libraries, hold workshops in neighborhoods, and videotape the fog in Lima. Embedded in their cultural and physical geography, these works correspondingly portray the terrain of South America through the perspective of their lives and travels in the continent.
Black History and Love Intertwine at February Bay Area Concerts | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Arts & Culture Black History and Love Intertwine at These February Bay Area Concerts Andrew Gilbert Feb 7 Save Article Save Article Failed to save article Please try again Email Mary Stallings performs at Keys Jazz Bistro on Feb...
For his project Book of Veles artist Jonas Bendiksen travelled to the small city of Veles in North Macedonia, inspired by a series of press reports starting in 2016, that revealed Veles as a major source of the fake news stories flooding Facebook and other social media sites celebrating Donald Trump and denigrating Hillary Clinton...
Book Review: "The State and The Arts in Singapore: Policies and Institutions" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Images courtesy of Institute of Policy Studies, Singapore April 9, 2019 By Chin Ailin (734 words, four-minute read) Commissioned by the Institute of Policy Studies of Singapore (IPS) to trace the course of cultural policy in Singapore from the 1950s to the present, The State and the Arts in Singapore: Policies and Institutions is a comprehensive tome that should serve as an essential text in time to come for any student’s introduction to Singapore’s arts and cultural policies...
Experiencing a slice of life: Artist’s Block by ArtWave | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Zinkie Aw March 1, 2022 By Noorul Raaha As’art (830 words, 3-minute read) Waterloo Street is a smorgasbord of sensory experiences, from Hindu and Buddhist temples coexisting side by side, to old uncles and aunties hawking religious paraphernalia, shaded by their New Moon abalone umbrellas, and stalls offering acupuncture services, amongst other things...
On January 7th, 2020, artist D’Angelo Lovell Williams was diagnosed with HIV...
The triptych Black Star Press is part of the series ‘The Black Star Press project’ initiated in 2004 by the American artist Kelley Walker...
Lockhart’s film Lunch Break investigates the present state of American labor, through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U...
Charles LeDray: Securing memory – Two Coats of Paint Charles LeDray, Shiner, 2015–2023, wood, mat board, acrylic paint, enamel paint, watercolor, polyurethane, fabric, leather, embroidery floss, acrylic yarn, silicone rubber, Lava soap, mother of pearl, Fimo, pretzel bits, rabbit fur, bubble gum, wax, cinnamon oil, shoe dye, metal, copper wire, electrical tape, acrylic, foil, pumice, plastic, eraser, letterpress print, printed paper, 5 3/4 x 34 x 23 7/8 inches Contributed by Barbara A...
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Air Con: Who Do You Want To Be When You Grow Up? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints October 8, 2021 By Dhinesha Karthigesu (1,330 words, 5-minute read) Who do you want to be when you grow up? At the end of the play AIR CON , the character William (Nick Davis) asks the character Asif (Ryan Lee Bhaskaran) this question...