60 x 90 cm
Au non de la liberté (Tiko drink Kumba drunk) is a photographic series by Zacharie Ngnogue and Chantal Edie that considers the correlation between those who hold power in Cameroon and how their actions affect the populations they rule in often compromising ways. “Tiko drink-Kumba drunk” is an adage that is commonly used in the Southwest province of Cameroon to speak of how one’s actions affect others. Civil liberties are next to non-existent in Cameroon, the law is lawless, and structured in a way that is intended to attack its citizens’ human rights. In each photograph, the artists are teleporting, invoking themselves in front of public and administrative buildings, sometimes replacing monuments with their own bodies in order to symbolically restore their civil liberties. The majority of these infrastructures are inherited from colonial times and the formal contrast in colors alludes to the coexistence of this past and present. The photographs imply that though the colonial master has departed, their work continues through the current governance. To counteract this systemic subjugation, the work attempts to strike a visible balance that should exist between citizens and the authorities that rule them. The series is a manifestation, a protest for change, reason, action, and alternance.
Chantal Edie and Zacharie Ngnogue are a photography duo who channel their personal experiences into social commentaries. Grappling with the idea of living together, what it means, and looks like, their works often feature a performative element as the artists use their own bodies in their photographs. The duo’s practice plays a significant role in the Cameroonian art scene and beyond, as it is intended as a way of participating in global social debates. For Ngnogue and Edie, it is a political act to boldly address the pressing socio-political issues of this time. It is a means for them to create space for expression, while still engaging and existing as citizens and human beings.
Au non de la liberté (Tiko drink Kumba drunk) is a photographic series by Zacharie Ngnogue and Chantal Edie that considers the correlation between those who hold power in Cameroon and how their actions affect the populations they rule in often compromising ways...
Shirin Neshat: ‘Since I was a child, I've been very afraid of men in uniform’ - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW All images from The Fury, 2023 © Shirin Neshat...
Au non de la liberté (Tiko drink Kumba drunk) is a photographic series by Zacharie Ngnogue and Chantal Edie that considers the correlation between those who hold power in Cameroon and how their actions affect the populations they rule in often compromising ways...
Au non de la liberté (Tiko drink Kumba drunk) is a photographic series by Zacharie Ngnogue and Chantal Edie that considers the correlation between those who hold power in Cameroon and how their actions affect the populations they rule in often compromising ways...
Strongly influenced by history and memory, Goddy Leye’s paintings are based primarily on stories and mythologies...
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