Palo Enceba’o María Chiquita
2016 - Photography (Photography)
54 3/10 x 44 9/10 inches
José Castrellón
Palo Enceba’o is a project by José Castrellón composed of three photographs, two drawings on metal, and a video work that creates a visual and cultural analogy between the events of January 9th, 1964 in Panama City and the game of palo encebado carried out in certain parts of Panama to celebrate the (US-backed) independence from Colombia. In the game, young men climb a wood post smeared with animal wax to collect a Panamanian flag in return for a bounty. During what is now remembered as Martyrs’ Day, Panamanian students trespassed the fence that separated the American-governed strip of land along the Panama Canal and Panama City to fly a flag and symbolically claim sovereignty over the area that had been turned over to the United States by the Hay–Bunau-Varilla Treaty in 1903. Effectively, the treaty allowed for the construction of the canal and its use in perpetuity by the US in exchange for a sum of money and the backing of Panama’s independence from Colombia. Dubbed as a threat to the sovereignty of the Canal Zone, the American military shot and killed several of the students involved in the incident (declared martyrs) which escalated the already tense relationship between the countries and eventually aided in the negotiations of the Torrijos-Carter Treaties that returned the Canal Zone to Panama. The image of the students climbing up a light post is likened to the palo encebado game. Through the appropriation of a photograph by Stan Weymann published on the cover of TIME Magazine in January 1964 and two original images, the series Palo enceba’o speaks of the ambiguity of the notion of sovereignty.
José Castrellón works with photography, video, found material and language, moving between the conceptual and documentary realms. Through research, he takes history as a point of departure to inquire into and express anthropological and sociological concerns. He identifies with cultural changes and the impact they have on different places, the cultural modification of people and society, as well as the physical transformation of landscapes, brought about by commercialism, colonialism, geopolitical conflict, and interventions. Castrellón practice is concerned with diffusion, hybridization, and exposure to different cultural forms and their imposition, appropriation, or cannibalism, which emerge on the faces of people or the nature of spaces.
Colors:
Related works sharing similar palette
© » KADIST
Tony Oursler
2012Continuing Oursler’s broader exploration of the moving image, Absentia is one of three micro-scale installations that incorporate small objects and tiny video projections within a miniature active proscenium...
© » THEARTNEWSPER
East London's Vestry House Museum to undergo £4.5million redevelopment Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Museums & Heritage news East London's Vestry House Museum to undergo £4.5million redevelopment The funds to reimagine the museum are part of a wider £17.2m Levelling Up allocation that will help to bolster the district's arts credentials Alexander Morrison 18 December 2023 Share The Vestry House Museum today Courtesy of Vestry House Museum Tucked away in Walthamstow village, the Vestry House Museum has long been an important, if modest, archive of the east London district's history...
© » KADIST
Kelly Sinnapah Mary
2021Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015)...
© » ARTS EQUATOR
Weekly Picks: Indonesia (28 January - 3 February 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do January 28, 2019 Top Picks of Indonesia art events in Jakarta, Bandung and Surabaya from 28 January – 3 February 2019 Baron Basuning Studio, together with Galeri National Indonesia, invites you to NOOR, a solo exhibition of Baron Basuning’s works...
© » KADIST
In this interview shot at the Amphithéâtre de morphologie, École des beaux-arts, Paris, Artist and director Hikaru Fujii introduces Les nucléaires et les choses , an ongoing project that unfolds in KADIST in May 2019, taking the Futaba Town Museum of History and Folklore as a starting point and grounds for speculation after the Fukushima-Daiichi nuclear accident...
© » KADIST
Kota Ezawa
2002The Simpson Verdict is a three-minute animation by Kota Ezawa that portrays the reading of the verdict during the OJ Simpson trial, known as the “most publicized” criminal trial in history...
© » GALERIE MAGAZINE
5 Standout Works from Judy Chicago’s Groundbreaking Career - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe “Judy Chicago: Herstory,” 2023...
© » KADIST
Lucas Blalock
2011Compositions such as Tree on Keystone (2011) become hyperreal versions of their real-world equivalents...
© » KADIST
A conversation between Curator Yina Jiménez Suriel and artist Duto Hardono, Thursday, October 12, 2023 Conversation, 5–6 pm, followed by a performance by Duto Hardono during the opening reception for de montañas submarinas el fuego hace islas , 6–8 pm Duto Hardono discusses his conceptual art practice that incorporates readymade materials such as everyday objects, old musical instruments, records, and cassette tapes with curator Yina Jiménez Suriel...