Paint, Unpaint

2014 - Film & Video (Film & Video)

1:34 minutes

Kota Ezawa

location: San Francisco, California
year born: 1969
gender: male
nationality: German
home town: Cologne, Germany

Paint and Unpaint is an animation by Kota Ezawa based on a scene from a popular 1951 film by Hans Namuth featuring Jackson Pollock. At first glance, due to the oversimplified silhouettes Ezawa employs, the connection between his animation and Namuth’s film may not be obvious. However, when seen side by side, Ezawa’s piece is a faithful reproduction of the scene—up until a point in which his sequence begins playing in reverse, effectively unpainting every brushstroke. The scene in Namuth’s film is remembered by many for its experimental nature: with the camera pointed towards the sky, Pollock paints onto a sheet of glass as Namuth films the process from the opposite side. Through this unique viewpoint, what results is a filmic device that effectively conveyed Pollock’s process of “action painting” to wide audiences. As Ezawa gives this iconic scene a new life as a digital animation, he adds an additional layer of separation from the original source of focus, which is Pollock’s paint. Ezawa’s choice to reference Namuth relates to his ongoing investigation of the symbolic power of images in the mainstream. Allegedly, Namuth was more interested in the image of Pollock than his actual work, and as the author of several photographs and the 1951 film, his own role as image-maker was essential in conveying Pollock’s process to audiences and contributing to his fame. As much as the original film is about Pollock, Ezawa’s retake is constructed around Namuth’s representation of the iconic artist, and the degree to which it was responsible for constructing his identity in our social imaginary.


Kota Ezawa borrows images from the news, art history, and pop culture and turns them into cartoon-like stories. He produces flat and two-dimensional imagery via his light-boxes, works on paper, and animations. These works are often inspired by important moments in history, such as the assassinations of John F. Kennedy and Abraham Lincoln, the O.J. Simpson trial, and media coverage of former National Football League (NFL) player Colin Kaepernick kneeling during the national anthem as a symbol of protest. Ezawa’s animations, which he describes as “moving paintings,” make use of a labor-intensive technique that requires the artist to recreate each frame with close attention, producing hundreds of illustrations via digital drawing and animation software. He is best known for a signature style that embraces vibrant colors and simple forms, stripping detail from images to leave only essential attributes and environments. This reductive technique does not diminish the power of the image, as it turns to the familiar historical or cultural context to fill any gaps left by the artist’s erasures. However, the gesture also invites viewers to think about how these erasures might destabilize the reliability of public memories, highlighting the faulty process of collective remembering and what it tends to overlook.


Colors:



Related works of genres: » san francisco art institute alumni  
» see more

Untitled
© » KADIST

Barry McGee

Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner...

Borrando la Frontera
© » KADIST

Ana Teresa Fernández

2011

The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico...

Mother Pig, Shushi Gallery, San Diego Performance
© » KADIST

Paul McCarthy

1983

McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works...

Irma Vep, The Last Breath
© » KADIST

Michelle Handelman

2015

Michelle Handelman’s video work Irma Vep, The Last Breath takes its inspiration from Musidora, a famous French silent film actress, and a character she played called Irma Vep, from the film Les Vampires (1915), directed by Louis Feuillade...

Related works featuring themes of: » Animation, » Appropriation Art, » Art and Technology, » Collage, » German  
» see more

RMB City: A Second Life City Planning 04
© » KADIST

Cao Fei

2007

Since 2007, Cao Fei has radically focused her work on Second Life, an online space that virtually mimics “the real world” and includes everything from the expression of ideas to economic investment...

La Town
© » KADIST

Cao Fei

2014

Cao Fei’s video La Town, 2014 depicts a mythical metropolis that has been destroyed by unknown forces...

I can’t believe we are still protesting
© » KADIST

Wong Wai Yin

2021

Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...

Ink Diary
© » KADIST

Chen Shaoxiong

2006

After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...

Other related works, blended automatically  
» see more

The Crime of Art
© » KADIST

Kota Ezawa

2017

The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...

RMB City: A Second Life City Planning 04
© » KADIST

Cao Fei

2007

Since 2007, Cao Fei has radically focused her work on Second Life, an online space that virtually mimics “the real world” and includes everything from the expression of ideas to economic investment...

La Town
© » KADIST

Cao Fei

2014

Cao Fei’s video La Town, 2014 depicts a mythical metropolis that has been destroyed by unknown forces...

Portrait: Cover and Clean
© » KADIST

Qiu Anxiong

2011

A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...

Related works sharing similar palette  
» see more

Press Release: Art21 to Release Season Finale of “Art in the Twenty-First Century”
© » ART21

Press Release: Art21 to Release Season Finale of “Art in the Twenty-First Century” | Art21 Our Series Art in the Twenty-First Century Extended Play New York Close Up Artist to Artist William Kentridge: Anything Is Possible Specials Art21.live An always-on video channel featuring programming hand selected by Art21 Playlists Curated by Art21 staff, with guest contributions from artists, educators, and more Art21 Library Explore over 700 videos from Art21's television and digital series Latest Video 9:47 Add to watchlist "Now and Forever" Kerry James Marshall Extended Play December 6, 2023 Search Searching Art21… Welcome to your watchlist Look for the plus icon next to videos throughout the site to add them here...

