Over There
2015 - Installation (Installation)
7:59 minutes
Bontaro Dokuyama
In Over There, Bontaro Dokuyama conducted a series of workshops with various people who had been forced to relocate in temporary housing after the Fukushima accident. Participants in the workshop made masks from local newspaper cuttings, included in the installation as well as videos showing these different persons wearing their masks, pointing in the direction of their hometowns, where they can no longer return. Over There portrays those displaced from Fukushima due to the 2011 nuclear disaster, underlining the subjectivity of each person in opposition to the way they are usually considered within the Japanese society or by the media, calling them “victims from the disaster.”
Bontaro Dokuyama became an artist after the triple disaster of March 2011 that irrevocably damaged his hometown of Fukushima, “sensing that everything that had been taught to him was a lie.” Previously working as an architect, he then started his artistic practice under a new name in order to underline the beginning of this new life. Given by the artist friend Sachiko Kazama, this name refers to an important manga artist and anarchist Bontaro Saikawa. By employing wide-ranging methodologies and approaches including political activism, installation or video, Dokuyama investigates forgotten memories of the past, places, issues and phenomena that have become hard to see in contemporary society. His artworks underline how in our unpredictable modern world, anyone could become a victim at any time. Facing the past and investigating what has been left behind, as well as what has disappeared, Dokuyama reveals the memories and emotions of people who have fallen through the cracks of history. He questions our conformity and dependency on a given social mechanism, and seeks to uncover the complexity of the reality which is often hidden from our sight.
Colors:
Related works sharing similar palette
© » ART21
Press Release: Art21 to Release Season Finale of “Art in the Twenty-First Century” | Art21 Our Series Art in the Twenty-First Century Extended Play New York Close Up Artist to Artist William Kentridge: Anything Is Possible Specials Art21.live An always-on video channel featuring programming hand selected by Art21 Playlists Curated by Art21 staff, with guest contributions from artists, educators, and more Art21 Library Explore over 700 videos from Art21's television and digital series Latest Video 9:47 Add to watchlist "Now and Forever" Kerry James Marshall Extended Play December 6, 2023 Search Searching Art21… Welcome to your watchlist Look for the plus icon next to videos throughout the site to add them here...
© » KADIST
Frida Orupabo
2018The archival images used by Frida Orupabo in her collages trace stereotyped representations of race, gender, sexuality and violence...
© » KADIST
Kota Ezawa
2014Paint and Unpaint is an animation by Kota Ezawa based on a scene from a popular 1951 film by Hans Namuth featuring Jackson Pollock...
© » KADIST
Enrique Ramirez
2017Ramirez’s The International Sail is the fifth in a series that features an upside-down worn out, mended and fragmented boat sail...
© » ART & OBJECT
The Site Where Alexander the Great was Crowned King Reopens and More News | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » KADIST
Martha Araújo
1982In Habito/Habitante , the suspended material renders the wall a prison and the participant a prisoner...
© » ARTEFUSE
Interview with Megan Nugroho and Samuel Alexander Forest - ArteFuse Where do we look for the antidote to the inevitable challenges and disenchantment of living in global metropolises? At Tutu Gallery, Land Language/Bahasa Bumi offers a place of refuge rooted in Javanese landscape and opens up a world in which nature’s intimate immediacy is materialized...
© » ARTS EQUATOR
ILHAM Gallery is a trailblazer in the Malaysian art scene (via Luxuo) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar June 19, 2018 ILHAM Gallery sits like a secret jewel box in the black-ice exterior of Menara ILHAM, where it has played host to celebrated artists and conceptual experimenters since it opened its doors in August 2015...
© » DIANE PERNET
Through the Lens of Realism: Juergen Teller’s Artistic Odyssey at the Grand Palais Éphémère “I need to live” till January 9th – A Shaded View on Fashion Dear Shaded Viewers, Juergen Teller, a celebrated name in the world of photography, has made a significant impact with his unfiltered celebrity portraits, edgy fashion shoots, and compelling campaigns for renowned designers...
© » KADIST
Josh Faught
2014Some of Faught’s works have been inspired by the ad hoc monuments created at gravesites in San Francisco’s Neptune Society Columbarium, where many victims of the AIDS epidemic were laid to rest...
© » THE INDEPENDENT
Artists' Postcards: A Compendium, By Jeremy Cooper | The Independent | The Independent Of interest to students of art and deltiologists (collectors of postcards) alike, Jeremy Cooper's extensively illustrated book provides the first critical study of the place of the humble postcard in the history of art...
© » KADIST
Kitty Kraus
Composed of two rectilinear pieces of glass, this work is part of a series of sculptures started in 2006...