Owl

2006 - Painting (Painting)

Raymond Pettibon

location: Hermosa Beach, California
year born: 1957
gender: male
nationality: American
home town: Tucson, Arizona

The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon. The images allude to recurring topics, such as the superhero (present both in Untitled Superman and No title without the comics ), a book cover (his literary sources), or a mushroom cloud. Inspired by the writings of William Faulkner, Daniel Defoe, Gustave Flaubert, Marcel Proust, and James Joyce, Pettibon’s sophisticated, witty drawings combine image and text to explore the gamut of American popular culture.


Before becoming famous in the art world, Raymond Pettibon’s punk-rock drawings were well-known in alternative scenes. His iconic album covers for bands such as Black Flag, Minuteman, and Sonic Youth have influenced younger artists who capture the intricacies of marginal youth and popular culture with a casual style. However, Pettibon’s graphic, comic-inspired black ink drawings of violent and antiauthoritarian subject matter remain unique.


Colors:



Related works featuring themes of: » Calligraphic, » City Scenes, » Collage, » Comic/Cartoon, » American

Office Voodoo
© » KADIST

Haegue Yang

2010

In addition to Yang’s signature drying rack and light bulbs, Office Voodoo includes various office supplies like CDs, paper clips, headphones, a computer mouse, a stamp, a hole puncher, a mobile phone charger...

Mother Pig, Shushi Gallery, San Diego Performance
© » KADIST

Paul McCarthy

1983

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Knotty Spell in Windy Drapes
© » KADIST

Haegue Yang

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Splinters and Seconal
© » KADIST

Ed Ruscha

1973

In 1970, Ruscha began a series of paintings made from stains...

Green Box
© » KADIST

Ari Marcopoulos

1998

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Its Always Fun to Live in This Country
© » KADIST

Eko Nugroho

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Absentia
© » KADIST

Tony Oursler

2012

Continuing Oursler’s broader exploration of the moving image, Absentia is one of three micro-scale installations that incorporate small objects and tiny video projections within a miniature active proscenium...

Iris Tingitana Oxalis
© » KADIST

Yto Barrada

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This photograph is part of the series titled “Iris Tingitana project” (2007) focusing on the disappearance of the iris...

Untitled
© » KADIST

Mark Bradford

2012

This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series...

Vulnerabilia
© » KADIST

Jonathan Hernández

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Excerpt (Sealed) (Brown)
© » KADIST

Stephen G. Rhodes

2010

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Tribute to Inside Looking Out - For the male artists along my way
© » KADIST

Wong Wai Yin

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In this work the artist stages a humorously violent “intervention” against male-dominated cultures of art production in present-day China...

I can’t believe we are still protesting
© » KADIST

Wong Wai Yin

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Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...

Safely Maneuvering Across Lin He Road
© » KADIST

Lin Yilin

1995

For his action, Safely Maneuvering across Lin He Road , Lin built a brick wall on one side of a busy main street in the city of Guangzhou...

Person with Pillow: Desire, Lust, Fate
© » KADIST

John Baldessari

1991

The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...

The Simpson Verdict
© » KADIST

Kota Ezawa

2002

The Simpson Verdict is a three-minute animation by Kota Ezawa that portrays the reading of the verdict during the OJ Simpson trial, known as the “most publicized” criminal trial in history...

Choke
© » KADIST

Jennifer Locke

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Choke documents the artist filming a wrestler “choking out” his teammate until he is unconscious...