Untitled
© » KADIST

Frida Orupabo

2018

The archival images used by Frida Orupabo in her collages trace stereotyped representations of race, gender, sexuality and violence...

Art Basel reveals 287 leading galleries and expanded city-wide program for its 2024 edition in Basel, Switzerland (News)
© » ARTEFUSE

Art Basel reveals 287 leading galleries and expanded city-wide program for its 2024 edition in Basel, Switzerland (News) - ArteFuse Art Basel reveals 287 leading galleries and expanded city-wide program for its 2024 edition in Basel, the first led by the show’s new Director Maike Cruse With 287 premier galleries from 40 countries and territories, Art Basel will once again bring together the international art world at its marquee fair in Basel, Switzerland...

Untitled
© » KADIST

Joanna Piotrowska

2015

This selection of photographs taken between 2014 and 2019 focus on Piotrowska’s long-term preoccupation with issues of domesticity and containment...

Related works from the » 2010's created around » San Francisco, California  
» see more

Silencer #16 & #17
© » KADIST

Will Rogan

2010

MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...

Serengeti Green
© » KADIST

Phillip Maisel

2015

While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves...

Untitled (Men)
© » KADIST

Matt Lipps

2011

In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...

There are veins in these lands, I
© » KADIST

Rodney McMillian

2013

In his evocative Landscape Paintings, McMillian uses second-hand bedsheets, sourced from thrift shops, as his starting point...

Other works by: » Kota Ezawa  
» see more

The Crime of Art
© » KADIST

Kota Ezawa

2017

The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...

The Simpson Verdict
© » KADIST

Kota Ezawa

2002

The Simpson Verdict is a three-minute animation by Kota Ezawa that portrays the reading of the verdict during the OJ Simpson trial, known as the “most publicized” criminal trial in history...

Human Quarry
© » KADIST

Leslie Shows

Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...

Eclipse
© » KADIST

Jordan Kantor

2009

Eclipse is a series of screenprints from Jordan Kantor’s larger vitrine installation that included reworkings of a single image of a small group viewing an eclipse through shielding cut-outs...

Untitled, (Basel lens flare 5950, 6198, 7497)
© » KADIST

Jordan Kantor

2009

Lens Flare and the series Untitled Basel Lens Flare (6168, 5950, 7497) were part of a solo project by the artist presented at ArtBasel in 2009...

Half Dome Hough Transform
© » KADIST

Trevor Paglen

2020

Half Dome Hough Transform by Trevor Paglen merges traditional American landscape photography (sometimes referred as ‘frontier photography’ for sites located in the American West) with artificial intelligence and other technological advances such as computer vision...

Related works found in the same semantic group  
» see more

Take Off: Kota Ezawa and Kenneth Goldsmith
© » KADIST

In collaboration with the San Francisco Film Society (SFFS) Kadist will present Kota Ezawa’s latest project Take Off , a watercolor-based rotoscope-style animation based on footage taken from a C-SPAN news broadcast...

‘Quality Triumphs’: Macklowe Collection Brings in $676.1 M. at Sotheby’s - via ARTnews
© » LARRY'S LIST

Records were set for Agnes Martin, Jackson Pollock, Robert Irwin and Michael Heizer....

Fondation Beyeler
© » ART PIL

Fondation Beyeler | ARTPIL ARTICLES Art Photography Film + Video Culture + Lifestyle Exhibits + Events Features Prescriptions PROFILES Artists Photographers Filmmakers Designers/Architects Fashion Organizations/Mags Museums/Galleries ANNOUNCEMENTS ANNOUNCES WORKS COLLECTIONS EXHIBITIONS 30/30 WOMEN WORKS COLLECTIONS ABOUT CONTRIBUTORS SUBMISSIONS CART + – Search for: Search Button ARTICLES PROFILES ANNOUNCEMENTS WORKS COLLECTIONS EXHIBITIONS 30/30 WOMEN PHOTOGRAPHERS ABOUT CONTRIBUTORS SUBMISSIONS CART • Fondation Beyeler Museum / Riehen, Switzerland The Fondation Beyeler is a museum of modern and contemporary art open 365 days a year...

A Deep Dive Into Visual Artists On The Small Screen
© » ARTSJOURNAL

Streaming: the best films about artists | Movies | The Guardian Skip to main content Skip to navigation Skip to navigation From left: Kirk Douglas as Vincent van Gogh in Vincente Minnelli's ‘unabashedly gorgeous' Lust For Life (1956); ‘raw, restless' Jeffrey Wright in Julian Schnabel's Basquiat (1996); the Swedish artist and mystic Hilma af Klint in Halina Ryschka's documentary Beyond the Visible (2019)...